This is actually insane. 😌💫🔥✨💯

Wish more producers made beats like this!!

hello again guys, i originally started this for the lucid monday svs beat battle but randomly got inspired today to finish this and post it finally after so long

shoutout @maxmilye for making an intro for this one

also guys i posted a new youtube video yesterday so go check that out as well :)

https://youtu.be/c445XZFG6-o

timeless

Mad Alasen Inspo!

Get my new serum bank here: https://vildexsober.gumroad.com/l/sachetvol2

Synchrony

well uhhhhh yeah

• instagram.com/prodwalzy
• twitter.com/prodwalzy
• shoptly.com/walzy

phase

stream

GO FOLLOW CHINGUS - @tchonga @tchonga @tchonga

luv yall

prada w/ tchonga

Copypasta time!
Hope you guys enjoy my new track, I really tried to make sure this one sounds the best it can. A bit of coproduction by my homie @sumantsagar, thank you sumi <3
Working on a lot of new music with INSANE producers, i'm gonna keep you updated :)
Meanwhile cop my kits hehe: https://payhip.com/generatingoffensivenoise

chroma

kadota: @kadotamusic
ap: @apmelodies

artwork: @sumantsagar & @combat-timbs

spotify: https://open.spotify.com/track/6xUo1uosETzp8RKH33NeHI?si=2ae480928a99416e

discord: https://discord.gg/Cbzn6GUs2S

kadota & ap - high

prophet

https://audius.co/Keiththeprod/good-as-it-gets-keeth-edit

Good as it Gets (Keeth edit)

yoyo guys, its been a while. didn't really mean to leave for this long again but i had a lot of stuff i had to take care of in real life first. i will say that i have some pretty big things coming soon though :)

(i made this track a year and a half ago lol)

REMEDY

remedy

https://ffm.to/basalt 

cover art by noah greene https://temberl.in/

everything is different now
_________________________________

blood it crusts the mantle, sequence in stairs

tephra crests the marrow, applique if she cared

but you don't know me, you don't know me, you don't know me i won't open wide
but you don't know me, you don't know me, you don't know me and i'm terrified

and i told you that day, and the rust fell that may,
and the ash coned and the steel groaned saw your visage through the smoke one last time
now it's unrequited, wasn't your onus, thank god you were honest
I'll hull to the harbor i won't surrender what i had promised, won't embed it against you
but nothing can change the fact that i trust you
and nothing can change the fact that i love you

stare at the asphalt, refuse to bloom

won't cherish the basalt, a pyrrhic sige there 
backstitch the petiole, oblique she's the heir 

wading through traft bullaces solely reverie

can't rathe to rue it's ellipsis, who are we?

but you don't know me, you don't know me, you don't know me magma hit my eyes
but you don't know me, you don't know me, you don't know me and i'm terrified

faltered all at once the walls i'd woven pylons corrallings,

the fumaroles atoned it billowed oxidized recoiled on hem, i'm still terrified

but you don't know me, you don't know me, you don't know me whither watch it writhe
but you don't know me, you don't know me, you don't know me whither watch it writhe
but you don't know me, you don't know me, you don't know me and i'm terrified

vain to scrape the tungsten, abjured alloy, but I'm just like them, no I'm just like them




contains vocal samples by https://www.youtube.com/@SouliaSora

basalt

This track was a fun exploration of "All The Samples From Mars" and the use of XLN Audio XO for sound discovery and drum sequencing. 

I tried to simplify things in comparison to previous tracks, to help with the mixdown and mastering. 

For example this track used 30 channels, whereas my last track used 50 channels. In my next track I'll try to go even further to 20-25 channels. Why? Less channels = less overlap in frequencies = more clarity.

How did I do this? Predominantly by using more automation on the synths and more audio effects throughout the track, particularly during transitions, in the drum, synth and atmosphere busses, rather than relying on new sounds to maintain engagement, fill the space and signal change. 

Other ways to simplify: No vocal, no sub-bass and less loops. On the last point, I'm really happy that I played in 90% of the MIDI for the drums and melodic elements, with a small handful of loops for the remaining 10% that you're hearing in the track. I think this gives the track a more authentic feeling, although the trade off is that it probably sounds a bit simple in some parts, but this will get better as my production skills level up. I'm happy overall considering I'm only 1.5 years into my journey.

The track is slightly longer than the average, with an A-B-A-C-A arrangement. Nice 1 minute intro and 2 minute outro for DJ functionality with 4 minutes of lovely narrative in between. I could do a shortened radio/streaming version if I wanted to, but it's just not worth it at this stage.

Decided to call the track "Swooping" as one of my favourite "Samples From Mars" discoveries called "Evil Butterflies", sounds like a bird fluttering and descending. 

If you fancy giving the track a spin, drop us a message and will send over the WAV. 

Enjoy! 🦅

prada w/ tchonga

akimbo

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