Soundscapes, Soundscape Ecology, & Acoustic Ecology

Rinse FM Podcasts

Download

Uncle Dugs - 09 April 2021

A CHANCE ENCOUNTER (For 4 Artists, 8 Speakers, 7 Images and 16 Questions)8-channel sound work, 7-part series of images (2018/2019)
Collaboration between Bojana S. Knežević (SRB), Yvette Janine Jackson (USA), Katarina Petrović (SRB) and Karen Werner (USA)
February - April 2019 / TONSPUR_passage, TONSPUR Kunstverein Wien, MQ – MuseumsQuartier Wien
Stereo mixdown_Bojana S. Knežević
Broadcasted at Radio Orange (Vienna, april 2019)

Four artists explore sounds, meanings and experiences of trust through an experimental creative approach. The idea of this piece is based on a mutual trust between the artists who are becoming collaborators by accident. An 8-channel composition is created from 4 separate pieces made individually and in dialogue, yet without prior hearing of each others' parts.

*My sound contribution to this piece is collection of voices documented at the participatory event - small retrospective under the title Let's just call it the new one, which was held at the performance hub K48 in Vienna. A large amount of text (scripts) was exhibited. With the slogan New talents wanted now, the audience was invited to interpret the texts. The gallery space divided into two rooms was reserved for rehearsal, premiere and cocktail party. Unexpected dialogues and spontaneous combinations of different scenarios have grown into a hybrid narrative.

A Chance Encounter_Bojana S. Knežević, Yvette Janine Jackson, Katarina Petrović and Karen Werner

In this episode of Patch Notes, Rush records a 30-minute performance in her studio that covers the full range of her musical style, moving from bleepy, minimalistic techno through warmer dancefloor sounds before finishing on an emotive ambient note.

FACT_Patch Notes_Dasha Rush _Live session

https://radiopunctum.cz/shows/eastbloc-dispatches

Tracklist:
AGF - Capitalism Crashed (Karl Marx RMX)
AGF - EU-rope
AGF - greim93
AGF - reason: 544
AGF - deathSCAPE
AGF - MOSQU-ito
AGF - MIGration
AGF - ripping this track
AGF - greim69
AGF - MYCOrrhizosphere
AGF - Nossis ≈ 300 BC
AGF - Leontion ≈ 300 BC
AGF - Hipparchia of Maroneia ≈ 320 BC
AGF - contemporaryWESTERNIZED
re-con sound - Anto_nie_ - gossip

Eastbloc Dispatches 09/22 by Andra Amber Nikolayi w/ AGF

RADIO.D59B / WINE BAR MIX part.2 w/ Jan Nemeček & Lukatoyboy @ D59b Berlin

flipped the 'main teri dushaman' sample into amapiano

Free Download

SNAKE CHARMA PIANO

When we think of the sound of sport on TV or radio, it's generally commentary. But what's around the commentary? Broadcast sport would be nothing without the crowds, the kicks, the thwacks and the grunts. This programme is about those sounds and why they matter.

During the World Cup of 2010, the Vuvuzelas made many people realise that the sound of a sports event, something they took for granted, does matter.

Dennis Baxter's job is to think about the sound of sport, and he is our guide. For nearly 20 years he's worked on the Olympics, defining how the broadcast will sound, always trying to increase drama and excitement. For him, closer is generally better. If he can put a microphone on an athlete, he will.

At the Oxford-Cambridge boat race, the TV coverage is enhanced by microphones on the cox in each boat. Whilst Wimbledon has a special sonic drama all of its own, as we learn from Bill Whiston who mixed the Bafta-nominated sound of the 2008 finals.

When good sound isn't available, it's not uncommon for a prerecorded sound to be added to cover the shot. Is this cheating or merely giving us what we expect?

The experience of "live" events can be highly produced, very different from the experience of being there. Is this enhanced sound so very different from that of a film or a video game? We meet a Hollywood sound effects specialist and a video game sound designer to find out what they do to create a sense of authenticity and excitement. Are they raising our expectations of how "real" sport should sound?

As we approach the 2012 Olympics, this programme will make you think more about what you hear when you watch sport.

First broadcast on 30th April 2011 BBC Radio 4
Presented by Dennis Baxter
Produced by Peregrine Andrews

The Sound of Sport

Quick little edit of one of my fav Dancehall tracks. Needed a super lit club version and couldn't find one, so I decided to make one. Just in time for SHOTTAS! 
Boxing Day Lituation
at Trans-Pecos
10pm-4am

Ding Dong x Bob Traxx- Badman Forward (Tygapaw Edit)

The first episode in a new series of podcasts looking at – and listening to – the sounds of the world around us. The forthcoming instalments will look at all aspects of our noisy cosmos and how we listen to it, the stories we tell about it, and all the ideas, inventions, discoveries, possibilities and ideas that live in the realm of the audible. Written and produced by Tim Hinman. Supported by B&O PLAY

We kick off with the ambitiously titled episode "The Sound Of Life Itself" where we meet field recordist, sound ecologist and musician Bernie Krause.

01 – The Sound Of Life Itself

Paulus and Annie take to the studio to fight through acoustic ecology jargon in search of a better way to listen. 

Photo credit: Joel Rogers

Soundscapes In Crisis: A Love/Break-up Letter to Acoustic Ecology

Composed radio documentary about ecological sound art, broadcast on Resonance FM on 23rd June 2015 as part of Critical Waves Radio.

Critical Waves

'Ecoacoustics' - composed documentary for Critical Waves Radio (2015)

Documentary commissioned by basic.fm. Newcastle, England.
A two-part documentary investigating the history and influence of the Acoustic Ecology movement started by R. Murray Schafer in the 1970s.

Documentary - A Short History Of Acoustic Ecology: Part 1

A new montage of recordings largely taken from the World Soundscape Project's 1973 Canadian Collection.

A The Canada Collection  A World Soundscape Project Montage from 1973 was commissioned by Pixel Palace for Basic FM

The Canada Collection  A World Soundscape Project Montage from 1973

An audio documentary by Chris Wood, Camara Miller and Nathan Clarkson. Mastered at The Banff Centre by Magdalena Kasparek.

The programme is an overview of soundscape studies and acoustic ecology featuring new and archive interviews with Hildegaard Westerkamp, Barry Truax and researchers from Simon Fraser University, Vancouver, Canada alongside recordings from the World Soundscape Project.

A Short History of Acoustic Ecology was commissioned by Pixel Palace for Basic FM

A Short History of Acoustic Ecology

With great anticipation, Monument welcomes acclaimed artist Dasha Rush, who exports her immersive liveset - experienced at About Blank in the event series Ambientgarden.

Read More : 

https://mnmt.no/magazine/2021/02/18/mnmt-recordings-dasha-rush-live-ambientgarden-about-blank/

Follow :

https://soundcloud.com/dasha-rush
https://www.facebook.com/dasha.rush.music
https://www.instagram.com/dasha_rush_official/
https://fullpandarecords.bandcamp.com/

MNMT Recordings : Dasha Rush (live) - Ambientgarden :// about blank

http://www.chriswood.art
http://www.twitter.com/whirringcat

The Canada Collection A World Soundscape Project Montage from 1973

chris wood

Recent comments

catchtheleaves

Krunkwerke

Related tracks