Du documentaire "Gergogna l'anartiste" d'Anne Desanlis
2007 - A.A.A Productions    www.aaaproduction.fr/‎
Musique originale de Xavier Roux

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Instrumental#works

Demo of my song Sorcerer, off my upcoming metal instrumental album
All rights reserved © 2024

Sorcerer (Demo)

#unique #music #electronic #odd #mood #happy #sad #creepy #producer #artist #triphop #downtempo  #originalmusic #exciting   #bass  #music #musicplaylist #spotify #listen #recomendations #fun #musicproducer #rock #release #outsider #wfh #lofi #lofibeats #instrumental #beats

Desert Rain Festival

Cycles

The Trial
A Pico-Operetta for our Times

International Cast:

Lady Humanity - Oddrun Eikli - Norway, vocals and lyric on the last song; @oddrun-eikli
Lord Mammon - Peter - England, All poetic lyrics in the operetta, except the last song; soundcloud.com/user-264930040/tracks
The Judge - David Dunham - USA, nylon-string guitar in the song for Lady Humanity's defense; @david dunhamuser589535203
Music & Production - Seagull - Sweden, compilation, mixing, sound effects, and acoustic guitars in last song; @farout-music-studio

Here you can download all poetic lyrics: www.dropbox.com/scl/fi/37k203an5c…5u74dp2i&e=1&dl=0

Synopsis

Following unprecedented worldwide growth in human conflict, an emergency plenary session of the United Nations was convened late in 2023, tasked with finding new approaches to defuse global tension and ease conciliation. Recognizing the abject failure of extant UN jurisdictions and powers, and in a radical restructuring of the international legal and security framework, that session established a new UN institution to sit alongside the International Court of Criminal Justice. The International Court of Moral Justice was formally incorporated into the UN Constitution on 1 January 2024.

The foundations of this infant organization and those of the UN itself were shaken when it was revealed that the inaugural case to be heard by the ICMJ was to be a private prosecution brought by greed (Lord Mammon) against the defendant, mankind’s innate sense of humanity personified by Lady Humanity

In papers lodged with the court, the protagonist, Lord Mammon has asserted that the fundamental basis for human misery, the creation of discontent, thence envy and hence conflict, is to be found exclusively in false moral goodness and self-righteousness borne of a misplaced sense of benevolence. The human race survived and thrived, he states, not by moving at the pace of the slowest, or sharing resources with the weakest, but by taking and keeping, for the self alone, much more than is needed for basic subsistence, this being the singular route to strength, individual contentment and thus tolerance of others.

In reply, a broken and demoralized Lady Humanity has been compelled to present her own defense after failing to secure funding for a legal team to counter the advocates ranged in front of Lord Mammon. The case for the defense rests solely on the premise that good comes from within and cannot be created from nothing. So whilst she may try to bolster the moral cause in her work, she increasingly finds that the human souls she sees have no humanity in them whatsoever for her to strengthen, nothing to work with and as such, concedes that she has failed, but denounces the notion that it was for want of trying. Devoid of resources, supporters and allies of any kind she single handedly has held the fort against the self-perpetuating, self-reinforcing massed ranks of Mammon.

The Lord Chief Justice of the ICMJ along with his bench of associate judiciary adjourn proceedings to consider their findings and in the final act, return to deliver their verdict.

The Trial - A Pico Operetta for Our Times

The cormorant in the forest;
The cherry blossoms
Along the evening path.

haiku by Tan Taigi

picture by Redd F

strofe ardesia - naviarhaiku539

Synthetic Blue

Largo du concerto de Vivaldi (RV94) que j'ai arrangé pour Guitares,Hautbois d'amour, et orchestre de chambre.
Largo of Vivaldi's concerto (RV94) that I arranged for Guitars, Oboe d'amore, and chamber orchestra.
Oboe d'amore (V.S.L)
Guitars (Amplesound)
Strings (V.S.L)
Choirs (Soundiron)

Ma musique

Concerto pour Guitares,Hautbois d'amour et Cordes (Largo RV 94)

This is 'Ah Likert' performed with the collaboration of the young musician Luca Portesi. 

The piece is included in the EAPS collective latest work Entropy which can be listened here:
https://eaps.mixlr.com/recordings/2463869

Ah Likert!
 
Afraid of disappearing, going unnoticed.
The priorities of this century pinned to top
24h stories and the attention span of a click.
 
Polarising not to succumb to boredoms
to half-truths and untruths.
Do we agree?
 
We strongly disagree, disagree, neither agree
nor disagree, agree, strongly agree.
Are we satisfied?
 
We are very dissatisfied, dissatisfied,
neither satisfied nor dissatisfied,
satisfied, very satisfied.
 
What are the chances of us all moving into space?
It’s extremely likely, likely, neutral,
unlikely, extremely unlikely.

Statistics and algorithms calculating
and rerouting our experiences.
Grief’s gradient, a function of time passing.

Time passing is a fake assertion.
Time does not pass.
Thus grief’s gradient slips away.

Grief’s gradient claws at one’s breast
and dangles, it lulls itself.
Numerous scenarios available.

Any hints from chatGPT?
Don’t know, no opinion.
 
---------
 
Paura di sparire, passare inosservati.
Le priorità di questo secolo in evidenza
storie da 24h e l’arco di attenzione di un click.
 
Polarizzarsi per non soccombere ai tedi
alle mezze verità e non verità.
Siamo d’accordo?
 
Siamo totalmente in disaccordo, in disaccordo,
né in accordo né in disaccordo, in accordo,
totalmente in accordo.
 
Siamo soddisfatti?
Siamo molto insoddisfatti, insoddisfatti, né soddisfatti
né insoddisfatti, soddisfatti, molto soddisfatti.
 
Che probabilità abbiamo di trasferirci nello spazio?
È estremamente probabile, probabile,
neutro, improbabile, estremamente improbabile.
 
Statistiche e algoritmi che calcolano
e re-indirizzano le nostre esperienze. 
Il gradiente del dolore, funzione del tempo che passa.

Il tempo che passa è un’asserzione non vera.
Il tempo non passa.
Ergo il gradiente del dolore sfugge.

Il gradiente del dolore artiglia il petto
e penzola, si culla.
Disponibili scenari plurimi.

Suggerimenti da chatGPT?
Non sa, non risponde.

Ah Likert!

Casamigos

I am a french film music composer
https://ravishardja.com/

Décharge - Gregogna l'anartiste

Xavier Roux - Film musics

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