7even

This work is based on a single sound source—bubbling water. Through time-stretching, reversal, reverb, and distortion, the original organic fluidity is gradually stripped away, transforming into cold, violent mechanical howls and fragmented noise. This sonic metamorphosis symbolizes the alienation of human souls under the rules of capitalism, ultimately crushed and consumed by the system.

Acousmatic Sketch No.4 “Erasure” [2025-03-23]
Music/Visuals by Shih-Lin Hung

#Acousmatic
#AmbientSound
#ElectronicSoundDesign
#Soundscape
#ExperimentalMusic
#SoundManipulation
#LowFrequencyAmbient
#DreamlikeSound
#BubblingSound
#AudioArt
#MinimalistSound
#SoundTransformation

Acousmatic Sketch No.4“Erasure”[2025-03-23]

My track notes regarding the creation of this track can be found here: https://llllllll.co/t/disquiet-junto-project-0691-un-ravel/71303/7

**Disquiet Junto Project 0691: Un-Ravel**  
The Assignment: Make a recording of a string quartet fall apart.

Step 1: Download the first movement of the Ravel string quartet at this URL: [https://bit.ly/un-ravel](https://bit.ly/un-ravel)

The original source is the Internet Archive: [Capet String Quartet - Ravel (Col. D 15057-60) 1928 : Capet String Quartet : Free Download, Borrow, and Streaming : Internet Archive](https://archive.org/details/3-capet-sq-col-d-15057-60-ravel-1928-mov-3/)

Step 2: Listen to the track closely.

Step 3: Create a new piece of music by employing the provided recording as source material. The goal for your piece is that it should make the Ravel sound like it is falling apart — that is, like it is unraveling, or un-Ravel-ing.

[Disquiet Junto 0691] Liminal Maurice

the prompt here was to play a piece from sheet music, and then sort the notes in alphabetical and length order. so here are 2 passages of sorted notes, one plays straight through. the other loops three times in the bass. additionally the main passage of sorted notes plays through at 4x speed against a sample bank for some rhythmic scrunches.

in order [disquiet0693]

i like how this came out, and plan to integrate it into my slowly expanding project at https://museumofhistoricalmaterials.bandcamp.com

a frantic 5/4 reworking of a 4/4 track i've been working on this week. mellotron via m-tron pro iv. blackhole immersive, ds tantra 2 and imagiro autochroma pad things out in the return channels. at 30s, an ableton percussion rack (EFX Small Cymbals) starts playing out a morse code message: "kaufmann, you scumbag".

More on the 694th weekly Disquiet Junto project, 5/4ify — The Assignment: Add a 5/4 beat to a pre-existing piece of music — at https://disquiet.com/0694/

[disquiet0694] kaufmann in 5/4

Oh NO! 😱 Look what's come out in the wash! 😳 It's a re-re-re-remix ... ! 😮

So this all started with a remix of a brilliant Tingle Taspestry ASMR video, which you can sink your teeth into at https://youtu.be/JrczIGHyJzU ...

A 'stress busting' experimental super loop version that forms the basis of THIS track can be sampled at https://youtu.be/yb6mBbDePxY ...

Enjoy!! 😁

More on the 695th weekly Disquiet Junto project, Disquiet Junto Project 0695: Clean After Each Use — The Assignment: Put a piece of music through the dryer — at https://disquiet.com/0695/

more halF unusuaL

halF drieD [disquiet0695]

The strangest things happen when walking down the stairs at Bolsover Castle in Derbyshire, UK ... and all the sounds you hear here are from that odd little trip downwards ... see the video at https://youtu.be/TH2gczMinQ8

Thanks to the little kid who provided the vocal snippet! 🙏

So, this is the first third of a trio for the Disquiet Junto ... It's deliberately incomplete - simply a beat track ... Want to add another layer? What does it need to your ear? Check out the Disquiet brief for the next two weeks ... ❤️ Download this audio and have a play! 🎶🎡

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

visuals (YouTube)

halF thirD [disquiet0697] 80 BPM

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Part I [disquiet0697]

As usual, there is an abundance of fantastic pieces to collaborate with. I finally decided on Aaron Hofman's work, because there was something about its slightly off kilter ambience that seemed to suit the later spring rain that is settling in for a few days. I added just a bit of gritty drone, augmented with a bit of reverb to further set the mood. 

disquiet0698

Recorded, edited, mixed & mastered on 28 May 2017 & 06 Jun 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA. 

Synths, effects

Photography/Art - Jim Lemanowicz, 06 Jun 2015 & 06 Jun 2025, Massapequa, NY, USA 

©2015, 2025 Jim Lemanowicz

---

This original version of “Usually May Disappear” was submitted as part of Disquiet Junto Project 0701: Gap Ear. The Assignment: Break apart a piece of music and fill the resulting spaces.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 701st weekly Disquiet Junto project, Gap Ear — The Assignment: Break apart a piece of music and fill the resulting spaces — at https://disquiet.com/0701/

Usually May Disappear (disquiet0701)

https://www.naviarrecords.com/naviarhaiku599-rain-rituals/

rain rituals -
if the gods are here now
to see the paddies

Haiku by Takarai Kikaku

Picture by Ritz

KiKaKuKaKi [ naviarhaiku599 ]

All here, in reality, are works in progress and are therefore apt to change at any time. All those except XIII Sisters and RAW which, as many of you may have done, I literally gave away in return for their placement in a library. Something I won't be doing again any time soon. If you have a use for something you hear here please just ask.

 .ooO -------------------------------------- Ooo.

ChatGTP said of AI Music...
'Creative AI tools can be seen as sophisticated plagiarism software, as they do not produce genuinely original content but rather emulate and modify existing works by artists subtly enough to circumvent copyright laws'

Sometimes it takes a dispassionate, independent view to actually see the truth of it ...

 .ooO -------------------------------------- Ooo.

There are links to XiiixxiQ below. Your mileage may vary as to whether it decides to work on your system or not. It only runs on a Mac because I really don't have time to do all the necessary work to make it compatible with anything other than my 2015 MacBook Pro :-(. It is still being developed (for my own use) and improved, and I may yet get round to doing another release if I can find the time to tidy it all up.

7even

x i i i x x i

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