WU15 - The Anthem (Gilles Peterson BBC Radio 6 Rip) EGLO 48

Tenderlonious - "Bobs Riddim" // Radio 1 Benji B 2016 - 01 - 14 (Radio Rip)

'The Yard Work Simulator'  Out Now -
Ninjashop / Stream / Download: https://maxglenn.lnk.to/yardworkSo

Max and Glenn will celebrate the album release in the UK at Dance Tunnel in London on 19th May and 20th May in Brighton at Patterns (alongside Letherette and Throwing Shade) as part of The Great Escape. The following week sees them back in Berlin for what will surely be an amazing session at Panorama Bar on 28th May.

Dance Tunnel Tickets: http://found.ee/yardworklaunch
Great Escape Tickets: http://found.ee/yardwork-escape

Taken from 'The Yard Work Simulator' released 27th May 2016 via Ninja Tune.

Follow Max Graef -
Facebook: found.ee/maxgraef-fb
Soundcloud: found.ee/maxgraef-sc

Follow Glenn Astro - 
Facebook: found.ee/glennastro-fb
Twitter: found.ee/glennastro-tw
Soundcloud: found.ee/glennastro-sc



The Yard Work Simulator

Where The Fuck Are My Hard Boiled Eggs?!

Max Graef & Glenn Astro - 'The Yard Work Simulator' [ALBUM PREVIEW]

Collage EP

astral / collage

Bounty 

SOTU 11 - "Good Numba"

'Day To Day Remixes' Out Now -
Ninjashop / Stream / Download: https://sarathy.lnk.to/d2drmxSo

Taken from 'Day To Day Remixes' released 28th October 2016 on Ninja Tune.

Listen to Ninja Tune New Releases on Spotify: http://ninjatune.lnk.to/new/spotify

Follow Sarathy Korwar - 
Facebook: http://found.ee/sarathy-fb
Twitter: http://found.ee/sarathy-tw
Spotify: http://found.ee/sarathy-sp

Day To Day Remixes

Dreaming

Sarathy Korwar - 'Dreaming' (Tenderlonious Remix)

Up next on Rhythm Section we welcome Dutch Newcomer - @dukehugh
Duke Hugh's making a big splash with this 9 track double EP, Canvas.

Here's the 7th track from Canvas, as premiered on Bandcamp's weekly show: https://bandcamp.com/?show=203

Pre-order

Duke Hugh - Believe

The sound of '2020' is new jazz and old funk with an electronic city pace, brought to you by duo The Colours That Rise. Made up of multi-instrumentalists and producers Simeon Jones and Nathanael Williams, their '2020' EP is a confident guide through future sounds and past histories from a time yet to come. 

Created using analogue synths and acoustic instruments, the 4 track EP works as the score to a yet to be created animation. Nathanael's background is creating soundtracks for films, while Simeon plays with UK jazz prophets Yussef Kamaal and featured on Henry Wu’s ‘Negotiate’ 12”. 

'2020' is an experimental electronic voyage that emerges from the ambient and arrives on the dance floor.

BRKR004 // The Colours That Rise - 2020

Sunshine, weekend - and all that jazz! Zurich‘s own Melodiesinfonie digged deep into We Do Not Want To Wait and lays bare its very soul. A delightfully laid-back take that presses all the  right buttons for what could essentially be the best summer yet!
Spin it on Soundcloud now

Spotify: https://spoti.fi/2IBXwSZ

Monumental Men:
www.facebook.com/monumentalmen
www.instagram.com/monumentalmen

Melodiesinfonie:
https://www.facebook.com/Melodiesinfonie
https://www.instagram.com/Melodiesinfonie/

For booking, general information, please contact:
d.oehen@radicalis.ch

Artwork: Denise Häberli

We Do Not Want To Wait (Melodiesinfonie Remix)

* Read more : boltingbits.com/james-wright-trio-pieces-ft-danika-smith-horatio-luna-remix-la-sape/
* Watch on YouTube : youtu.be/MfbCJJWvGfw
* Pre order : Coming soon

Melbourne’s jazz and soul scene has drawn some well-deserved international attention recently, so we’re happy to fan this worthy musical flame by premiering an upcoming digital single and the fourth release of Melburnian label, La Sape. Brisbane’s James Wright Trio has prepared a 12” EP for the label, so, as a warm-up of sorts for that release, La Sape headhunted rising Melbourne musician Horatio Luna to remix some 2017 demos of James Wright Trio’s track, Pieces.

And those with a special affinity with jazz-house blends could do themselves a big favor by sifting through Horatio Luna’s nascent but promising discography. He’s the bassist of jazz-heavyweights, 30/70 (whose music we’ve premiered before), and has, apparently, been honing his production skills.

So it’s no surprise this seven-minute remix exudes musical dynamism. It morphs from an archetypal jazz loop of splashy cymbals and a stuttered chord progression of moody keys to frantic drums and flurried keys of a much lighter, dreamier kind. Yet it all sounds like one, cohesive piece of music. The continual threads throughout the track are the live-recorded drum samples (courtesy of drummer and bandleader, James Wright) and Danika Smith’s captivating, echoed vocals that loop over and over again to blanket the song with an alluring and almost psychedelic veneer.

This song is like a makeshift raft: it’s a little bit rough, made of parts that fit surprisingly well together, and will probably make you float for a few minutes.

Keep an eye out for SAPE004, releasing soon.

PREMIERE: James Wright Trio - Pieces ft. Danika Smith (Horatio Luna Remix)

* Read more:  https://boltingbits.com/culross-close-k15-forgotten-ones/
* Watch on YouTube: https://youtu.be/UZscyGePiiA
* Pre-order: https://k15music.bandcamp.com/album/forgotten-ones

As a sidekick to our Times and Tunes interview with K15 planned next week, the founder and keys player of jazz quintet, Culross Close, we’re thrilled to premiere the eponymous track of the band’s LP, Forgotten Ones.

Only Esencia’s third release, this one is due out next week on March 15, and we strongly recommend putting aside 30minutes to do nothing but listen to the full six tracks in succession, because this album is a bonafide manifestation of top class musicianship. It’s an album of two distinct halves: the first is deep, melancholic, brooding and beautiful, while the second is lively and up-beat. A half for thinking and a half for dancing.

Ambient-jazz is how one could feasibly describe the opener, Fractured. Three minutes of swirling textures move around the listener’s head, coming close then moving away until seamlessly sliding into our premiere, Forgotten Ones. Our favourite on the record, this track shows off Culross Close’s top-class instrumentation. They all come together – the drums, the bass, the keys, the vocals – as tight and synergetic as you’re likely to find after digging for an hour for today’s best and freshest jazz. Acceptance is similar, but happier to put K15’s keys in the spotlight for much of it.

And the contrast really is striking when track four, Mood, begins. The LP’s chaotic outlier, just over a minute of dissonant strings and frantic drums will wake you back up if you, understandably, slipped deep into daydream during the album’s first half. Then, some convention is restored: it’s by no means textbook stuff with The Tiniest Lights Still Shine’s 5/4 rhythms or the rogue synthesiser of the closing track, Healing, but it’s clear that the album’s close could lure listeners of various tastes to a dancefloor.

Forgotten Ones (Digital)

PREMIERE: Culross Close (K15) - Forgotten Ones

KAMAAL WILLIAMS - WU HEN

www.kamaalwilliams.bandcamp.com

WU15 - The Anthem (Gilles Peterson BBC Radio 6 Rip) EGLO 48

HENRY WU吳

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