From the soft, digital murmur of notation software and the absence of physical instruments, The FURICO Music Team (FMT) emerges, not as a band, but as a motion. A pendulum. A thought experiment materialized in waveform. 

Founded in Japan and composed of members TM and TI, FMT is less a musical group than a conceptual unit for sonic construction, deconstruction, and transformation. Describing their works as Auditory Art, FMT doesn’t simply make music; they create what they call "Auditory Art," where sound is both the medium and the inquiry. Every note is born in a digital void, composed entirely through notation software and production tools, unbound by fingers or fretboards. It’s a practice that reveals new sonic geometries and emotional architectures built in impossible spaces. 

Their latest album, Le Cube Dans Mon Rêve (The Cube in My Dream), is a speculative sonic response to Cubism, not its visual representations, but its method. Its disassembly. Its ghostly logic. The origin spark was a quietly buried drawing by a guest collaborator, Chiaki Tamura, a torn, reassembled work titled Temps et Regard (Time and Gaze), which became both a mirror and a catalyst for TM’s reexamination of Cubist thought in sound. 
As TM reflects, "Music history seemingly skipped a Cubist movement. While visual arts progressed through Fauvism, Cubism, Expressionism, and Futurism before reaching abstraction, music moved almost directly from Impressionism to dodecaphony, as developed by Arnold Schönberg and others."  What if that missing chapter had existed? What if sound could be prismatic? What if musical time, like a shattered face in a Braque or a bottle in a Picasso, could be reassembled, fragmented, and out of order? 

The album unfolds in the exact order of its creation, beginning with Cube 1: Le Déclencheur (Trigger), a foundational piece inspired by Cézanne’s visual innovations and imagined as a kind of "Neo-Impressionism" in sound, using tonal ambiguity and rhythmic displacement to suggest fragmented perception. Originally intended as part of a suite with Cube 2: Les Tentatives (Attempts), a geometric deconstruction of the first, these two works became the seed from which the remaining tracks organically emerged, each one reflecting a new facet of the same conceptual object as it is turned, refracted, and glimpsed from shifting angles. 

Though FMT’s work is forward-leaning, it resonates with the subtle futurism and ambient sophistication threaded through Japan’s proto-electronic history. Their music evokes, not imitates, the spatial elegance of Interior, the crystalline classicism of Satsuki Shibano, the fluid bass geographies of Motohiko Hamase, and the generative logic that once launched YMO into myth. These references aren’t about genre, but rather a shared instinct to reshape sound into unfamiliar, emotional forms. FMT extends this lineage not by homage, but by dismantling its language to sculpt new, imagined architectures. 

But this is no academic exercise. FMT’s palette is strange and delicate, sometimes cool and distant, sometimes tenderly off-balance. Sounds echo without sources. Rhythms that seem to emerge in rehearsal. Voices, or echoes of them, drift in and out like fleeting thoughts. It's music composed not to replicate Cubism, but to dream it, to simulate its psychological weight as well as its form. As the album's subtitle implies, Le Cube Dans Mon Rêve is Cubism remembered as it never was: a dream fragment of a movement music never had.

The FURICO Music Team - Cube 6: L'Avant Et L'Arrière (Le Cube Dans Mon Rêve, 2025)

No longer a memory

Better - Psylar (Original Mix)

“Finding Me” is one of the most personal songs I’ve ever written. I had to step away from everything — the noise, the heartbreak, the guilt — to figure out who I really was. I wasn’t the man I wanted to be, and I sure wasn’t the man she needed. So I found peace by the water, with nothing but fireflies, silence, and the truth. This song is my journey back to myself.

Finding Me

+Salz

Who For And What For I Don't Know

(Et) quand la lumière coupe 
..J’ai pas le choix
Sache que mes démons n’écoutent que
Mon silence et ma voix
(Dans) mon esprit pleins de doute 
..Putin crois moi 
La famille ma seule route
Malgré que je m’échappe à chaque fois 

J’passe des heures devant le miroir…
J’regarde les erreurs sur mon visage
J’garde la lueur d’espoir quand meme 
Comment m’y prendre 
C’est toujours les meme problemes
J’sais qu’ca les derange
J’sais qu’ca les demange
Du lundi au dimanche 

J’ai trop de flow
Meme si la vie me defie
Je garde la tete au dessus de l’eau
Malgres mes echecs et mes defaults
J’fais mon possible pour démentler mon ego

(Et) quand la lumière coupe 
..J’ai pas le choix
Sache que mes démons n’écoutent que
Mon silence et ma voix
(Dans) mon esprit pleins de doute 
..Putin crois moi 
La famille ma seule route
Malgré que je m’échappe à chaque fois

𝚀𝚞𝚊𝚗𝚍 𝙻𝚊 𝙻𝚞𝚖𝚒è𝚛𝚎 𝙲𝚘𝚞𝚙𝚎 - 𝚃𝚘𝚗𝚒𝚐𝚑𝚝 (𝚙𝚛𝚘𝚍. 𝚋𝚢 𝙶𝚞𝚜)

“Overload” is an atmospheric future garage track blending broken beats, tense rhythms, and a suffocating urban ambiance. It captures mental and emotional overload, offering a deep, introspective, and slightly melancholic journey. Perfect for experimental bass lovers and urban sound explorers.

Free-to-use info & terms: https://itsoraeth.com/free-to-use
Licensing for commercial use: https://itsoraeth.com/licensing
Listen on Bandcamp: https://oraeth.bandcamp.com/
Support on Ko-fi: https://ko-fi.com/itsoraeth

overload

Artwork by Erli Grünzweil
Cassette Design by Ronja-Elina Kappl

Written & Produced by Ronn Tan Hsien Han
Mixed & Mastered by Ioannis Nafpliotis
Remixes by Quit Life, W.ANNA.W & xato

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Ryouko - Solstice (Quit Life Remix)

"Whispers of the Andes" is a ceremonial journey into the heart of Peru. Inspired by ayahuasca rituals, sacred flutes, and the voices of the jungle, this album carries you through a healing landscape of mountains, rivers, and ancestral songs. Created for deep inner work, ceremonies, and psychedelic journeys, it connects you with Pachamama and the timeless wisdom of the Andes. 🌿🪶✨

Opening the Sacred Path

“Pandora Frequencies – Tribal Future Sound” is an erotic soundscape that merges tribal rituals with futuristic club energy. Inspired by bioluminescent jungles and alien mysticism, this album blends Afrohouse rhythms, melodic techno, and cinematic choirs into a hypnotic Gen Z privé experience. Each track is a primal dance of lust and ecstasy, where the jungle breathes, the bass pulses, and bodies unite in a futuristic orgy of sound and light. It’s both ancient and modern — a ritual reborn for the dancefloors of tomorrow.


1. Pandora Awakens  (Tribal Ambient × Afro Techno)

Wonder of U is an underground artist known for his unique blend of hip-hop and experimental, often dark, electronic sounds. His music often falls within the realms of lo-fi, trap, and cloud rap, with heavy atmospheric production and hypnotic beats. The themes in his tracks often revolve around introspection, altered states of consciousness, and emotions like melancholy or detachment.

No longer a memory

Wonder Of U

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