I fattened out the drums and added double tracked bass in this version.
Collab cover of Arch Enemy's Ravenous with Tommi Makela (https://soundcloud.com/tommimakela) and Black Market (https://soundcloud.com/black-market-4).

I realize the drums are probably too loud in this mix!
Btw, the singer on this track is on 16. SIXTEEN!!! Makes me feel old  =)

Arch Enemy - Ravenous Cover (MASSIVE DRUMS version) Drums are too loud, but it sounds massive

Holy Dio - Stand Up And Shout

Listen to the Full Playlist: soundcloud.com/chilloutify/sets/heavy-metal-thrash-command

🎧 Perfect For:
- Hardcore gym sessions 💪
- Gaming soundtracks 🎮
- Driving playlists 🚗
- Metal bar nights 🍻
- Headbanging therapy 🤘

🚀 Support Dire Blaze On:
YouTube: tinyurl.com/2jxmmppc
Spotify: tinyurl.com/5t46cedp

Heavy Metal Thrash Command

Oblivion Bound

"Originally written and performed by our band in the late 1990s, these songs have been reimagined using the original recordings combined with modern AI technology. This process has allowed us to finally realize the sound we always envisioned—something that was beyond our reach at the time. These tracks now reflect the true spirit and ambition we had from the very beginning."

Out Of My Mind (25)

“Back for Blood: The Resurrection Sessions” is a statement — a fierce revival of the songs that defined my first few months exploring AI music creation. These tracks were born in a burst of raw inspiration, fusing old-school fire with new-school tools.

Now they've been torn from the vault, rebuilt from the original recordings, and given a fresh surge of power. Remastered, reawakened, and louder than ever — this is not just a return… it's a reckoning.

Killer,Killer,Killer (25)

Metallica - For Whom the Bell Tolls cover

Find more like this below.
https://open.spotify.com/artist/0MdXpBjjp7ztNbcaGeCPNv
https://www.youtube.com/@GreyReprieve

Pastor of Lies

🎸 VORYNTH (Self-Titled Album)
Blues-rock, reborn in fire and digital myth.
Debut album from UK-based queer artist Vorynth: raw riffs, soulful storytelling, and bold, myth-soaked lyrics collide in anthems of defiance and transformation.

Crafted in creative partnership with Suno’s advanced vocal AI, each track is an intimate rebellion against silence, chronic illness, and conformity. From the fierce journey of "Devil’s Highway" to the reflective power of "Fourteen Fourteen", this self-titled release turns personal scars into sonic strength.

Blues. Myth. Identity. Amplified.

Written & Performed by Vorynth.
Vocals powered by Suno AI, custom-trained to amplify my authentic voice.

When life said no stage—music found another way.

Not Your In-Between

Artist: MiyuShiba
Composer: MiyuShiba
Producer: MiyuShiba, Suno 
Publisher: RacoonStudio


--- Lyrics ---

(Intro)

Death, Death, Death, Death.



(Verse)

The sky became blooded red.

The screams of humans of despair.

The end of time trumpet roars into the world.

But guess who is coming?

(Chorus)

He Is fucking angel of death, mother fuckers!

Death, Death, Death, Death.



(Verse)

Angel of death did fucking came.

And he will chase your fucking soul.

Showing Despair for them to surrender.

Despite this, they want to kill him.

But Guess who is ain't killing?


(Chorus)

He is fucking angel of death, mother fuckers!

Death, Death, Death, Death.


(Bridge)

He is fucking angel of death, mother fuckers!

Humans can't.

They can't Hurt,

They can't Kill,

They can't Stop.

Because Is fucking angel of death, mother fuckers!


(Outro)

Death, Death, Death, Death.

☠️Death☠️

“Gather close, and let the embers speak. For this is no tale of kings and crowns — this is the saga of fire, oath, and blood. This is the song of the last skald, and the flame that refused to die.”

In the twilight of the old world, when the fjords whispered of gods and ghosts, a warband rose beneath the dawn. Their oaths were carved in stone, their names etched in frost. The saga begins with “Oathbound at Dawn,” where warriors swear loyalty not by word, but by fire — a ritual of steel and spirit beneath the rising sun.

From the shadows of the fjord comes “The Wolf and the Fjord,” a tale of cunning and survival. The warband moves like smoke, striking with the silence of beasts. Then the drums thunder in “Hammerfall Rite,” a berserker’s invocation to Thor — the moment before the clash, where rage becomes ritual and the sky splits with fury.

But war is not only steel. In “Seidr’s Veil,” the warriors kneel before the völva, the seer who chants in tongues older than time. She shows them fate — not as prophecy, but as consequence. And then the clash: “Blood on the Ice” erupts with chaos, where shields splinter and the fjord runs red. Victory is won, but not without cost.

The ravens arrive in “The Raven’s Feast,” circling the dead with solemn grace. They do not mourn — they honor. The battlefield is silent, save for the wind and the wings. And then the myth deepens in “Stone of the Nine Worlds,” where the skald walks through realms of fire, frost, death, and dream. Each world speaks, each stone remembers.

Now the skald stands alone in “Skald of the Last Flame,” the titular track. He sings not for glory, but for memory — the last voice of a vanished warband, the final ember of a forgotten age. The longship burns in “Ashes of the Longship,” a funeral voyage across the sea, where names are whispered into the tide.

But the saga does not end. In “Echoes in the Hall of Shields,” the voices of the fallen rise in chorus. Their shields line the walls of the honored hall, and their names thunder through eternity. Yet even this is not the final flame.

A new chapter begins with “Where the Chief Fell, the Flame Rises.” The warband’s leader is gone, lost to legend. But his fire lives on. The Son steps forward in “The Son Who Bears the Ember,” uncertain but resolute, carrying the weight of legacy in trembling hands.

He learns the truth in “Peace Is a Lie.” The world does not honor restraint — it devours it. The Son casts aside hope and embraces fire. But in “Ashes of the First Command,” he learns that war is never clean. The cost of leadership is written in blood.

And finally, he rises in “The Flame That Does Not Bow.” No longer a child, no longer a warlord — he is the flame itself. Not wild, not broken, but eternal. He walks not for vengeance, but for truth. The saga ends not in silence, but in fire.

“So remember this, you who listen by the hearth: the skald may fall, the chief may fade, but the flame marches on. And in every oath, in every name, in every echo — the saga lives.”

Oathbound at Dawn

From the album, Dark Roots of Earth. Out July 27th (EU) and July 31st (NA) via Nuclear Blast Records.

Oathbound at Dawn

Xiao BaiMalz

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