These are the Top 20 Most Played Tracks from Wud Records at SoundCloud in 2015.

We hope there are some you like! Thanks very much for your support. \,,/(^_^)\,,/

http://www.wudrecords.co.uk/
https://wudrecords.bandcamp.com/
https://twitter.com/WudRecords
http://www.explicitmusic.co.uk/

20 Most Played Tracks of 2015

wanted to put this out for now,
im still working on it but felt like its time for a demo.

dirty hands demo.mp3

Appalachian Verdict

Lucia Santos (Vocais, guitarra, baixo e bateria eletronica)

2024

Perda De Tempo

Strange Town

My remix and master of The Western Den performed live at Telefunken Studios.
All audio files have been engineered and recorded by TELEFUNKEN Elektroakustik and are presented for educational and demonstrational purposes only.

The Western Den- Like You Do (Live) KRB Mix MP3

Party Man by Now.

Music and lyrics by Mark Drower.

Copyright © 1982 Wud Records.
Copyright ℗ 1982 MGD Music/Explicit Music.

Musicians:
Mark Drower – vocals, acoustic guitar
Jon Kneebone – drums, percussion
George Davies – lead guitar

Also present but not plugged in:
Pok
Pete Rippin

PARTY MAN
I’m a Party Man
I live in squares
I move by threes and fours
Well I can say and do almost anything
Big Brother’s word is law

Believe me I’m a Party Man
Through and through
They own me to the core
Well I can read your thoughts, believe you me
Big Brother’s word is law

Believe me I’m a Party Man
Or so you’ll find
Plus good and the best
Well we’ll kill you and all your kind
Remove you like the rest

As it was in the beginning, is now, and ever shall be
B.B. without end
As it was in the beginning, is now, and ever shall be
B. B. – Amen

I’m a Party Man
I live in squares
I move by threes and fours
Well I can say and do almost anything
Big Brother’s word is law

Believe me I’m a Party Man
Through and through
They own me to the core
Well I can read your thoughts, believe you me
Big Brother’s word is law

Believe me we’re all Party Men
Or so you’ll find
Plus good and the best
Well we’ll kill you and all your kind
Remove you like the rest

As it was in the beginning, is now, and ever shall be
B.B. without end
As it was in the beginning, is now, and ever shall be
B. B. – Amen
As it was in the beginning, is now, and ever shall be
B.B. without it
As it was in the beginning, is now, and ever shall be
B. B. – Amen

We’re all Party Men
We live in squares
We move by threes and fours
Well we can say and do almost anything
Big Brother’s word is law

As it was in the beginning, is now, and ever shall be
B.B. without end
As it was in the beginning, is now, and ever shall be
B. B. – Amen
As it was in the beginning, is now, and ever shall be
B.B. without end
Without end

See also:
http://www.wudrecords.co.uk/artists/now/inauguration
http://www.explicitmusic.co.uk/lyrics-information/now/inauguration/party-man
https://twitter.com/WudRecords

Inauguration

03/10/1982

Now: Party Man

Colt 44 by Dark Company, from the album Benign Inquisition.

*** demo/work-in-progress ***

Lyrics by P. Greatorex.
Music by G. Davies/P. Greatorex.

Copyright © 2015 Wud Records.
Copyright ℗ 2000 Explicit Music.

Recorded and engineered at Wud Records Studio One.

Performers:
Vocals - PJ Speed
Guitars - Zak Black
Keys - Josh Reynes
Bass - Maxx Damage
Drums - Sven Stiglund

COLT 44
Desdemona was a loner
Trouble was no-one had told her
What would be right
What would see right
What would come up and tap her on the shoulder

I see Lily kinda silly
Her icy stare was oh so chilly
Does she know it
Will she blow it
Does she see she’s got to show it

Ladies with long barrelled guns
Ladies with long barrelled guns
Ladies with long barrelled guns
Ladies with long barrelled guns, ah ah ah

