Name: 8-2-16 In the Year 2000 by 58656E6F7350617261646F78
Duration: 3 min 25 s
Description: http://xenosparadox.tumblr.com/post/148233840213/7-31-16-in-the-year-2000

NERVOUS MAN NERVOUS  - 			BIG JAY McNEELEY
I'VE GOT NOTHING WORKIN' NOW  -		ANN COLE
HOLD IT	  -							BILL DOGGETT
STEP IT UP AND GO  - 				BLACK CATS & A KITTEN
OOH-WEE (YOU SURE LOOK GOOD TO ME) -  	JIMMY CAVELLO
FREEZE OUT	-								CLARENCE WILLIAMS
HOT MALLETS	- 							LIONEL HAMPTON
BEETHOVEN WROTE IT, BUT IT SWINGS!	-		DOLLY DAWN & HER DAWN PATROL
CORN BREAD AND CABBAGE GREENS	 -		JOE HOUSTON
SAY BABY		-								WILLIE JOHNSON
SEARCH MY HEART	-							CHUCK WILLIS
GATOR'S GROOVE	-							WILLIS JACKSON
FAN IT!  -  							HANK PENNY & JAYE P MORGAN						
PRAY FOR THE LIGHTS TO GO OUT  -			HOT CLUB OF COWTOWN
I WISH I WAS IN HEAVEN SITTING DOWN	-		CHARLIE PARR AND THE BLACK TWIG PICKERS
===============
Various other mixes of Swing, Dirty R&B, Rock 'n' Roll and Big Band.
http://soundcloud.com/tom-collins_2
http://soundcloud.com/killa-dilla
http://snd.sc/hSUdf8


ROCK 'N' ROLLIN' JUMP BLUES MIX

https://paradoxobscur.bandcamp.com/album/-

Ατραπός

Paradox Obscur -  Ανδρείκελα

Japanese early 80s minimal synth mix vol.1 by Tommi Tokyo

DJ mix

Japanese minimal synth mix vol.1 by Tommi Tokyo

http://xenosparadox.tumblr.com/post/148233840213/7-31-16-in-the-year-2000

8-2-16 In the Year 2000

Track 10 - Your Song

This is my first test song.

YouTube: https://www.youtube.com/channel/UC8eq6YvvO3TuhzKIev52LBw
Twitter:
https://twitter.com/Tylerl01TV

Tech Tech Attack Beat

ONLY TECHNO

One of the most curious entries at this year’s International Film Festival Rotterdam (which runs January 24 to February 4) isn’t a film at all, but a new one-off project by Apichatpong Weerasethakul: SLEEPCINEMAHOTEL. True to the title, this is a fully operational hotel, conceived and designed by Apichatpong in tandem with IFFR curator Edwin Carels and a team of collaborators. Over the festival’s first five nights, guests could reserve (for a 75-euro fee) one of six beds, which are tiered within a tall metal scaffold and flanked by a wall-sized circular screen projecting assorted found footage courtesy of the nearby EYE Filmmuseum and The Netherlands Institute for Sound and Vision. Complete with bedside tables, lamps, and other accoutrements of a typical hotel—not to mention a fully stocked bar, breakfast options, and a balcony for public viewing—SLEEPCINEMAHOTEL fosters the sleep states so frequently conjured and portrayed in Apichatpong’s films. 

Film Comment was joined by Apichatpong at the exhibition on its final day to discuss how this unique project came to be, the influences behind the look and feel of the hotel, and how dreams function as a very particular and personal form of cinema.

8-2-16 In the Year 2000

58656E6F7350617261646F78

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