open up to the beat

Kenneyon:
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Sugar Rush:
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https://discord.gg/Pgszk5tWQZ

Cover Art: https://twitter.com/57_dayo
Character Design: https://soundcloud.com/yelie-gui

Kenneyon - Ecstacy

Me soloing @KiMUZU for today LOL
was out of ideas but yeah made this somehow

Social:
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Far Away

My Future (feat. Deny Ya) (No Signal Remix)

/run_state_locked [instrumental]


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Free Download

7dB - Epochal

3/3

@newdawncollective

This piece was designed to bring closure to the theme of individuality, about letting go of anything or anyone else, being able to stand on your own as you continue forward. 

Endings are not bad things, they just mean that something else is about to begin. And there are many things that don't really end, anyway, they just begin again in a new way. Saying goodbye doesn't mean anything. It's the time we spent together that matters, not how we left it. The memories we created. Some memories never fade, and I believe that keeps us connected, transcending anything physical. No matter what happens, some memories can never be replaced. 

To come full circle, this song was somewhat inspired by Clannad: After Story like I was with The Garden of Escapism. I will leave you with this quote. 

"Meeting you was the best thing that ever happened to me. I don’t want you to be lost or afraid or anything like that. From here on out, I know things might be hard sometimes. But no matter what, please don’t ever regret the time we spent together."

With this, The Garden collection draws to a close. I can now say: "It has come to a final stop" :) 

Until next time everybody. Thank you so much.

- Monty  

Lyrics :

And I never got to hear you say goodbye. 
You were always by my side
In your different frame of mind.

And we never got to live out these memories. 
I just want to see you smile
I won’t see you for a while.

And I never got to hear you say goodbye.  

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The Garden Of Memories (feat. Noctilucent)

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The Garden Of Memories (ft. Noctilucent)

@newdawncollective

"You don't have to worry about being special or normal compared to everyone else! It doesn't matter who it is. So as long as they think you're special, then you're special.” - Chitanda Eru (Hyouka)

When I first heard Curious, I sat and stared at my screen in a daze. The production, the melodies, vocals, harmonies, everything about it was entrancing, what I would consider genuine beauty in a song. I scrolled down to read the lyrics, and I saw just sitting at the bottom of the description ‘Inspired by Hyouka’. 

For those of you who are unfamiliar with this inspiration that is associated with this song, allow me to inform you on why I asked Kozoro to remix this song, and the ideas I wanted to reinstate and make potentially more prominent about ‘Curious’. I’ll keep this as comprehensible as possible so you don’t have to know anything about the story of Hyouka.

Look at this image: http://imgur.com/oJcORNE

I wanted to create an atmosphere that exhibited both characters personalities.
 
On the right of the image is Oreki. The first half of my remix is tended towards Oreki, for what I tried to audibly show was somewhat melancholic and crestfallen, but in a way that sounds like he has embraced these traits. Encapsulating darkness, and transmuting his capture into light.

The second half of the remix is tended towards Chitanda whom is on the left of the image. I thought so hard about how to sonically recreate what it would be like to be enveloped by happiness, euphoria, elation, and of course, curiosity. Enhancing the light around her and Oreki to become more radiant, more rhapsodic, more confusing, and more exhilarating.

Stay real everyone <3 

- Monty

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Curious (ft. Noctilucent) (Miro Remix)

Piano Étude No. 1

Sheet music: https://drive.google.com/file/d/0B4_1nP7mgHRDUl8zUjI2cTFpcmM/view?usp=sharing

I have decided to publish my first study (étude) for the piano. The sheet music is available via the link above. 

This étude was designed to exercise the performers ability and dexterity with arpeggios, specifically in triplets, and was written in a style not dissimilar to the romantic era. It is difficult to play triplets against a melody which is in simple time, and I wanted to exercise this area of piano playing. The piece is supposed to be played moderately quickly however room for rubato is allowed, especially during the more melodic B section. The player also has to control the gravity of their hands, as the melody is denoted by emphasis on the highest note being payed within a short phrase. 

The pianist similarly will have their geography of the keyboard put to the test, as well as having both hands adept at playing scalic figures. Keeping the accompaniment from the melody is crucial, as if the support is too heavy the clash of notes will become amiss, and sound unpleasant. Moreover, the piece exploits both major and minor keys, specifically the enharmonic, as both sections of this piece are in E minor, and E major. 

I will write short summaries on some of the pieces that inspired me and what areas I focused on with them and I will link the pieces respectively so you can listen to them.
I was inspired by three pieces when I was composing this.

