back to basics... sick tune from the good ol' days

Soundcloud vibes

Stephan Bodzin & Oliver Huntemann - Blame

Fernando Campo - Razor Sharp (Original Mix)

Nar Nar (Short Play)

Buy on Bandcamp

Yumaan - Nar Nar (Short Play)

DJ D.A.M.S.77 DICE Jealousy Vip 2025

Huntemann & Winter feat. Xenia Beliayeva - In Your Car - Motorist

Proud and happy to show you our release on #Suara 
Out now :)

OUT NOW // Juliet Sikora & King Brain - All Day, All Night, Non Stop

The Knife 'Pass This On' (Dahlbäck And Dahlbäck Mix)

My Enemy

My Enemy (Rex the Dog Remix)

Info:  
This track is part of "Rippin Kittin" by Golden Boy with Miss Kittin.

See details below or check discogs: http://www.discogs.com/Golden-Boy-With-Miss-Kittin-Rippin-Kittin/release/31136

Buy the track at:  
Zero Inch: http://www.zero-inch.com/artist/Golden_Boy/track/Rippin_Kittin_%28Ellen_Allien_Mix%29/293387


2001: Golden Boy with Miss Kittin - Rippin Kittin: A3. "Rippin Kittin (Ellen Allien Mix)"

Keno038

Jacky and Jane

Laika&Strelka, DirrtyDishes - Jacky and Jane [Keno038]

Buy:
Beatport: http://btprt.dj/2hlGThf
iTunes: http://apple.co/2j3vx6e
Amazon: http://amzn.to/2iDwamo
Google Play: http://bit.ly/2hKB8t5
Deezer: http://bit.ly/2hKvas9
DJ Tunes: http://bit.ly/2hMHNI1
Traxsource: http://bit.ly/2itMANB
Boomkat: http://bit.ly/2jaLdk8
whatpeopleplay: http://bit.ly/2hNdqQ3
Junodownload: http://bit.ly/2iDsZuW

Artist: Sascha Braemer
Release Title: Sixth Sense EP
Label: WHATIPLAY
Labelcode: LC-49385
Catalogue No.: WIP034
Releasedate: 19.12.2016

w / c Sascha Braemer

Tracklist EP:
1. Sixth Sense (Original Mix)/ ISRC: DE-SE7-16-00028
2. No Sense (Original Mix)/ ISRC: DE-SE7-16-00029

Short info:
The “Sixth Sense”-EP is the fifth release by Sascha Braemer at WHATIPLAY. “Sixth Sense” & “No Sense” makes sense, that’s it!

german:
Die “Sixth Sense”-EP ist das fünfte Release von Sascha Braemer auf WHATIPLAY. “Sixth Sense” & “No Sense” machen Sinn, das ist es!

Selected Feedbacks:
AKA AKA (stil vor talent/burlesque musique): "Geilomat!!!"
Lexy (dantze): "6THS"
Betoko (oko recordings/moodmusic/wow!recordings): "wicked tunes!"
Markus Kavka (katermukke): "Meisterwerk. Und 'Sixth Sense' hat einen Break from outer Space. Irrsinn! Fantastischer Release, spiel ich"
Acid Pauli (kater blau/rote sonne): ":)"
Eelke Kleijn (armada): "Sxth sense for me"
Joris Delacroix (mercury music/pantheon): "super nice, thanks !"
Nico Morano (atmosphere records): "Will play Sixth Sense: Radioplay + gigs. Massive long break!"
Lee Jones (bar 25 music/watergate): "nice harmony and super tasteful sounds" 
Sascha Cawa (katermukke): "fett, danke"
Pingpong (warner music/ ton spiel): "we go w. "no sense" for the floor and w. "sixth sense" in our next podcast. both tracks are great!!! THANKS Sascha & WHATIPLAY" 
Arian911 (OMM Sounds/Cocoon Ibiza/finca am): "Nice, thanks!"
Bernhard Jakob (Get Lost Festival): "beide tracks super. full support!"
Paggo Luminous (Die Rakete): "i like the second one."
Anna Pröhle (MDR Sputnik): "Schön deep. :-)" 
Branko Jet (MDR Sputnik): "Typischer Sascha! Sehr gut! Gefällt!"

Sixth Sense EP

Sascha Braemer - No Sense (Original Mix)_snippet

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

Bird's Clutch - Doors EP
Moonbootique Records // Out: 15th of january.

We like powerful synths here at Moonbootique, we like big bad drum kits, fat low down bass lines and infectious grooves.

Bird's Clutch's Doors EP is no exception and delivers on all fronts. 