Yeah Rebecca gotta connect her
Move the levers that will select her
Is she lying
Is she sighing
Is she saying you must protect her

Ladies with long barrelled guns
Ladies with long barrelled guns
Ladies with long barrelled guns
Ladies with long barrelled guns, ah ah ah

Esmerelda what was it held her
Does she think one day they'd sell her
Can she stay there
Just like lay there
Is she waiting for you to tell her

Ladies with long barrelled guns
Ladies with long barrelled guns
Ladies with long barrelled guns
Ladies with long barrelled guns, ah ah ah
Ladies with long barrelled guns
Ladies with long barrelled guns
Ladies with long barrelled guns
Ladies with long barrelled guns, ah ah ah

Fun Facts:
This song is in the key of Cm and is 136BPM.
The Plank was tuned down to Bb-Eb-Ab-Db to make things sound super-low.
Despite the cold icy bleak beauty of this song, we can reassure the listener that this particular tale had a happy ending a few years later.

See also:
http://www.wudrecords.co.uk/artists/dark-company/benign-inquisition
http://www.explicitmusic.co.uk/lyrics-information/dark-company/benign-inquisition/colt-44
twitter.com/#!/Dark_Company
https://twitter.com/WudRecords

Benign Inquisition

Colt 44

Downloads

Dark Company: Colt 44 (alpha mix)

Exstacy by Dark Company, from the album Can of Worms.

Lyrics by P. Greatorex.
Music by G. Davies/P. Greatorex.

Copyright © 2015 Wud Records.
Copyright ℗ 1989 Explicit Music/D & G Music.

Performers:
Vocals - PJ Speed
Guitars - Zak Black
Bass - Maxx Damage
Drums - Sven Stiglund

EXSTACY
A thousand pieces he sees
A thousand times in a deep freeze
Recreated in a tight squeeze
Does it fit does it please
Edge and top the brite keys

Summer day under winter rain
Sunlight paints the clouds with flame
Golden watch on a cardboard chain
Inside the jigsaw it’s all the same
Inside the jigsaw it’s all the same

Little bits of shiny shapes
A billion lines that cannot wait
A soldier leans upon a gate
The moon is ready it’s getting late
But the clock it says it’s always eight

Time is like a broken drum
You can’t beat the hours but still they come
From a silent night in frozen fun
Across the jigsaw colours run
Across the jigsaw colours run

Candy sweet too good to eat
Fairground’s just across the street
Fire burns but it gives no heat
Children run but don’t move their feet
When the puzzle’s done the ends will meet

I’ve got time to be alone
Thoughts that drop like silent stones
Inside my head inside my home
Jigsaw hours all have flown
Jigsaw hours all have flown

Fun Facts:
This song began life as a rather hurried riffy heavy metal song.
Nobody liked it very much but loved the allegory and riddle of the lyrics, so one day when George was fooling around with the rhythm guitar part he found the lyrics fitted it pretty well and so the song was resurrected with its current jazz pop funk groove stylings,
The original key was A major, but this new version of the song is in Bm.
The lyrics. dated 1989, date back to the earliest days of Alien Heat, but that band never attempted to play the song.
Can you solve the riddle?

See also:
http://www.wudrecords.co.uk/artists/dark-company/can-of-worms
http://www.explicitmusic.co.uk/lyrics-information/dark-company/can-of-worms/exstacy
https://wudrecords.bandcamp.com/
https://twitter.com/Dark_Company
https://twitter.com/WudRecords

Email: darkcompany@wudrecords.co.uk

Can of Worms

Exstacy

Dark Company: Exstacy (demo)

Farsight by Flicker.
Album: At Least 1000 Words

Music by G. Davies/D. Danielli/G. Barbe/N. Board.

Performers:
George: guitars, synths, keys, samples
Dave: bass, drums, samples 

Samples:
Maharaj Ji, Jonathan Agnew, stinsv.com

Project directed by George Davies.

Drums recorded at Clark’s Cottage, West Putford, North Devon.
Strings recorded at Chiseldon House, Exeter.

