Calm & Steady series

- short tracks of dance music

All tracks were uploaded between 12/2020 and 04/2021, with the following older exceptions:
. . - Wack-Attack! "Grænsepoliti"(#1): 7 years,
. . - Milimetric (Kuk)(#5): 2 years,
. . - Rick Jangle "The UFOs"(#9): 2 years,
. . - SAŌTESI "Antiphona"(#19): 11 months,
. . - Raðulfr Maganhar"ROAD SENSE DESTINATION"(#6): 10 months.

The other series (short tracks) so far are:
- "Hard-Fast-or-Nasty" (more intense/abrasive)
- "MiddleLane", and "Superdance" (the middle, or ambivalence)
- "Funky-Dub-Trap" (terminology conundrum)
- "Fantaisies" (for professional dancers only)
- "Minimal"
- "Dark"
- "BreakB-Jungle-DnB"

There is little overlap between them, mostly between: *
. . A) MiddleLane, Superdance
and
. . B) all other series

* Increasingly there is some overlap between "Calm & Steady" and "Funky-Dub-Trap", and between a bunch of others (Dark, Minimal, ...). I'm trying to keep it to the minimum, the overlap, tracks finding themselves in more than one playlist

HK_Calm-&-Steady_tracks_86

Canyon #1

RealestK - WFM

Kodama

Par un concours de circonstances propre à l’incroyable vie des choses, les sonorités bruitistes du premier EP de Jacques ont résonné jusqu’aux oreilles bienveillantes des membres de l’équipe de Radio France. C’est dans le cadre des journées du patrimoine que Radio France lance alors à Jacques le défi de composer un morceau qui inclus des sons enregistrés à l’intérieur de la Maison de la Radio à Paris. Panneaux de signalisation, poteaux, extincteurs, ascenseurs, tiroirs, câbles métalliques… tout le bâtiment est cogné pour en extraire une banque de sons inédite à partir de laquelle il va composer sans le savoir ce qui deviens aujourd’hui son nouveau single. Dans un morceau fait à partir de la radio et pour la radio, Jacques chante pour la première fois le fait qu’il est pour la première fois dans la radio. Le titre ? Dans la Radio. Une mise en abîme que l’on soupçonne d’être une expérience de plus dans le cadre de son projet pseudo-scientifique né au Palais de Tokyo il y a quelque mois : Le CNRV (Centre National de Recherche du Vortex).

Dans La Radio

iTunes (アルバムTOP)
https://itunes.apple.com/jp/album/chong-jisamafutari/id1059774352

Google Play (アルバムTOP)
https://play.google.com/store/music/album/CAVE_%E8%99%AB%E5%A7%AB%E3%81%95%E3%81%BE%E3%81%B5%E3%81%9F%E3%82%8A?id=Blw3vdrfhhpprmtlw5yxomsuhyy

虫姫さまふたり

Stage5: 狂おしいほどに

Watched far to me doccos on UFOs. This came out.

After Dark In The Park

The UFOs

SideB  SGure Freeka Tet live rec

I Love It

Kanye West & Lil Pump - I Love It

Written by Dorian Electra and Social Chair
Produced by Social Chair
Photo by Lance Williams
Cover Design by Weston Allen

Man To Man

Directly from Brazil we welcome Kuk who has joined the Milimetric family with his single Planktonic. Remixes by: Label's owner An4log + Les Volga "From Russia with love" + Colombian raising star Stiven Escarraga.

Follow us:

https://soundcloud.com/milimetricmusic
https://www.facebook.com/milimetricmusic

Kuk - Planktonic (Les Volga Remix)

Amnesia Scanner — AS Acá (feat. Lalita)
Format: DL
Cat.No. PAN 108S
Release Date: 19 November 2019
Purchase: https://bit.ly/352sY8t / https://bit.ly/2O9pN88
Video: https://bit.ly/34XnZWn

AS Acá is the first song to surface from a new collaboration between Amnesia Scanner and Peruvian musician and artist Lalita who has both written and performed the song’s Spanish-language vocals. 

More music from Amnesia Scanner and Lalita’s collaboration is forthcoming.

AS Acá is Amnesia Scanner’s first release since the critically acclaimed album Another Life released by PAN in September 2018. It marks the beginning of a new cycle of work to be released throughout 2019-2020.

The single is accompanied by artwork and a music video by Amnesia Scanner’s long-time collaborators PWR. The video features a performance by three Lalitas.

The release is mastered by Enyang Urbiks

@amnesia-scanner
http://p-a-n.org

Amnesia Scanner - AS Acá (feat. Lalita)(PAN 108S)

深池

8hippi

Grænsepoliti

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

深池

XiaoXiang

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marginalpain

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