happy bday haha love this, any chance of dl?

410 - Think Again [SS ED1T]

A big thank you to the lovely @evitamanji for putting us on the spot with this brutal compilation "PLASMODIUM"
All proceeds will be collected and transferred to ANIMA, a non-profit association active in the field of the natural environment, with its main activity being the nursing and rehabilitation of wild animals in their natural environment.

myxoxym.bandcamp.com
www.wild-anima.gr/en/profile/

PLASMODIUM

Van Boom & Oldyungmayn - Ayshay [PLASMODIUM]

IM095 - Infinite Machine 10 Years Compilation
Label: Infinite Machine
Release Date: December 3rd, 2021
Format: Digital

Celebrating 10 years of solidly cerebral club music releases, Infinite Machine is celebrating its first decade with an 19 -track compilation full of heat from label mainstays, new signees and some of the friends who helped them along the way. Infinite Machine was born out of a desire to run an dance imprint with the same DIY ethos as the hardcore/screamo labels that xWOLFx, IM's owner, was previously involved with. Over its decade-long lifespan, the label has rapidly evolved into a central figure within the hybrid dance music scene that’s formed on the internet; a place where dembow drum patterns can easily sit next to Sinogrime samples and dubstep sensibilities. In the last few years, as the label and it’s artists have matured, Infinite Machine’s output has taken a slightly cyberpunk turn, moving away from pure dance-floor slammers and towards more conceptual works which deal with our ultra-accelerated culture or soundtrack imagined off-planet worlds.

Some highlights from the release include Galtier’s ‘My Mess is a Face’, a real head-spinner full of granular synthesis and warped sample work. Later on in the comp, Bungalovv delivers a sensory delight with ‘Alacran’, a track so dense with layers of sound design it feels like you can sink your teeth into it. All Centre signee Duswunder pops up mid-way through the release with the frenetic and furious ‘Black Bile’ which is absolutely not a track to be missed. IDM upstart Daniel Ruane’s contribution ‘ZZZZZ’ is hypnotic perfection - one of those compositions that really has to be heard to be believed. Towards the end of the release, long-time Infinite Machine signee Yilan appears with ‘Cortisol’, another slow mind-bender of a track full of siren-like synths and rolling stutters of percussion. And rounding out proceedings is W3C’s ‘Templar’, a great example of the sort of forward-thinking music Infinite Machine loves to release. It’s a track rooted in club culture but, at the same time, transposed away from that context to some other-worldly space.

In an era of dance music consumption where genre trends or in-vogue labels can rapidly switch from flavour of the month to faint memories, this 10-year milestone is a testament to the independent label's unwavering enthusiasm for unearthing fresh talent and pushing our releases at a relentless pace, much like the hardcore labels xWOLFx previously ran. Three cheers for another decade of jaw dropping releases and Infinite Machine's commitment to the church of DIY.

Artwork by Benfika

Egroj - UPS

The third collaborative effort between producers Lila Tirando a Violeta and Sueuga sees the two artists effortlessly combining their styles for an organic, two-track sonic experience at the intersection between cyberpunk and Latin tribal mysticism. Distorted drums, eerie textures and abrasive industrial sounds come together in the unsettling heavy-hitter “Residual Self-Image”, while Lila’s vocal performance floats over the manic percussion and melodic minimalism of Sueuga and Tazar Yoot in “Archivios Corruptos”.
As intense as it is sudden, “Residual Self-Image” entangles the audience with its dark atmospheres and oppressive rhythms, making its rare bright passages precious instants of pure bliss.

Stream & Download: https://push.fm/fl/residualselfimage

"Residual Self Image" Produced by @lilatirandoavioleta & @sueugakamau
"Archivos Corruptos" Produced by @lilatirandoavioleta, @sueugakamau & @tazaryoot-143
Artwork by IG: karinagevox
Mastering by @dj_ghepard

Stream & Download

Sueuga, Lila Tirando A Violeta & Tazar Yoot - Archivos Corruptos

The enigmatic artist offers us a utopian project for a newborn communist country pictured in Isotopia, a mysterious sound manifesto blending Afro-Caribbean traditional sounds with contemporary electronics, to be released on Paris via Brussels imprint Promesses.

Read more on CxC 🔗 couvrexchefs.com/en/negro-dinero-promesses-paternalismo-cultural

Article

PREMIERE: Negro Dinero - Paternalismo cultural (Promesses)

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

Gabber Modus Operandi - Larung [digital only]

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Free Download

DEZTRO - In Search For Knowledge

TAR048

Thunderbyte EP out Sept 23rd on TAR.

@rykt

Cover art by: Cavecanems‬
Mastering: @clubcanthear

More from TAR at:
www.wearetar.com
twitter.com/wearetar
facebook.com/wearetar
http://wearetar.bandcamp.com/

Thunderbyte EP

RYKT - "ZOiD"

We Are All From The Earth - WULFFLUW XCIV's debut album which contains of 10 tunes including collaborations with musicians from all over the world. Making this album I want to show that we have to set aside our differences and live & create together. Im really thankfull to music and Internet for the opportunity of being in touch with lots of people who share mutual views and aesthetics regardless of different cultures and geolocation. Huge gratitude to @inkmidget (Slovakia), @svntvmverte & @rafa_maya (USA), @nahshi (Italy), @blastahlx (Portugal), @ansystem (Russia) & @yoshitaka-hikawa-1 (Japan). There are no nationalities, countries, policy. We are all from the Earth.

A/w by Sonya Korotaeva x Sasha Manik 
www.instagram.com/soso_gyal 
www.instagram.com/sashamanik

We Are All From The Earth

Favela Quake ft. AN System

Slikback / Soda Plains — Split
Format: 12"
Cat.No: PAN 115
Release Date: 21 April 2020
Purchase: https://bit.ly/2RV8XfW

Hong Kong born, UK-based producer Soda Plains (production for Chynna, Scintii, Ian Isiah) and the Kenyan, Nyege Nyege-affiliated artist Slikback bring their distinct sounds to the third instalment of PAN’s club-focused "Split" series.

Limited to 300 copies, hand stamped, no repress.

The EP is mastered by Jeremy Cox

@freddymn @sodaplains

http://p-a-n.org

B2. Soda Plains - No Fear (PAN 115)

LM X AN System ( XIAO QUAN BLEND) FREE DL

"Toxica" VINYL EP
https://hakunakulala.bandcamp.com/album/toxica

"NGOMA INJECTION" VINYL LP 
https://hakunakulala.bandcamp.com/album/ngoma-injection

"HYPEREMIA" CASSETTES
https://wulffluwxciv.bandcamp.com/album/hyperemia

"Blood"
https://wulffluwxciv.bandcamp.com/album/blood

Favela Quake ft. AN System

WULFFLUW XCIV

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