Engineered, mixed, produced and mastered by Dave Danielli.
Remastered at Wud Records Studios (uk) 2012.
Remastered again at Wud Records Studios (EU) August 2023.

Originally released 31st July 2002.
First re-release 12th May 2012.
Second re-release 1st September 2023.

Copyright © 2023 Wud Records.
Copyright ℗ 1995 Explicit Music.

Fun Facts:
* Farsight is the oldest piece on the album At Least 1000 Words.
* It is a piece that George wrote around March 1995, during the days of The Ug Brothers.
* Any recordings of the original have been lost to the vortices of time and the land of refugee cassettes – the Tape Void, as the Ug drummer Graham used to call it.
* Originally there were words for it too.
* These lyrics described the kingdoms of the mind, those inner spaces, places and temples; the mythology of the self that begins in early childhood, a mysterious and magical place that is a sanctuary where only you can go, a place that is reachable in the blink of an eye yet can be so far, far away in space, time and reality.
* This place never really allows any other individual, however close a relationship and understanding they may have with you, ‘access all areas’ – perhaps for the best, as we all need our own castle to retreat to occasionally.
* Farsight is dedicated to that very world that exists within all of us, our private fantasy space, where we go in our dreamtime, and the place from where art comes or is filtered through to us from the farside perhaps, and the zone you are in when you are ‘in the zone’.
* Dave then wrote some other more Ug-like words.
* The only two that can be recalled are “wondering why”.
* The Ug Brothers disbanded before the song was ever performed live.
* This was a great shame as Farsight was one of the band’s collective favourites and one of the last new pieces they worked upon.
* We have been unable to dig up any Ug Brothers recordings of Farsight.
* Natalie, the Ug singer, came up with a vocal melody for the lost lyrics penned by Dave.
* A small fragment of that melody remains, in the very beginning of the lead guitar part, the rest again vanished forever to the realms of nilspace.
* This instrumental version of Farsight seemed to be a convenient resolution.
* In as many ways as possible it is largely true to the original Ug Brothers version.
* The piece begins in G minor but ends in C major and runs at 120 bpm.
* That was exactly the speed of the rhythm of the bridge on the USS Enterprise in the first Star Trek series, a sound which we used from the website www.stinsv.com, and just seemed perfect by its synchronicity.
* As the piece begins you can hear a Klingon door opening, from the same site – to let you in.
* Flicker tried to get the sound of a motor race into the soundscape, but it didn’t work so was left out.
* The percussion is probably not so different from the original played by Graham, again lost to the mists of time.
* Dave certainly delayed coming in with the full drumkit to the exact same point as The Ug Brothers.
* Dave’s beautifully expressive and critically acclaimed bassline, played on the Fender, was what drove and made the piece distinct.
* All the guitar parts are played on the Ice Maiden apart from the lead line, which was recorded using Nicodemus.
* Full details here: https://www.explicitmusic.co.uk/lyrics-information/flicker/at-least-1000-words/farsight

See also:
https://www.wudrecords.co.uk/artists/flicker/
https://www.discogs.com/release/17114565-Flicker-At-Least-1000-Words
https://www.redbubble.com/people/flickermusic/shop
https://twitter.com/WudRecords
https://linktr.ee/flickermusic

At Least 1000 Words

Farsight

Download

Flicker: Farsight

Moonpath by Flicker.
Album: At Least 1000 Words

Music by G. Davies/D. Danielli.    

Performers:
George: guitars, Plank, synths, percussion
Dave: drums, djembe

Project directed by George Davies.

Drums recorded at The Old Mill Studios, Thorverton.
Recording engineer: Greg Daniels
Strings, synths and percussion recorded at Chiseldon House, Exeter.

Engineered, mixed, produced and mastered by Dave Danielli.
Remastered at Wud Records Studios (uk) 2012.
Remastered again at Wud Records Studios (EU) August 2023.

