Name: Simplicit by XIRCUS
Duration: 4 min 9 s
Description: This track was released on Trapez, under the name Cirkus, which is the same act as what is now called Xircus, being Max Cooper and Jeet.

Novaj 新し Sensations & feelings


Listen on Soundcloud
https://youtu.be/BRlAzLXYhI0

Get it
https://2020vision.bandcamp.com/album/vis2030-ep1-full-circle-vol-two

"20/20 Vision Recordings continue to celebrate their pearl anniversary with the Full Circle series of records and events.

Founded by Ralph Lawson & Carl Finlow in a farmhouse studio near Leeds, 20/20 Vision has grown into one of electronic music’s most respected labels, with nearly 500 releases over three decades. Full Circle revisits the label’s legacy with classic tracks, rare cuts, and new remixes for a new generation.

Full Circle Vol. Two delivers heavyweight remixes of seminal cuts from the label’s archive, featuring contributions from dance music legends Ricardo Villalobos and Random Factor. The A1 sees label co-founder Random Factor reimagining Villalobos’ iconic Easy Lee into a deep, minimal slice of bubbling electro. Lush harmonies and tremulous basslines pulse beneath robotic vocal motifs, showcasing the signature studio wizardry of Random Factor.

On the A2, Bobby. steps up with a powerful slab of driving club energy. His rework of Random Factor’s Lockdown transforms the electro classic into a moody, propulsive workout, mering his massive 4x4 drums, thick synth bass, and shimmering arpeggios—infused with a fresh 2025 dancefloor vitality.

Craig Richards opens the B-side, taking Convergence into shadowy minimal territory. His remix dubs out the vocals across a stripped, percussive framework—effortlessly channelling his unmistakable rhythmic sensibility into a slice of refined club hypnosis.

Closing out the EP, Sean Johnston aka Hardway Bros dives into 2011’s Digitize with a hedonistic acid-tinged rework. Rumbling low-end, snaking basslines and echoed percussion cut against twisted fragments of the original vocals, creating a wonky, euphoric refresher built for late-night systems. "

Random Factor 
https://open.spotify.com/intl-fr/artist/52YND4RXvWLXNyYgK7Kodx

Hardway Bros
https://soundcloud.com/hardwaybros

2020 Vision Recordings
https://linktr.ee/2020VisionRecordings

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Listen on Youtube

PREMIERE: Random Factor - Digitize (Hardway Bros Remix)

a murky, shadowy remix from Craig Richards of 20/20 Vision's co-founder Random Factor's Convergence. a remix to take you into the mysterious world of the night, this is for the worked-out forest adventures.

@craig-richards
@2020visionrecordings

Premiere: Random Factor - Convergence (Craig Richards Remix) (20/20 Vision)

A couple of times a year I put on these sessions in my basement, where I set up 4 speakers in a circle, invite a few friends over, and we lie down and dissociate in the cosy darkness for an hour while listening to a surround sound mix I made for it.

I usually do a mix of mine and other people's ambient, drone and field recordings, plus some fucked up granular panning shit just to throw a spanner in the works (big up the refractalizerrrr, thanks Ben). Minutes long crossfades. Sometimes quiet, sometimes loud with harmonic mixing when I can. Uplifting but abstract. I try to leave some empty space and not let something too unsettling go on toooo long.

I'm sharing this one cos I think it's the best one I've done, and I hope you can get something out of it. There are two versions. One a binaural mix (this one) and a 4 channel surround one split into two stereo files (Front-Left Front-Right and Rear-Left Rear-Right) that you can find below. 

https://drive.google.com/drive/folders/1Gvm15fvSFMDL0tTkU5oJIt3Aa-1qLDUO?usp=sharing

If you want help with the 4 channel setup DM me. I would just drop the two files into ableton and put the first to out 1+2 and the second to 3+4. To get the right volume skip to the loudest part and set it based on that. You don't wanna have to do that half way through, trust me. 

Enjoy!

