Samples from Sam Rady's Signature Bass Preset Pack
Buy now at http://shop.worshipsoundguy.com

NO MOOG? NO PROBLEM!

MAV CITY P BASS

MAV CITY MUSTANG

MAV CITY J BASS

CHURCH BASS TONE

This is a clip of live drums without processing and then with the basic drum presets engaged halfway through the clip.

Fully customized Behringer X-32 Show Profile with over 130 Presets and an e-book on getting the most from your mix is available now at bit.ly/WSGX32

Worship Sound Guy X-32 Before/After Drum Demo

This is a clip of a full mix without processing and then with the basic mix presets engaged halfway through each section of the song. The presets turn off and on several times for each section.

Fully customized Behringer X-32 Show Profile with over 130 Presets and an e-book on getting the most from your mix is available now at bit.ly/WSGX32

The Way - Worship Sound Guy X-32 Before/After Mix Demo

These are before and after demos of what your mix can sound like using the X-32 presets/showfiles. To learn more, visit www.bit.ly/WSGX32V2

Piano Processed

Piano Raw

Guitar Processed

Guitar Raw

Bass Processed

Bass Raw

Toms Processed

Toms Raw

Snare Processed

Snare Raw

Kick Processed

Kick Raw

Vocal Processed

Vocal Raw

Drum Kit Processed

Drumkit Raw

A real before and after mix from a Mix-U Student. We had our student do a "virtual sound check" mix on an Avid Venue console before and after going through Sound Guy Essentials. The difference was amazing!

Sound Guy Essentials Mix After

Sound Guy Essentials Mix Before

Before and After Examples of Live Stream Mixes from Worship Sound Guy. To learn more and get your audio mixed, visit https://offers.worshipsoundguy.com/livestream-mixing

Before Mix - Raise A Hallelujah

Before Mix - Beyond

After Mix - Raise A Hallelujah

After Mix - Beyond

In this set, I demonstrate different snare mic positions to achieve different sounds. Check out www.WorshipSoundGuy.com to read this blog and find other great info!
1. 4 Snare hits. The first two have the top and bottom mic out of phase. The next two have the polarity button on the console engaged so they are in phase.
2. The solo'd bottom snare mic.
3. Top snare mic placed over the rim at a slight angle.
4. Top mic from the previous example plus the bottom mic.
5. Top snare mic with with a greater angle (about 45 degrees)
6. Top mic from the previous example plus the bottom mic.  


2 Hits Out of Phase 2 Hits In Phase

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