Originally released 31st July 2002.
First re-release 12th May 2012.
Second re-release 1st September 2023.

Copyright © 2023 Wud Records.
Copyright ℗ 2000 Explicit Music.

Fun Facts:
* After dark, when the moon is low in the sky, it makes a beautiful shiny road to itself all the way along the top of the sea.
* The moon always looks so beautiful on the sea at Sidmouth, where Flicker and their friends used to go.
* Sidmouth is bang in the centre of Lyme Bay, and the sea looks so big.
* The moonpath there was even better before all the breakwaters were built.
* The guitar parts for Moonpath were all played using the Ice Maiden, which is double tracked left and right.
* The rhythm guitar was the origin of the track and carries the melody as well.
* The tempo is 138 BPM and the key is C# minor.
* There are many hybrid chords involving fretted notes and harmoonics.
* Moonpath ends up on a B.
* Full details here: https://www.explicitmusic.co.uk/lyrics-information/flicker/at-least-1000-words/moonpath

See also:
https://www.wudrecords.co.uk/artists/flicker/
https://www.wudrecords.co.uk/artists/flicker/at-least-1000-words/
https://wudrecords.bandcamp.com/track/moonpath
https://www.explicitmusic.co.uk/lyrics-information/flicker/at-least-1000-words
https://www.discogs.com/release/17114565-Flicker-At-Least-1000-Words
https://www.redbubble.com/people/flickermusic/shop
https://twitter.com/flickermusic
https://www.instagram.com/wudrecords/
https://www.facebook.com/flickermusic
https://twitter.com/WudRecords
https://linktr.ee/flickermusic

Moonpath

Flicker: Moonpath

That's No Way to Pay a Bodyguard by Wud

Words and music by George Davies.
Recorded and produced by Ian Dent at Daylight Recording Studios, Honiton.
Remastered at Wud Records Studio One.

Copyright © 1985 Wud Records.
Copyright ℗ 1983 Explicit Music.

Performers:
Ken Staple – voices
George Davies – guitars

THAT’S NO WAY TO PAY A BODYGUARD
Well there’s whisky on the shelf
What are you running from?
Do you know if you’re coming or going?
Well I have got an idea
You’ll need someone to look after you
Just like I know that I can do

And you know that’s not what I want from you
And you know it’s over when the day is through

Well that’s no way to pay a bodyguard
I don’t want to be tied down
And I am so afraid of you
Because I know just what you can do

And you know that’s not what I want from you
And you know it’s over when the day is through

Fun Facts:
This song in the key of Am was written a few days after George spent a day in the Stokeinteignhead music studio of a friend of his father’s.
Said friend of father played the two chords that begin the song as he tested that the necessary things were all on.
Having never seen the second chord before, George thought “Aha!”, although he spent most of the day fiddling with the rather magnificent organ and all its sounds and buttons and levers.
The instrumental section that goes C-Bb-F-G-Am-Em-Bm-Dm originally had some lyrics that made a chorus that spoke of such things as sheep, fields, grass and the relative merits of the colours thereof.
These were soon dropped due to being too silly.
Fairly near the start of this version George almost makes a right mess of the lead guitar - again - but just about manages to get away with it.
It’s take 3407, or thereabouts.
The guitar used for this song was a Westone Paduak, which has subsequently seen a fair amount of action over the years and now lives at Cliff’s house.
The sound of the guitar was never really quite right on this recording.
It sounded much better when played through an Electric Mistress and a proper amplifier.
This version also misses the drums and bass guitar.
Ken is extremely restrained in the performance.
The title of this song was too long for the eventual cassette that was produced, and was truncated to simply Bodyguard.
This song was something a campfire favourite amongst the Wud posse.