Tracklist: 
Me - the rain in dad's utility room
Douglas Quin & Edward Ruchalski - In Queensland: for Ed Ruchalski, 2019
Murcof - Surface Wear
Cillian Murphy - In The Morning
Nils Frahm - Talisman
Sarah Davachi - Hall Of Mirrors
Perila - Reality Scan
Kara-lis Coverdale - 2c
Barker - When Prophecy Fails
Gigi Masin - The Word Love
Me - nyc tube train
Me - sea bus rich tonal drone
OUT OF PLACE ARTEFACTS - APOPHENIA
Si Begg - Look At Me
Douglas Quin & Edward Ruchalski - Theme: for Doug Quin, 2016
Boards of Canada - Ready Lets Go
Me - the rain in dad's utility room

Ketadrone I (headphones mix)

For the 54th episode of the BPitch Podcast, we’re excited to welcome Kessie.

Kessie, a Leeds-based DJ known for her techno-infused soundscapes that are as textured and dynamic as they are heavy.  Ironically, Kessie’s hearing disability is the driving force behind her machinist approach to DJing. Her "wall of sound" aesthetic results in immersive sets that invite you to feel the music just as much as you hear it.

“I wanted to lean more into my instincts for this mix and channel some of the anxieties I’ve been dealing with in my everyday attempts to juggle this scramble we call life. It’s also been a while since I’ve focused on a podcast and I’ve grown more confident in my style: colourful and sinister with a seductive twang. I focused on contrast, depth, and flow. It’s tempting to approach a podcast like you’re at a club, but that’s already quite challenging when you’re in a studio alone, with no energy to feed off except your own. So I gave myself permission to wander a bit and see where the mix wanted to go, maintaining a playful attitude while letting some of the darker undertones bleed through. “

Follow #Kessie:
@gabri996
https://www.instagram.com/bitswkessie/

BPitch 054 - Kessie

Ellen Allien Live Stream from Radio Rudina Vienna

Ellen Allien - Radio Rudina

For the 55th episode of the BPitch Podcast, we are excited to welcome Colin Benders.

Few artists embody pure improvisational freedom like Colin Benders. A peerless live modular techno performer, his powerful, groove-driven performances exist only in the moment. Every show is a visceral dialogue between instinct and circuitry, blending primal energy with technical mastery.

“This past year I have noticed my sound has shifted towards a more barebones, more direct version of techno. I think this shift has come simultaneously with my general outlook on music, I don’t really feel like this day and age calls for pretty melodies and polished sounds. I’ve started to crave the fringes where things start falling apart, or where the droning kick becomes relentless yet still hypnotic. My setup is limited in sound palette, but I try to make up for it in drive and motion. This set is definitely not polished and sometimes it derails into unbearable screeching, but that’s part of the deal I guess :) anyway, enjoy!” - Colin

Follow #ColinBenders:

@colinbenders
https://www.instagram.com/colinbenders/
https://de.ra.co/dj/colinbenders

BPITCH 055 - Colin Benders

For the 56th episode of the BPitch Podcast, we are excited to welcome Carmen Electro.

Originally from Finland, Carmen Electro grew up on the dance floors of London and Berlin, both of which deeply shaped her sound as an artist and informed the raw energy and sense of connection she brings to every DJ set. While her record collection spans many genres, it is techno that speaks to her most in a club setting - a sound that lets her tap into something primal and invites the audience to do the same. Her sets pay tribute to multiple decades of techno and dance music as a whole, moving between hypnotic, tribal, and driving cuts designed to ignite that moment where body and soul move as one.

"Having recently played my first RSO closing for Ellen’s We Are Not Alone party, I’m happy to share some records via this mix that went down that night. I planned this 1hr to pay homage to the kind of techno that moves in between driving and sleazy, something that I find myself returning to again and again, in the search of timeless, pounding club music. I wanted to highlight some of the artists whose music I’ve been a huge fan of, both historically and more recently. Find Louis the 4th, Klint, Sev Dah, Marco Bailey and Delano Legito amongst other legends on the playlist."

Follow #CarmenElectro:
@carmenelectr0
https://www.instagram.com/carmenelectro/

BPITCH 056 - Carmen Electro

VIS445: A Certain Era [SNIPPETS]

VIS446:  Is it Daylight? [SNIPPETS]

VIS0303: Moments in Time [SNIPPETS]

This track was released on Trapez, under the name Cirkus, which is the same act as what is now called Xircus, being Max Cooper and Jeet.

Simplicit

XIRCUS

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