Name: Power Of Anger (ver.ep-fail)-Salamander / Life Force - 沙羅曼蛇 - stage 1 - Miki Higashino) 1xPSG by WYZ by WYZ
Duration: 1 min 7 s
Description: Power Of Anger (ver.epicfail) - Salamander / Life Force - 沙羅曼蛇 - stage 1 - Miki Higashino) 1xPSG by WYZ

Great adaption! It makes me remember when I was playing Salamander on my SVI-728, which didn't pass the SCC sound to the output, so I only hear PSG.

Synth Pop vol. 1
by FunFant / written and performed by Heikki Antero Niemela, Heikki Niemelä

Glittery Waves

Music for this game!: https://chz.itch.io/charge-cycles

Used in levels 1, 9 and 13. The in-game tracks are dynamic and change depending on whether the chargers are in motion or not. This upload has the "full" version play first, and the "light" version without drums play after.

Charge Cycles OST

Mechanism Turned On

immolation celebration

Starfield - Salamander - 沙羅曼蛇 - stage 4 (Miki Higashino) 1xPSG by WYZ

Salamander - Starfield - Arcade ver- 沙羅曼蛇 - stage 4 (Miki Higashino) 1xPSG by WYZ

Originally composed for Chaos Constructions 2020 chiptune compo which was sadly cancelled. Experiments...

Pic taken from Colors of Love - 256b intro made by Dalthon/Joker, released at Flashparty 2020.
https://www.pouet.net/prod.php?which=86339

PT3 https://drive.google.com/file/d/1qT_ssbLVCE86FrEFAkYcoQmHsQQXC6hx/view?usp=sharing

Sick At Heart

Shmup!Kai - Imanok - Jonh Hassink - Stage 3 - 1XPSG cover

Altum Breather

This is the first of a (hopefully) annual series of themed collaborative chiptune events hosted by the Chiptune Server.

For our first compo's theme, we settled on retrofuturism: the future, imagined by the past. Each entrant selected a year of their choosing and created a chiptune song to envision how the musicians of that era might have predicted 2050 to sound. This resulted in an eclectic, but steadfastly danceable album that takes the listener through an electronic tour of the 19th and 20th centuries' musical trends.

You can download this track in its original quality here:
https://www.mediafire.com/file/seuu7hpa0uqk7a8/2050.zip/file

Selected Year: 2000

Artist's Comments:
"'2050: The interconnective powers of the internet have lead to nothing short of a revolution. People from all corners of the globe live in perfect harmony, linked as tightly as web pages by a shared yearning for understanding and peace. The scrappy young technocrats who fostered this prosperous era now oversee us as our benevolent rulers, and their flawless judgement has eradicated nearly all of the world's former ills. Global warming, world hunger, and all manner of diseases are nothing but footnotes in schoolchildren's Digibooks, and people from all walks of life, able to procure all of history's knowledge at an instant, have found their ways into society's highest echelons.
The greatest pleasure in this utopian present is the club, a centerpiece of mankind's ever-expanding leisure time. No matter where they are, the citizens of the world all dance in metaphorical lockstep to the genres first pioneered in 2000—a rhythmic and energetic style, laced with the latest and greatest of timbres—united by the drum machine and the synthesizer.'

While I've never expressed it much before, I have a slight fondness for the so-called 'Y2K aesthetic,' a design style that reigned from roughly 1998-2001. Bolstered by the approach of the 'new millennium' and the seemingly limitless potential granted by the personal computer, designers embraced blobby curves, transparent surfaces, and extraneously ornamental circuitry designs in a reckless push to create the fashion of the future. Accompanying this new visual style was the recent popularity of techno music, whose washy synthesizers and relentless grooves were effectively the aural equivalent of the dreamlike CGI spaces omnipresent in Y2K-era art. All of this media is extremely dated now, of course, but that's why it appeals to me so much—2020 makes it very tempting to escape into idealized depictions of the future!
In an effort to capture the sound of 2000, I used several samples from E-MU's Orbit-3 and Proteus romplers, as well as the Methods of Mayhem loop pack, but I added EQ, reverb and other post-processing tools to them to keep the tone 'modern.' I also found a recreation of Korg's famous Ice Field patch from a Reddit thread, which became an essential part of the overall track (that patch is everywhere, by the way—look for it in almost any Y2K-era techno song!). In the end, the song ended up much longer than I originally anticipated, but I'm still happy with the results.
I'd like to shout out Synamax, whose Metroid Prime samples source videos were what introduced me to E-MU, as well as Froyo Tam of the Y2K Aesthetic Institute, an invaluable source of references and inspiration."

Teuthida - Next Never Now

Planet Ratis - Salamander / Life Force - 沙羅曼蛇 - stage 3 - Miki Higashino) 1xPSG by WYZ

Planet Ratis ver3 - Salamander / Life Force - 沙羅曼蛇 - stage 3 - Miki Higashino) 1xPSG by WYZ

Power Of Anger (ver.epicfail) - Salamander / Life Force - 沙羅曼蛇 - stage 1 - Miki Higashino) 1xPSG by WYZ

Power Of Anger (ver.ep-fail)-Salamander / Life Force - 沙羅曼蛇 - stage 1 - Miki Higashino) 1xPSG by WYZ

Recorded from a real C64 with 8580 SID + FM-YAM 

Released 27 February 2021 at BCC Party 15

Power Of Anger (ver.ep-fail)-Salamander / Life Force - 沙羅曼蛇 - stage 1 - Miki Higashino) 1xPSG by WYZ

WYZ

Recent comments

Gakubuchi

Grayfox77

Related tracks