See also:
www.wudrecords.co.uk/artists/wudtheband
www.explicitmusic.co.uk/lyrics-information/wud/daylight-demo/thats-no-way-to-pay-a-bodyguard
https://wudrecords.bandcamp.com/album/daylight-demo
https://twitter.com/WudRecords

Daylight Demo

That's No Way to Pay a Bodyguard

Wud: That's No Way to Pay a Bodyguard (DD)

Live Cover of the Gorillaz Feel Good Inc. Performed at Duke St studios recorded by Meirion Townsend 

Feel Good Inc.

Helping Hands by Dark Company.
From CD 1, 'SNAFU', of the triple CD album 'A for Acronym'.

HELPING HANDS
Rhyming time in vacuumed lines
I hear the verses soaring
On angels' breath the words of death
Like fingers they’re exploring
I feel the beat of racing wings
I understand all these things
Yet they are gone by morning

Dreaming scenes in deadbeat schemes
All are on back burners
Spirit words that just I heard
Said all the souls are learners
I know the touch of tender love
I also know it’s not enough
You need the ground that’s firmer

Corporate kings and financial things
Beyond our understanding
You can’t own the open sky
Not even by demanding
I like to think of hands in prayer
Though they’re just another layer
No one is left commanding

Livid sky mirrored in my eye
White cloud billows floating
When I look round there is no sound
The silence it is choking
Oh see me, hear me, give me signs
Let me feel them in my mind
Tell me, lead me to Heaven’s end
Where all that’s left is hoping
Where all that’s left is hoping
Where all that’s left is hoping
Where all that’s left is hoping

Lyrics by P. Greatorex 27th January 2013.
Music by G. Davies/P. Greatorex.

Copyright © 2013 D & G Music/Explicit Music.

Cover Art:
“Hand Held” by Peter Greatorex
See: https://www.wudrecords.co.uk/artists/dark-company/original-artwork-by-peter-greatorex/original-artwork-by-peter-greatorex-gallery-3/

Performers:
‘Speedy’ Pete Greatorex – lead vocal
Zakk Black – guitars
Maxx Damage – bass
Sven Stiglund – drums

Vocals and rhythm guitar recorded at Wud Records Studio One, Exeter, 2015.
Everything else recorded at Wud Records Studio One, Europe, 2020.
Engineered, mixed and produced at Wud Records Studio One, Central Europe, 2024.

Copyright ℗ 2025 Wud Records.

FUN FACTS:
* This is a song that Pete never sang a proper studio version of.
* His vocals were lifted from the very rough demo and cleaned up a bit.
* Well, quite a lot actually. :)
* This song is a piece of classic rock in a Britpop style.
* It is in the key of E at 91 BPM.
* All the guitars were played on Nicodemus, with a big painful hole in the thumb of the player.
* The chords in the verses are E B E C#m A E F# A Am6 E.
* In the third verse Pete (accidentally) introduces an unexpected key-change.
* There the chords are E B E Ebm G# Ebm F# A Am6 E.
* The chords in the instrumental section are E C/G D/A.
* Right at the very end it is E C7 E.
* The bass part from the last verse to the end is far more challenging to play than it sounds
* This produced a surprised "Huh? How did THAT happen?!" face on the player.
* Helping Hands is one of those magikal Dark Company songs that can invoke goosebumps in the listener, perhaps slightly surprisingly.

See also:
https://www.wudrecords.co.uk/artists/dark-company/
https://www.wudrecords.co.uk/artists/dark-company/a-for-acronym-cd-1-snafu/
https://linktr.ee/dark.company
https://www.explicitmusic.co.uk/lyrics-information/dark-company/a-for-acronym/helping-hands

A for Acronym CD 1: SNAFU

Helping Hands

Dark Company: Helping Hands (demo)

Lyrics by The Bummers.
Music by Sean Doyle and Fox Capone.
Sean Doyle - rhythm guitars, vocals
Ben Shooter - lead and rhythm guitars, vocals
Clay Hakes - bass
Fox Capone - drums

Engineered by Michael O'Keefe at Record Office Records, New Orleans LA and by The Bummers at Nut Milk Recordings, New Orleans LA.
Mixed and mastered by John Naclerio at Nada Recordings, Montgomery NY.