Étude Op. 25 No. 5 “Wrong Note” (1837) by Frederic Chopin. The difficult areas in this piece are the large rolls in the left hand, coupled with the minor second intervals abound. This piece similarly progresses from E minor to E major, as well as the arpeggios in my B section are heavily influenced by Chopin’s. The sounds that Chopin establishes was something I wanted to try for myself.

Link: https://www.youtube.com/watch?v=0E8ko1Zjm90

Étude No. 3 S.141 “La Campanella” [From the Paganini Études] (1838) by Franz Liszt. This Étude is played at a brisk allegretto tempo and studies the right hand jumping between intervals larger than one octave. 16th notes are played between the two notes and the same note is played two octaves or two octaves and a second higher. The largest leap I have in my piece is a 13th, however I wanted to exercise large leaping in my study too. 

Link: https://www.youtube.com/watch?v=0FbQZCsYXVg

Étude Op. 25 No. 11 “Winter Wind” (1836) by Frederic Chopin. It begins with the solo piano introduction of the melody. The first theme follows, consisting of tumultuous cascades of semiquaver duplets. A leaping forger of the left hand in the relative major, which shortly segues into a repletion of the first theme. 
Both hands play an important role in this piece; the melody is sung through the heavy left hand and the right hand contributes the études name sake with rapid scales and arpeggios. This study must be hands as separate melodies that work together, in a duet for on performer. The notion of two ‘people’ playing as one performer was one that resonated very fervently with me, and I decided to apply that technique for this piece. 

Link: https://www.youtube.com/watch?v=hnWo8PxrOR4

That is quite enough from me. The piano is something I’ve been playing since the age of 4 - and even though I do some rather careless improvisation now and again, it feels extremely refreshing to put my musical knowledge and my piano skills to the test. I would be very interested to know if you like this sort of music, because it would be my pleasure to keep writing these sort of pieces for you. 

I’ll see you next time :) 

Monty

Artwork by: Marc Allante
http://www.marcallante.com/



Sheet Music

Piano Étude No. 1

Nothing lasts forever.

It’s odd, I saw EDEN perform live in London, and now I have the privilege of working with his vocals, from a song by Mendum, the duo that predominantly inspired me to make Melodic Dubstep. Mendum and EDEN are two of my biggest inspirations, and to get to do this remix was more than an honour. I hope you enjoy it :) 
---

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Backing Vocals: https://soundcloud.com/zandimusic

Mastering: @abandoned_official

Art: https://flic.kr/p/owBaze

Mendum - Elysium (Miro Remix)

1/3 (A Story Of Solitude EP) | @newdawncollective

-

Iteration after iteration, nothing but the distant reminiscence of a time filled with sound.

Laced in this infinite world, on the precipice of being able to see.

The beginning becomes ever dim.

Capture the soundless, in this halcyon world where we seem so evanescent, in this world with a promise. 

We fade, one by one. 

---

So hear me out, I don’t care if you say no, 
I’ll talk real slow. 
Lying down, in the field right next to you 
we talked it through.
And it feels like we were closer than ever. 
When I rested my head on your shoulder, 
you thought it was nothing, 
but it meant the world to me. 
And now you’re gone, 
you were always by my side or in my mind.
And all you wanted was for me to say goodbye forever.
 
And we still haven’t spoken since. 
Maybe all you needed was someone different for you. 
It’s about time I forgot about you, 
And you may wanna see me 
but I don’t wanna see you. 
I’ll carry on walking, 
far away from you. 
The sun and you are fading, 
It will set forever.  

---

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Promise (ft. Satellite Empire)

Coda

YUC'e - PUMP

DVSP-0199
Clearly -AD:HOUSE BEST- Disc.2
Crossfade

http://clearly.diverse.jp/

[DVSP-0199]Clearly -AD:HOUSE BEST- Disc.2

Please go listen to hirihiri who composed the chords to this song
https://www.soundcloud.com/hirihiri

Enjoy the summer! 🌸✨🥰✨🌸

nobody else

First dates can be scary. You feel full of anxiety, worrying that everything will go wrong. But she tells you that it's gonna be ok. Everything is alright. She laughs, smiles, and had a great time. You've just seen your date blossom into a new relationship!

Please enjoy this wonderful song and be sure to share it with your special someone!

Blossom Date

🌸 I hope you can relax here
🎹 Piano
🎸 Lofi
🎧 Electronic

www.xeuphoria.com

Coda

Xeuphoria

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