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Fragments

MONTREAL SEX MACHINE. GM056. DEBUT 12" OUT 15 JUNE 2014.

press contact nbs at entergodmode dot com

Montreal Sex Machine - Blackout - GODMODE

Jeff Tuohy - Bourbon Street - [www Flvto Com]

Lemon Demon - Touch Tone Telephone

The rhythms of hip-hop provide a placemat for nervously melodic splendor and a melting pot of genres.  What are we to call this compellingly oddball mélange of rock, rap, jazz, reggae, and other influences, all in sway to some of the most mirthfully self-conscious streams of consciousness you’ve ever heard? We could call it attention-deficit-disorder rock. Or maybe we should just call it Forrest Day, the Bay-area bandleader who’s releasing his self-titled full-length debut on the Ninth Street Opus label. 

Cohorts include guitarist Terrell Liedstrand, a bandmate of Day’s since they were both 15, and bassist John Sankey, another high school buddy. Keyboard player Nick Wyner also came on board when the band was founded in 2006, and Jasper Skydecker joined up as their first full-time drummer a year later. When they went into the studio together for the first time, it was with several years of live performances under their belts and a chemistry that Day wanted to capture—and ever-so-slightly digitally tamper with.

“We hit analog tape with everything, but then dumped it into ProTools to manipulate it there,” says Day, who produced the album himself. “So a lot of it is like a big marriage between actual performance and then, in editing, turning some of the songs into loops—though it doesn’t really sound like it, because it’s so analog-sounding.” Day also points out that “there’s not a sample on the record. We brought in real violin players, who were in the room with real saxophones.”

Day’s amusingly confessional songwriting dabbles in social commentary about corporate greed (“Hoarders”) and our overmedicated society (“Meds”), among other concerns. But he returns again and again to everyday struggles common to itinerant musicians and non-musicians alike: bad bosses, lost jobs, debt collectors, and the girlfriend as muse or unwitting patron of the arts. There’s an elaborate work ethic apparent in these meticulously crafted tunes that would seem to put the lie to lyrics that talk about being dreamy, uncertain, and aimless. What we have on this striking debut, then, is a collection of incredibly focused anthems for an unfocused generation. 



Forrest Day - Sleepwalk

From the album "Counterfeit Arcade" (2011)

For The Departed

Inexpicable

Inexplicable

Mystery Skulls - Fake

We were all knocked out by the Frankie Rose and the Outs album from 2010, the effortlessness of its gorgeous girl-pop mantras, the intimate immensity of its Spector-esque walls of reverb, the beauty of a song sung sweetly over the most graceful two-chord vamps. But are you ready for the new Frankie Rose? – her transformation into a wholly other kind of pop, the reverie and revelation of "Interstellar," an album that floats free of its maker’s history – time spent with Vivian Girls, Dum Dum Girls, Crystal Stilts, and creator of one of the most breathlessly compelling girl-pop albums of the past few years – and offers the listener something strangely other, as alien as it is familiar, as compelling as it is enchanting.

Talking with Frankie about the record, it’s clear she was itching for a new start. The first big indication – production by Le Chev, remixer supreme (for Lemonade, Narcisse, Passion Pit, and Frankie’s own “Candy”), an ensemble member of Fischerspooner, etc. “We recorded the record in a private studio dubbed The Thermometer Factory in Park Slope. I wanted this record to be totally different and in so doing I knew I had to work with someone who would lend fresh ideas and know how to make sounds that I wouldn't know how to make. I wanted to make a particular record and I knew Le Chev would be the one who could help me do it.”

So, out with the reverb of the Frankie Rose and the Outs, and in with something altogether more glam, glittering, shivering. On "Interstellar" Frankie takes the lessons learned with her debut album – like reverb as the holy route to pop-grandeur, scaling a wall of teenage tears – fully digests, and transfers those skills into the brave new world mapped out by ten new songs. In its place is the confident swagger of a singer and auteur fully aware of how to build the simplest of pop moves into aching, full-blown melodramas, how to grab hold of an emotion and ride its darker waves. “I always have a big picture in mind,” Frankie reflects. “I knew I wanted a HUGE sounding record. Big highs, big lows, and clean. There is no fuzz on this record. I knew I wanted to make a streamlined, spacious record with big choruses that sometimes referenced 80s pop.” But that referencing never swamps the melodies: this record isn’t a retro trip. If anything, it liberates sounds familiar from that decade and gives them new context, breathes life into clay golems of sound that too often become basic, pre-set triggers.

On "Interstellar," Frankie Rose goes epic, goes widescreen.

Out February 21 on Slumberland Records in US, Canada, Asia, Oceania.
Out March 19 on Memphis Industries in Europe.


Frankie Rose - Night Swim

-MASA Works DESIGN- - The Clear Demonic Mirror

MGMT - Kids (SLOWED)

omg what did I do... o_O sounds so bad, hearing it again 1.5 years later xD

What "Ice God of Hungary" could sound like... bassline starting at 00:25

http://teentheband.com/
https://www.facebook.com/teentheband

TEEN - Electric

I recently heard this remix on Mini's Channel and thought it was awesome, I wanted to download it but obviously there is an intro so I removed that and boosted the gain of the beginning so that it's not really quiet. Props to D1 for this remix, Go and check him out here:
https://www.youtube.com/watch?v=l_XC4...

And Go and check out Mini Ladd's Content here: 
https://www.youtube.com/user/MiniLaddd

Mini Ladd - I Dunno The Wordz (D1 Of Aquavibe Remix)

stream smarturl.it/CKA3KA
http://cka3katour.com/

я из страшной русской сказки
все равно откуда ты
не боюсь дневного света
здесь итак хватает мглы
мир подарит сколько просишь
заберет когда не ждешь
не играю в твои игры
ты когда-нибудь умрешь
(x2)

набираю грудью воздух
чтобы больше не дышать
все что ранит - забываю 
чтобы раниться опять

ляляляля
расколдуй меня 
ляляляля
расколдуй меня 
ляляляля
расколдуй меня 
ляляляля
расколдуй меня

было больно - снова будет
я не плачу по тебе
это холод выжигает 
слезы на моем лице
не хотела бы я видеть 
то что скрыто впереди
тянет грузом сердце в пропасть
каменея изнутри

я из страшной русской сказки
все равно откуда ты
не боюсь дневного света
здесь итак хватает мглы
мир подарит сколько просишь
заберет когда не ждешь
не играю в твои игры
ты когда-нибудь умрешь

прикоснись ко мне 
это я
это я
снова снюсь тебе
это я
это я

ляляляля
расколдуй меня 
ляляляля
расколдуй меня 
ляляляля
расколдуй меня 
ляляляля
расколдуй меня

мое имя - твой страх
кровоточит на губах
(x8)

СКАЗКА / FAIRYTALE

Stream 'Forget' on Spotify: https://spoti.fi/2TDbBoN Apple Music: https://apple.co/2C5CE4Y

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Wormsss