Art by Tim Dimmock.

Quitman

Lauren Lakis - Better Lover

Since I Last Saw You (Janice Long BBC Wales Isolation Session | 28/5/20)

Contact: info@wudrecords.co.uk
SC don't do support so we're leaving, slowly. UK/EU rock label since 1984. Demos, oddities, archives, WIP. Releases on Bandcamp etc. AI-free zone. All reposts shared to BlueSky and 'X'.
Wud! You have just been wudded. ;-)

We're very sorry but we're still unable to reply to SC messages. We can read them but cannot reply. Please email info@wudrecords.co.uk instead. We answer most emails within a week.

ACTIVE ARTISTS:
Flicker, Dark Company, Pok the Bard, The Bastard Sons of Dennis

LEGACY ARTISTS:
Alchemeon, Clonk!, Dr Watson, The Ug Brothers, Alien Heat, Rough Terrain, The Subterraineans, The Addled Eggs, The Masters of Drone, Laughing Sun, Wud, Lemming Meringue, Sirius Rising, Now, Fooog Dinboffin and the Release, Mark Drower and the Everyones

ARCHIVE ARTISTS:
Andromeda, Critical Error, Dayglow, Demon Groove Lizards, Ember, Fruit Bats, Goodstaff, Guarana, Murdock, Prism, Pyg, Recluse, Search Party, Spacegoats, Stephen Yates, The Chillun, Watershed

* For DIY musicians:

Looking to grow your fanbase? Here's a proven strategy for success. It's a bit time-consuming at first because you need to work at it often. However, the awesome results will make it worth your while:

http://www.wudrecords.co.uk/miscellaneous/be-discovered-on-social-media

That article was published in March 2017. While some of the links may no longer work, the theory absolutely will. Try it for yourself!

* Unfortunately...

Due to brexshit, broken britain, rip-off britain, corruption, lies and bias in the media, bigotry, racism, intolerance, polarisation, the fact that some of our family members would not be allowed to remain post-brexit, state-sponsored child trafficking (yes, that's right, we said it - it's pretty shocking, start reading from here if you don't believe it: https://forced-adoption.com/), an increasing sense of frustration and exasperation, and general total weariness of being treated with nothing but derision, ignorance and contempt by the entire shebang since the early 80s, we decided enough was enough and moved our entire operation from brexeter in the uk to begin our grand brexodus in 2017. We are now brefugees, living in brexile very near the border of the Czech Republic, Austria and Germany. If you live in (the crumbling remains of) the uk, do yourself a favour and leave. The upgrade in life quality will blow your mind.

* What do we stand for as a label?

We support all independent musicians who are doing something we find interesting. Our team members all have formal music education qualifications.

We are against corporate brainwash muzak, their puppet friends in the mass media, and many other corporate activities. We will fight their desecration of music until either it stops or we die. 

We believe in helping others in the face of corrupt laws and a broken system. We are pro democracy, green energy and free speech.

We're politically liberal. We cannot support the republicans, maga or gun violence in the usa. We don't see there's any real difference, other than in name, between the christian far right in the USA and the taliban in Afghanistan.

In the uk we are broadly pro LibDem/Green/Labour/SNP. We are VERY anti-tory, bnp, ukip, and any of their friends and associates. We have no trust at all in the uk right wing press monopoly and the bbc. Beware the bbc and its claims of neutrality. It is the propaganda mouthpiece of the tory party. It even charges a propaganda tax called the licence fee. But we like Test Match Special and Radio 6, so does that make us hypocrites...? Hmm.

We support independence for Scotland, Wales, Northern Ireland and Cornwall. We support the individual and the underdog. We are anti-putin and his war, and pro-Ukraine.

Please notice the careful use of capitals. Capital letters imply respect!

We're only interested in the colour of your soul. Not your skin, hair or socks.

We like cricket! Most of us support Somerset County Cricket Club.

Dark Company: Exstacy (demo)

Wud Records

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