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Gradus

Someone trying to make a better life for themselves with a new start in another city.

Only One Direction

I'm starting a new project inspired by the night. Must be the time of year!
The guitar is a PRS SE Custom.

The photographer for the cover art is Sarah Justine. 

All Rights Reserved 2022

Night Moves

Cold Heart

COLD HEART

Support Heartscore and buy the full album on Bandcamp (10 tracks)
https://heartscore.bandcamp.com/album/the-edge-of-times

Highway killer

I don’t care about the price of gasoline
I push the pedal to the max
I’m speeding on the left trail and when I see swine
I’m counting on my fast reflex

Out off my way! 
Hear what I say!
Crash into you!

I’m the Highway killer, I’m the Highway killer
The meanest Porsche chiller!

Rolling, rolling over children, mom and dad
Grandma’s rollator was not fast enough
Slow, old pedestrians are driving me so mad
I crush them with a subtle laugh

Out off my way! 
Hear what I say!
Crash into you!

I’m the Highway killer, I’m the Highway killer
The meanest Porsche chiller!

Hunting animals with my radiator-grill
Some trophies hanging on my wall
Who would dare to stop me against my will
I shoot policemen in the head

Out off my way! 
Hear what I say!
Crash into you!

I’m the Highway killer, I’m the Highway killer
The S.U.V. caviller!

Giacomo Rossi: Vocals https://www.youtube.com/@GiacomoRossi92
Dirk Radloff: All instruments, production
Music and lyrics by Dirk Radloff

Highway Killer

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

Heptagram

Lydian Dominant

JOINT MANOEUVRES

Original Score inspired by the Todd Keisling novel Devils Creek

Father Jacob

Doctor O Remix

mummy and daddy, are tucked away.
time for children, to come out and play.
open the wardrobe and out i come.
it's time for us, to have some fun.
i'm your friend, i've never lied.
soon you will join me, on the other side.

The children's secret friend.

We’re all survivors one way or another.  Welcome to the story of one of them.  

Yet another exploration into the coexistence of genres.  

Shun banality.  

Enjoy.

Song For Survivor Emma Curry

I love all music !                                                                            I make beats.  
THANK YOU FOR LISTENING!!!                                                                          
                                                              
                    THESE ARE ROUGH MIXES
Listen WITH HEADPHONES

Doctor O Remix

wooddrum

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