Break Me [Master]

Almost 80's tinged uplifting chill piece.

Holy Halls Are Coming

Yeah. Let's have some fun with sound ◡̈

Inperfection

A nice experiment with the Trillian plugin.

Live At The Hexacore

Darkness Eats Her

Another track about my kids. And just how weird they can be. Imagine the first part of the track is what you read in books about kids... then the kids turn up.

The Boy Who Looked Back

Another track made for my coding set. I just love stacking stuff.

Leaves me in tears this one. My gamer name is Neurojazz and I adopted it because of my ADHD weird head jumping around in the music space.

The track has all these disjointed unique parts that weave into a sorrowful healing... A great weight feels left behind the eventual rise. I really love the staged lifts into glorious layers.

Unfitting

Precursor to 'Break Me'.

Released & remixed by DLA.

Proffesional Window

Squinny

A massive lead line lift the track out of its mire. I wanted to reverse the breakdown in slowly, then hop into the lift when least expected - then driving the track onwards with the droning melody.

Unknown - Unloved

One Year

Track with a Scottish feel to it. Lacks vocals.

Obliva

Grabbed a guitar, had some fun with Stylus RMX and this beautiful bouncy fucker was born.

Egg Of Death

A deep flowing piece, chilled, & uplifting.

The Drift

There's a part of me that wants to trigger as many parts of brain as possible on the tranced journey through music. I'll probably be revisiting this track in future to really lift it off the ground.

Tech Electro

I love this piece. It's simple, moody, unhurried, and an open melody that carries itself across the barren void of the music.

I Am Grave

1 of 3 chill tracks banged out from a mattress on the floor after playing a gig in the north of London. Met an AMAZBALLS poet who acted a piece out that transformed from the voice of the devil, into the voice of god - talent, and people who take pride in their craft is an amazing thing to witness.

Dogma

Track 04

Live piece created using a Roland Workstation in the late 90's

Track 13

Massive use of pure saw waves through a vocoder to create a weird, but happy backing for this track. The melody was worked out as mathematically repeating divisions according some simple rules; The melody turned out WAY better than expected. It built, morphed, and delivered a gorgeous journey.

Vocoder

Sample vocals taken from Dinah Washington's 'Bitter Earth'. Acoustic drums sample by Sam Pattimore.

A range of influences used to create this bouncy little number.

What Good Is Love

Bitter Earth [Missing you both remix]

A weird, awkward classical piece gets abducted by robots

Tiny Moments Of Time

Banger 1dd

Well. It's cheese and an Easter egg for like 0.098% of the population.

Nr1g

This will probably be the weirdest thing you'll hear today. It's an over-engineered glitch/techno journey that is almost as annoying as myself.

Trial Of Error - 1f

Cheesy uplifting found buried in folders.

Pace 1i

Probably the most fun thing I've ever written.

Headphones recommended!

Grippy

Track refused to leave DAW, so feel free to half enjoy this.

Fun 1

Peace & Harmony (Ancient Darkness)

Matt Laws & Lerk Hern carve out this extreme crossover furious groove that encompasses strong elements from D+B, Trance and some Heavy Metal roots as a platform for Lerk Hern to penetrate the deep recesses in your psyche with his blissful and intense vocal performance. The track is all about the human race and technology -  specifically the internet and the digital theft that figures in every aspect of our daily lives. As an evil that encroaches around our minds and hearts we are naked and unable to protect ourselves from the influences and temptations that surround us and the choices that are easy to make.  Check Lerks versatility here - http://soundcloud.com/lerkhern 

Insidious - Feat Lerk Hern

Complextro, Hard Trance Electro with sounds borrowed from just about every genre.

This is a freebie because this profile is now closing - for my new project - head to:-

http://soundcloud.com/glitchorus or http://www.facebook.com/Glitchorus

Many thanks for your past support!
 

When the Universe comes

Re-mastered and some arrangement work.  Shaping up into a nice piece!

The Agony & the Ecstasy

******* ********* ************ **** ******* **** [/rant]

Sea Floor

Matt Laws is an accomplished engineer, programmer, sound designer, remixer, and able to infuse unique twists into projects. He places his music on the fringe of various genres, making it accessible to a wide audience.

His musical journey took off with the success of Binary Finary's Trance Classic "1998" in the 90s. Since then, Matt has continuously honed his skills, delving into diverse genres and producing a vast spectrum of electronic and recorded compositions. His extensive back catalog, comprising over 150 pieces, ranges from the tranquil tones of Chillout to the high-energy beats of Drum & Bass. Each creation is a showcase of his passion for sound design, often pushing the boundaries of equipment to explore new sonic territories.

Matt has a passion for teaching, thriving in collaborative environments bringing years of creative expertise to projects to help artists discover their full potential.

Matt Laws

Pinned to spotlight

Popular tracks