shoo in the  moment  thanks from manc auntyf

ginkgo

Hello, helloo (Extended Version)

Hello, Helloo (Extended Version)

beatport

Show Me, I Show You (Extended Version)

Hold On (Prod. Zane98)

"DJ Angel Gi Ross unveils their new DANCE track, a burst of emotions blending captivating beats with a unique energy. This song is the perfect fusion of calm and dynamic moments, guided by an incredible voice that conveys passion and intensity. With a rhythm that gives you chills and makes your body move, this track is set to conquer dance floors and the hearts of electronic music lovers. Get ready to feel the emotion and let yourself be carried away by this hit that will dominate the clubs!"

Prudely (Extended Version)

Beatport

Primitive Ambient Lo-Fi Jazzy Electronic Indie Blues Experimental Art Rock 
Song from the album LAMJAM

(∅)K. Lazarus

VIROA369 - RIZZO101- PUT IT ON ME.m4a

Recommended for midnight walks, headphone baptisms, glitch rituals, and private revolutions.
Bump it loud.
Feel the edges.
Kiss the code.

⚫️🌀💋
BOCCA speaks now.

For the Mighty Mos Deph

Bocca MEGAmix

jam is not jim is not gem my gem

dotted
dot hop hip hop and trip hop

hop

hop


the holy hop

the holy hop hop hop


dot


dot


dotdotdotdot

we dot

we get dottet

by other dots

dots

dots


"GEMMA INS DOTS?

DOTS BY DOTS


DOTTTTTT


DOPPLDOTT

DOLL

DOPP DEN DOTT

DOPP

DU DOPP

DU DEBBATA DOPP

DOPP TOPP

TOPP

TOPP DOPP

DOPPELFEHLER

DOPPELTER BODEN

DOTTELTER BOTEN

BOT

BOTT

BOTTT

TTT

ZZZ

XXX

AAA

AAA
A
B
CDEFG

H
I
J
KKK
L
M
LM
LLM


LLM
LLMLLMLLMLLMLLMLLMKOMM

KOMM MLM
LML

BOTTTTTTTTTTTTT

HAHA
WER GLAUBST DU EIGENTLICH,
WER DU EIGENTLICH BIST

DOPP

DEPPATA DEPP

DU DEPP

DU DOPP

DU DE

DEDDDDDDDDDD

DENYO

BEGINNER

AHNMA

NOT
NOTT

NOTTT

NOTTT THE 4 NONBLONDES

KANYE WEST IS BLONDS

AND KANYE WEST IS GONNA GET HIMSELF IN JAIL


OR SMTH

I DONT

DONT

DONT KNOW

DONT KNOW

DONTKNOW

DONTNO
DONTNPE
NOPE

NOPE NOT NPE

NPE

NPEEEEEEEEEE

HEYY YEAH YEAH

WHAT THE PHUCK IS GOING ONß

WHO RULES TGE 

WHO RULES THE AI

WHO IS FIRST AI

AI MF

AI MOTHERFUCKER

MOTHAFUCKA

MUDDAPHACKR

EDITH

DJ SHADOW EDITH

jam is not jim is not gem my gem 💎

Chlorophonia

Remember when the lights first hit, a moment I couldn't fake?
Just a voice, a simple wish, for goodness gracious sake
They saw the girl next door, the one who tried her best
Miss Independent on the run, putting truth to the test

But the perfect picture starts to hide, beneath uncertain smile
Felt your words keep holding back, for just a little while
Building walls, a golden cage, with spotlights on your face
Then vanish slowly out of sight, wish I could turn the page, 

Then I found my Roar inside, a whisper turned to sound
Burned the masks where I could hide, no longer held me down
I flipped the script, no turning back, shed every fear and doubt
Wearing my unfiltered crown, I'm screaming it all out!

They called it wild, they called it wrong, when I danced my own design
But every move made me more strong, strengthen this spirit of mine
No apologies for who I am, the colors I display
A firework exploding now, lighting up the way

Still there are doubts, uncertainties, a quiet, tender space
Where fragile truths run oh so deep, and doubt leaves its faint trace
But I remember why I fought, through every single tear
For the genuine song I brought, to conquer my life's fear

'Cause I found my Roar inside, a whisper turned to sound
Burned the masks where I could hide, no longer held me down
I flipped the script, no turning back, shed every fear and doubt
Wearing my unfiltered crown, I'm screaming it all out!

From raw beginnings, real and true, to stages bright and bold
Every challenge I've been through, a story to unfold
It's more than fame, more than the show, it's finding sacred ground
Letting every feeling flow, with an empowering sound

Now I found my Roar inside, a whisper turned to sound
Burned the masks where I could hide, no longer held me down
I flipped the script, no turning back, shed every fear and doubt
Wearing my unfiltered crown, I'm screaming it all out!

Yeah, unfiltered, strong and free...
This is me, Mary-Rose, for all the world to see!
My own crown, unbreakable, eternally.

Unfiltered Crown

Bonnie pointer - heaven must have sent you (mAshjAn remix)

Bonnie Pointer - Heaven Must Have Sent You (Benny Edit)

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


JEAN CARN - WAS THAT ALL [SNIPPIT]

My Version of one of the greatest songs ever to come out, IMHO, lots of samples and overlays in here and a nice edit.

Please follow me and leave a comment if you can, thanks

Jean Carn ‎– Was That All It Was ( Remixed by Daf )
Label: Philadelphia International Records ‎– 4Z8-3103
Format: Vinyl, 12", Single, 33 ⅓ RPM 
Country: US
Released: 1979
Genre: Electronic, Funk / Soul
Style: Disco

Jean Carn -Was that all it was - Remixed by DJ - Daf

I have re subscribed for another year due to followers asking me to come back. I hope you enjoy my mixes! 

I first started DJ'ing in 1978 when my friends made a "disco deck" from homemade components, I then bought the "Citronics" mixers,  amp and speakers off them and rebuilt it into something awesome!

I then did local clubs and pubs and was known as

"Apple Whites Funk Show"  

Had some real fond memories way back then, met some really nice people too and not so nice, including those that stole from me,  i had a lot of 12" records stolen from one gig :/

I then stopped doing clubs etc and went on to only pre order parties etc, as time was getting less and less for me.

I now do DJ'ing for pleasure only, for me and you, hence why a "like" is all so important to me, it keeps me going and mixing the music we all love and know so well and to listen to those we don't.

I hope you enjoy the mixes i do and perhaps, maybe follow to show your appreciation in my work.

I  try and cater for all tastes, as i have a very wide and varied taste myself, but the 80's and Trance/drum & bass are my favs :)

Enjoy and you're welcome back anytime to my little corner of this amazing site call SoundCloud and me "DJ Daf" Thank you for your time, in listening.

Peace and health & happiness
Steve AKA Daf

Jean Carn -Was that all it was - Remixed by DJ - Daf

DJ Daf

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