A deep and more spacious Fabs# & Niels Petersen mix of Doors and the foreboding tech mix from Wollion sits in perfect place with the synth filled Original and the Pete Sabo remix of this title track.

Bird's Clutch's second original Hills finishes up and completes this storming EP in style. A pumping late night track directed straight down the middle for your dancing pleasure.

Winter maybe here but we are running hot!

PreOrder

Bird's Clutch - Doors (Pete Sabo Remix) [Snippet Preview]

Buy/Stream: lnk.to/RhF0d

@audiojackofficial

www.instagram.com/audiojackofficial
www.facebook.com/audiojackmusic/
.
www.facebook.com/KneeDeepInSound
www.instagram.com/kneedeepinsound

Buy/Stream

Audiojack - First Flight

Follow @roseringed on Soundcloud:
On Spotify: http://bit.ly/differystoryep
On Apple Music: https://apple.co/2k4KaIt 

"Rose's fourth EP, "A Different Story", is - as the name suggests - diferent than the previous ones. With the opening track "Waited for you" the listener gets flashbacks to the 80ies, due to an euphoric synth line and a classic baseline. The second track featuring Heath Ledger’s opinion on journalist criticising Broke Back Mountain, immediately pulls you in. Its story with a trancey syntline and the techno beat "tension" is a true floor filler. The last track - again - totally differs from the other ones, with a groovy baseline. The aggressive base melody on top makes it a great energy booster to be danced upon all night long.

Rose Ringed- I Waited For You

D.Ramirez & Cevin Fisher 'Restless' Edit

For booking informations:
Drop a DM here and I'll connect you with the right person.





It was only back then when Xenia Beliayeva finally kickstarted her career as a club DJ at the opening night of Karlsruhes Centre For Art and Media Technology (ZKM). Opening a night that featured the french Techno pioneer Laurent Garnier and electronic music legends Kraftwerk live on stage after only a few years being around DJ'ing at art events and similar occasions.

Many things have happened since these early days, when she was freelancing for labels like Playhouse, Klang Elektronik or Mute Records and working for the highly acclaimed Ladomat for many of years where she took care of various business issues including the A&R department. Not to forget managing her own label Lone Records in conjunction with Formic Distribution and the Ladomat 2000-offspring Danced Records which is another part of Xenia Beliayeva's journey.

All these things have taken her from the art / exhibition circuits to clubs, raves and festivals allover the world. Continously evolving to the fully established, highly appreciated and award-winning DJ / vocalist Xenia Beliayeva is now, solo and in several collaborational projects that she's taken part in throughout the years.

With 12“ releases under her belt put on the circuit via imprints like Datapunk, Different, Systematic Recordings and others plus a full-length album debut („Ever Since“) on Shitkatapult there's no wondering why Xenia Beliayeva has been caught collecting miles and miles, traveling to places like Spain, France, Italy or paving her way to faraway countries like Ukraine, Australia, Russia or Brazil where she built a firm, enthusiastic fan base and, in the Brazilian district of Mato Grosso, won the Factoide Award for the Best Live Performance two times in a row.

And live means live as Xenia Beliayeva has more to offer than just playing records. Her performance range has evolved from the regular DJ-set to DJ-/live amalgamations in which the Moscow-born artist is voicing special edits of her own productions and now reached the stage of full on live concerts, fronting the stage with a unique vocalist style and pure presence whilst her long-time partner André Winter is taking care of technical aspects.

This ability as such has once again increased the number of fans and followers attending XenBel shows allover the place and tuning in to her Radio Xenbel show which is broadcasted on several stations and in various cities she's playing, giving her an extra slot of air time plus a new and quite innovative way to interact directly with her ever-growing fanbase. And reactions show, that they do feel the meaning of each song even though they might not get the words as hit-singles like „Momentan“ or the more recent „Dumpfe Träume“ are performed and broadcasted worldwide in their orginal form - with lyrics sung in German.

This surely is another important point that singles out Xenia Beliayeva's position as „artiste extraordinaire“. She is a multi-lingual butterfly serving special flavours amongst mostly instrumental or at least monolingual competitors. Plus: her devotees are not only hailing from electronic club land but feeling at home in the darker, kind of Goth-flavored areas as well as in Synth- and Non-Mainstream Pop. Areas Xenia Beliayeva is not afraid of to explore as not only her videos but also different remix works, e.g. for the Techno vs. EBM-flavored Nitzer/McCarthy project, do prove.

Huntemann & Winter feat. Xenia Beliayeva - In Your Car - Motorist

Xenia Beliayeva

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