Chopin Ballade No. 1, Op. 23

Vampire Waltz

Liszt, Hungarian Rhapsody No.2

Jun Keller, violin // Hiroshi Kato, piano // live recording

Kreisler: Schön Rosmarin

watch: https://youtu.be/ioUCZHO1nvE?si=76088rqQCBRAOubP

Masterpiece - Jessie J ｜beautiful piano

Chopin "the Bees" Etude op.25 no.2

Liszt Liebestraum No. 3 Love Dream
Piano : Tsukasa Tawada, Mar. 2016, Tokyo JAPAN
https://www.youtube.com/watch?v=ipcP28RdJqI


リスト 愛の夢 第3番
ピアノ ： 多和田 吏

Liszt Liebestraum No. 3 Love Dream - Tsukasa Tawada

Although the “Kreutzer” Sonata, Op. 47, is dedicated to Rodolphe Kreutzer, the original dedication was to George P. Bridgetower (1779-1860), for whom the piece was written. Bridgetower, an African-Polish violinist who lived in London.
Rodolphe Kreutzer (1766-1831) was a French violinist of great renown whom Beethoven met in Vienna in 1798.

Beethoven’s decision to dedicate the sonata to Kreutzer instead of Bridgetower was probably related to his intended move to Paris and a wish to ingratiate himself with French musical luminaries. Legend has it that Beethoven changed the dedication because he and Bridgetower quarreled over a woman. Kreutzer most likely never knew of the dedication, and it is almost certain that he never played the piece.

The “Kreutzer” Sonata was published in 1805. Beethoven described the piece as “written in a very concertante style, like that of a concerto,” explaining the internal conflict generally associated with his larger works.

Beethoven’s “new path” is everywhere evident in the first movement of the “Kreutzer” Sonata. The only slow introduction Beethoven ever wrote for a violin sonata is actually the only portion of the movement in A major, which gives way to A minor at the beginning of the Presto sonata-form section. Development of the first theme does not occur until the lengthy, weighty coda, which is much more symphonic than chamber-style in conception.

Ludwig van Beethoven. Sonata No. 9 "Kreutzer" for violin and piano, op. 47

Wieniawski Violin Concerto performed in Sears Hall 

Wieniawski Violin Concerto No. 2

Dislcaimer: I do not own the piece , all credits belong to the original author / composer / pianist

Art belong to : https://daisukerichard444.wixsite.com/daisukerichard

Tiffany Poon - Debussy Clair De Lune

I deliberated—frustratingly so, and longer than I care to admit—over words which bled in spectrums of poetics, yet held no meaning; all for the sake of clarifying a reason behind this creation.

It is then that I realised this mystifying reason is unknown to me. That, in itself, is its meaning.

The charm of music is that it speaks for itself, often without words. It weaves stories in minds and hearts of all who are free to interpret each note, and envision each tale as they see fit. It inspires, it perplexes, and it resonates.

This is what I shall leave you with, and only this; music.

What stories, dreams, and emotions it may conjure are entirely your own.

Vampire Waltz

WonderWax

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