Name: Coloursound [AS001] 100% Original Series by Coloursound
Duration: 30 min 30 s
Description: 100% Original Music. Live out of Melbourne, Australia.

Absolutely amazing production! Reminds me 2010-2015 when producers like Headhunter, Martyn, 2562 starts to make new sound in between dubstep and techno. I have mix of my fav tracks with this sound https://on.soundcloud.com/UJVSRyx7xv1W9aOfMc

The second installment in Darwin’s curated mixes for Rhythmic Culture comes from UK duo Dual Monitor. Their boundary-pushing productions have earned them the moniker “The UK Genre Alchemists” from Rinse FM. This open-format approach to music carries through to their vibrant, kaleidoscopic DJ sets—no two ever the same. The duo deftly weaves together twisted, low-slung UK bass, skittering IDM, dancefloor-shaking tech-bow, and zoned-out dub and jungle.

Darwin: "The story of Dual Monitor is actually a really cute one. Jake Hodge sent me a track they made "Step Pattern" because he was so blown away by the production and said "You need to sign this," and I did instantly not even listening to it a second time! Fliss and Zebb are hands down some of the most talented up-and-coming producers I’ve come across in a while. The speed at which they’re cranking out tunes and dubs, and the range in their sound, is unreal. On top of that, they’re two of the loveliest people to hang with. So happy to have them as part of the SPE:C family."

@dualmonitor

RC:150 Dual Monitor

Sharnie B2B Beatrice M - 20 May 2025

Darwin operates in the realm of low-end frequencies, delivering a tripped-out, sub-rattling blend of styles firmly rooted in soundsystem culture.

Her sets move with swampy intensity and hypnotic flow, drawing dancers in while maintaining a quiet versatility. A seasoned crate digger across many genres, she’s as comfortable playing back-to-back with DJ Storm, Mala or Lena Willikens as she is closing out Bassiani or Berghain’s Klubnacht.

Born in Canada, Darwin found her way into dance music after moving to London—first working at fabric in the mid-2000s, then experiencing a bass eureka moment years later at a Swamp81 party. That defining night set the course for her next chapter in Berlin, where she founded her label SPE:C in 2015 to spotlight emerging global talents like Decka, Carré, Axle, Beatrice M., and Tano.
In 2016, she launched REEF at the now-defunct Griessmuehle, a club where she had started a monthly techno-focused DJ residency 2 years earlier that helped develop her signature stripped back, sci-fi-infused sound. The boundary-pushing party brought bass music’s alien energy into the heart of the techno capital, which now calls Berghain home. 

2024 marked a new chapter in Darwin’s evolution with the launch of ABYSS, a Sunday evening soundsystem series centered on the restorative power of low-end frequencies. Blending transcendental dance music with breathwork, meditation and healing practices, the event creates a space where sound connects body and mind. ABYSS has also teamed up with Wuppertal’s acclaimed Open Ground club for an extended weekend takeover, with plans to expand the concept to other cities in the future.

PURE Guest.083 Darwin

Jurango - 10 June 2025

Woozy with EMA feat. Carré - 06 June 2025

100% Original Music. Live out of Melbourne, Australia.

Coloursound [AS001] 100% Original Series

Dirtydms
Deeply rooted in Rotterdam’s nightlife, Dirtydms blends dub, IDM, ambient, techno, and
contemporary electronic productions into a rich, immersive sound. Moving between deep bass and intricate rhythms, she crafts sets that reflect the colorful, experimental spirit of her digital art.

Kessler
At the forefront of immersive left-field techno, cut-throat breaks & any obscure bass infused
rhythm in between, Kessler’s approach to dance music paints a vivid picture for the dreamers
alike. Elicit label head Kessler’s holistic approach to rhythmical and immersive sound has
cemented himself as a rising star in recent years, with hi-energy and progressive selections
captivating audiences and leaving lasting impressions around the world. Portrayed through a
number 

www.operator-radio.com

POING FESTIVAL takeover w/ Kessler b2b Dirtydms - 10th August 2025

Seven and a half exhilarating hours from one of modern club's sharpest.

Tim Reaper's mammoth entry for RA.1000 is all about range. You thought the Future Retro London boss was just a jungle and hardcore head? Think again.

The mix's infinite-scroll tracklist (the longest we've ever published in full!) includes a who's who of top-rate producers, from A Guy Called Gerald and Cari Lekebusch to Batu, Mia Koden and the one and only Shackleton.

Opening with weighty grime and ending on head-spinning drum & bass, the mix journeys through US club, wobbly dubstep, classic techno and, of course, many shades of jungle. Rather than go the easy route, the Londoner approached the assignment with the curiosity, integrity and vulnerability of fellow shapeshifters like dBridge, Calibre and ASC.

"The idea was to represent other styles of electronic music that I've been a bit self-conscious about openly expressing my interest in," he told RA.

RA.1000 isn't just another side of Tim Reaper's artistry: thankfully for us, it feels like only the beginning.

@tim-reaper

Find the interview and tracklist at ra.co/podcast/1012. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Tim Reaper

Ploy - 05 August 2025

Bandcamp: https://fastatwork.bandcamp.com/album/up-too-late-2

Digital + physical preorder: October 8 2025
Release date: October 30 2025

Fast At Work returns with another statement EP, this time from the label’s own Carré (@carreo) and her closest collaborator Danny Goliger (@dannygoliger). Navigating through textured atmospheres, rhythmic explorations, and immersive landscapes, they allowed their music to unfold naturally—an organic process shaped by curiosity and intuition. Each track was born from sampling its predecessor, creating a recursive dialogue that guided the creative flow. A commitment to a tension-building groove in ‘Up Too Late’, the warped dub throughlines of ‘Tricky One’, the intricate, delicate uptempo delight that is ‘Exit Plan,’ and the bridge between all four tracks ‘Don’t Keep Me In Suspense’ — each reflect different moments in this journey. An expert in textural exploration, the Dutch DJ and producer Konduku (@kondukukonduku) brought out the true hypnotic potential of the title track. Their influences ripple outward, yet the sound remains inherently theirs—fluid, unbound by singular genre or label.

A1 Carré & Danny Goliger – Up Too Late
A2 Carré & Danny Goliger – Tricky One
A3 Carré & Danny Goliger – Don’t Keep Me In Suspense
B1 Carré & Danny Goliger – Exit Plan
B2 Carré & Danny Goliger – Up Too Late (Konduku remix)

Written and Produced by Carré & Danny Goliger
Mastered by Nikolaj Jakobsen 
Vinyl production R.A.N.D. Muzik
Artwork & CD by Studio Balcony
Distributed by One Eye Witness

FAW004: Carré & Danny Goliger - Up Too Late EP w/ Konduku Remix

finally finished this track, its changed alot 

14 oct 2025

poke a DOT yacket

Electronic music from Melbourne, Australia.
All music Inquiries via coloursoundfm@gmail.com

Coloursound [AS001] 100% Original Series

Coloursound

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