Honestly, this song is nothing short of a masterpiece. 

Electronics

Poisonous Ground

Echoes in Rust 852 Hz [Dark Nature Concept]

01001000 01010101 01010010 01010100

Veronika

Veronika, 1st Movement

Buy on bandcamp

Released by:
Xan Eden
1 September 2017
Photography by:
@neilkrug

Two Grey Hills

cover: Erika Szurcsik
mastering: Erik Bánhalmi

Alpár aka Hungarian Bálint Zalkai, is the co-founder of ‘Farbwechsel’, the Budapest based record label, and his own recordings of electronic compositions (often built upon random looping sequencers in a minimalist style) are key to the label’s release output thus far. His goal as he sees it is to “catch a random pattern, loop it and build up a piece with that randomly pulsing theme. Just let to flow the voltages and sound waves and try not to disturb them or change their basic behaviours”.

The two tracks here were recorded with this approach very much in mind. The atmosphere of 'Mejiro' is “not unlike a bird observation. Attempting to find the right spot, getting closer and closer to the bird, which almost controls you and your movements as you attempt to near it”. Whereas 'Wakayama' is a more direct piece, and maybe the most melodic song Alpár ever recorded. While 'Mejiro' is a woozy, cautious piece, ‘Wakayama’ is like a tropical fruit or the ume, (the japanese apricot); colourful and full of flavour yet -with thanks to- the slowly humming theme in the background, an element of sourness grips you at the back of your tongue as it ends!

Limited to 250 copies.

Wakayama

Produced  by  P è n i n s o l a r 



https://peninsolar.bandcamp.com/track/everything-on-an-even-keel

Buy on Bandcamp

Everything On An Even Keel

Collaborative sound design by Berlin artist Wilfried Hanrath 
& P è n i n ș o l a r for the Disquiet Junto Project 0352 : Layering Permutations where both Wilfried and I worked along side to angulate layering permutations w' allocated counter-melodies along the outer parameters  onto its final core by atopic & hovering variations in the confines of three "static" stacks of fathomage that seemed to align the outline of the assignment consummately.

The Assignment : Play something melodic atop two variations.

Step 1 : The idea is to have a simple melody of some sort, and to then have two variations on that melody play simultaneous with it. The key word here is “melody.” 

Step 2 : Come up with a melody, and then come up with means to create variations on it. Think of the variations as permutations of the melody. Try to have the variations not veer too far from the original. As you develop the variations, think about relative balance between the three layers.

Step 3 : Record a short piece of music in which the three layers are stacked atop each other. You might perform the layers separately and then combine them, or you might have a means for them to play simultaneously. You might have the balance between the tracks remain static throughout, or you may change relative volume at times.

Wilfried Hanrath / P è n i n ș o l a r - Floot Aboot the Chordal Wisp - Disquiet0352

Produced by
P è n i n ș o l a r
Sono-Poetry by
@ilaria_boffa
Deconstruct Permanence
https://soundcloud.com/ilaria_boffa/deconstruct-permanence

Permanence is an illusion
and not because it does not exist
it is the utmost, superior, sublime act
of experiencing love
simply (there is no devotion)
amongst humans

©️IlariaBoffa2018

Essaouira Muezzin
https://soundcloud.com/ilaria_boffa/essaouira-muezzin

It took 10 hours and a few stops.
Then the desert, into the red.
Nomads, Bedouin, Tuareg and Berbers
they populate a land of clay and kings
on the move.
Visible, 'the plateau', flat and linear
natural border that beats back.

In remote camps, the noise 
of electric pumps, wi-fi. Berber women
sit alone, rinsing dishes in the tents.
They laugh and wave at me to join.
I record their voices, fixing the hijab
on my parka.
Are we all post-humans?

©️IlariaBoffa2019

"Four-Shadows" photography 
  by P è n i n ș o l a r

P è n i n s o l a r & Ilaria Boffa - Deconstruct Permanence - Extended V.3

PAN AM

I Didn't Care

Music by https://soundcloud.com/graindrop 
&  https://soundcloud.com/p-e-n-i-n-s-o-l-a-r

Grain Drop P è n i n s o l a r - The Kinmen Etching

Music written, produced, & mixed 
by P è n i n ș o l a r
Guitars, synthesizers, & subtle bass, cover photography 
by P è n i n ș o l a r
Percussion by Josh Green
https://www.instagram.com/permanentrecorddrums/

Yayoi

excerpt from an improvisation which had previously been streamed via MoonRoq - 
now also available as a free download from my bandcamp page
https://ulrichschnauss.bandcamp.com/album/improvisation-5-improvisation-6

Improvisation #5​/​Improvisation #6

Freebie: Improvisation #5 (Excerpt)- Full Version available via Bandcamp

Walking The Water's Edge

A taster of a few songs I made for the Ibb & Obb game. The game and the OST will touch ground august '13 on Sony Playstation and Sending Orbs / digital.  This is about 1/3 of the music I made for it. Listen and buy the full album here: kettel.bandcamp.com/album/ibb-obb-original-soundtrack
Game:
https://www.facebook.com/ibbandobb 

Ibb & Obb OST flavors

amateur|experimenter

music for me is like a confession. I fix my psychological states in melodies. then I mix them.

evolution of name glitcheetah > cybart

PAN AM

xan from The Fade Beta

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