Audio to accompany Re-imagining the Women’s Mural - a Virtual Tour.

The Women's Mural: Bomboniere to Barbed Wire, originally located in Smith Street, Fitzroy, was created and painted by Eve Glenn and Megan Evans in 1986. You can now digitally experience and discover the history of one of Australia's most significant feminist murals via mobile and electronic devices. Explore its continuing relevance to the experiences of women in Australia through images and interviews tracing the history of this remarkable mural and much-loved Melbourne icon, from its creation to the present day.

Re-imagining the Women’s Mural - a Virtual Tour is a collaboration between Her Place Women’s Museum and the Women’s Mural Documentation Project.
  
We gratefully acknowledge the support of the Victorian Government and Public Record Office Victoria for making this project possible.

We acknowledge the Wurundjeri people of the Kulin Nation as the traditional owners and custodians of the land on which this project was created. We recognise that sovereignty was never ceded, and pay our respects to Elders past, present and emerging.

http://www.the-womens-mural-doc-project.com.au/
https://herplacemuseum.com/

Image: Detail of mural, image courtesy of Megan Evans Archive, photographer unknown, 1986.

Recorded and edited by Scott Heinrich at Fall Back Studios Flemington,
Victoria, Australia, 2019.

Megan Evans and Eve Glenn: The artist’s shared vision for the Women's Mural

Audio to accompany Re-imagining the Women’s Mural - a Virtual Tour.

The Women's Mural: Bomboniere to Barbed Wire, originally located in Smith Street, Fitzroy, was created and painted by Eve Glenn and Megan Evans in 1986. You can now digitally experience and discover the history of one of Australia's most significant feminist murals via mobile and electronic devices. 

Re-imagining the Women’s Mural - a Virtual Tour is a collaboration between Her Place Women’s Museum and the Women’s Mural Documentation Project.
  
We gratefully acknowledge the support of the Victorian Government and Public Record Office Victoria for making this project possible.

We acknowledge the Wurundjeri people of the Kulin Nation as the traditional owners and custodians of the land on which this project was created. We recognise that sovereignty was never ceded, and pay our respects to Elders past, present and emerging.

Megan Evans and Eve Glenn: The artist’s shared vision for the Women's Mural

Re-imagining the Women’s Mural: a Virtual Tour