Techno. Dark house.

Marco Shuttle's third album, Cobalt Desert Oasis, features a varied collection of music recorded across a two year period. Often traveling to remote destinations, Marco would come back to Berlin with field recordings, images, and other inspirations to process in his studio and turn into sound.

The theme of the journey turns into a something more abstract than a travel diary, where environmental sounds blend in with modular synthesis, drum machines, effects and analog oscillators resulting in a cinematic listening experience where psychedelia, ritualism, and mysticism weave together in a sort of alien soundscape - that as the title of the album suggests, is reminiscent of a parallel utopian world.

The album is rich in complex rhythmics, and more than in any of his previous work, has strong acoustic elements. Amongst other percussion instruments, Marco used the Tombak, a traditional Persian hand drum capable of reaching a very wide range of frequencies - from deep round subby toms, to high pitched sharp rimshots, throughout the record.

Marco Shuttle is certainly not new to these sort of elements, but in Cobalt Desert Oasis he brings the environmental element of his sound into the forefront in a way that takes the listener into a hazy expanse where it is sometimes difficult to distinguish the machine elements from the natural - and where the music almost becomes a visual experience, which relates to Marco's own photography used throughout the cover and insert images.

Written and Produced by Marco Sartorelli
Mastered by Neel @ Enisslab
Design by Josh Abramovici
Photography by Marco Sartorelli 

'Acrobat' is taken from Marco Shuttle's 'Cobalt Desert Oasis' LP
PREORDER: Vinyl 2x12"/Digital: https://marcoshuttle.bandcamp.com/album/cobalt-desert-oasis
Out October 15th, 2021

Marco Shuttle
@marcoshuttle
https://marcoshuttle.bandcamp.com/album/cobalt-desert-oasis

Incienso
inciensorecs.bandcamp.com
www.instagram.com/inciensorecs
Incienso.nyc

Marco Shuttle - Acrobat [INC-012]

Blue 05

Other

Continuing the theme of community collaboration sparked by Hodge and Simo Cell’s recent 12”, Livity Sound presents the first joint works by Azu Tiwaline and Al Wootton. While they come from distinct settings (Azu in the Tunisian desert, Al in London’s urban sprawl), their music shares a similar affinity for intricate percussion and dub-informed space.
The four tracks on LIVITY052 deal in a variety of rhythms and tempos, veering from the propulsive intensity of ‘Blue Dub’ to the sparse, skipping 2-step framework of ‘Light Transmission’. Azu and Al’s refined, detailed approach blurs the lines between electronic sound design and earthy sonics, resulting in dynamic drum tracks loaded with weighty atmospherics and unrelenting tension.

Alandazu EP

Azu Tiwaline & Al Wootton - Blue Dub - LIVITY052

Download the Vizion EP free by signing up to the Vapor City Citizenship program at <a href="http://www.machinedrum.net">machinedrum.net</a>

"Vizion" taken from the album Vapor City, released 29 September 2013 on Ninja Tune

Buy Vapor City at the <A href="http://smarturl.it/vaporcity">Ninjashop</a> / <a href="http://smarturl.it/VaporcityiT">iTunes</a> / <a href="http://smarturl.it/VaporcityAM">Amazon</a>

<A href="http://www.machinedrum.net">www.machinedrum.net</a>
<a href="http://www.ninjatune.net">www.ninjatune.net</a>

An exclusive courtesy of http://www.mixmag.net

Get Citizenship here

Machinedrum 'Vaulted'

Machinedrum 'Gold'

Our sixth VA compilation continues in the collective spirit at the heart of Pressure Dome; here taking its fullest form. The first of its kind in the label catalogue, ‘Two [Is Greater Than] One’ sees a selection of PD regulars and friends of the label put their heads together across eight atmospheric tracks, equally as suited to the club as to solo listening. 

Those who have followed the label for a while will be no stranger to the comp’s first collaborator. Human Resources teams up with London dub techno specialist, Keplrr, on ‘Spring’: a mood-led composition where the impact is contained in atmosphere. Fragmented drum breaks are engulfed by airy synth pads and punctuated by a dancehall-indebted rhythm that marches at 90BPM. ‘Yuppel’ welcomes Noods Radio mainstay Sid Quirk aka Keppel into the mix. He is joined by label boss, Yushh, on a ruminative percussive tool, guided by cavernous drums that fabricate a vivid, immersive environment. With the guidance of Brighton’s Caldera, the journey continues with Süss Choc. The reverb-laden synth plucks on ‘evoke water droplets, and hallucinatory details echo around them to create the illusion of being in a mountainous cove.

Delay Grounds – an audiophile in the truest sense of the word – is next to take the baton. Together, he and Yushh take it up a notch on ‘Telomere’ – a full-bodied club-ready track packed with glitchy chords and giddy drums. A gnarly, Pariah-esque breakdown segues into the track’s second wind where pitched-up vocal chops accelerate it to the compilation’s energetic climax. With the help of London drum specialist, Syz, ‘Fuzbidun’ keeps our feet firmly on the dancefloor. Breakbeats are chopped and rearranged, flitting between double and half time whilst a distorted mid-bass roughens things round the edges, prepping the ground for the compilation’s move to a more inorganic feel.

Bristol don, Forever, joins Yushh next on ‘Passing Notes’ – a groove-driven club track where skittish percussion ricochets from side to side, so palpable it tempts the touch. ‘Crash Bash Party At BUFOs’ is no different. The link-up between Delay Grounds and dance music’s stalwart of musique concrète, Wordcolour, is completely idiosyncratic to both artists: the perfect combination of found-sound percussion and skillfully rehashed vocal samples. It’s up to two PD mainstays – Roy Mills and Human Resources – to close proceedings. A chugging rhythm bubbles under the surface of ‘Sycophantasy’, sending us on a dubbed-out trip before picking the pace back up again.

Copy – Annie Parker
Artwork – Jesse Webb
Mastering – Matthew Bentley

Süss Choc

Caldera X Yushh - Süss Choc (PDCOLLAB001)

Copenhagen’s Echocord label returns this September with the release of the ‘Invincible Nature’ EP by Altone, featuring remixes from Thomas Fehlmann and Another Channel. Altone, the alias of Tokyo-based Yuki Takasaki, is a prominent figure in the Japanese dub techno scene, having released music on labels such as Greyscale, Lempuyang, Vuo and Æ Recordings. His unique take on dub techno has garnered international recognition within the underground scene. Now, he joins the esteemed Echocord label, a significant force in dub techno for over two decades, led by Kenneth Christiansen.

Today’s premiere features a laid-back, dub-infused remix by the legendary Swiss producer and composer Thomas Fehlmann, known for his work with The Orb and releases on labels like Kompakt, R&S, Tresor and Apollo to name a few. The remix is characterized by rich sub-bass, glitchy synth modulations that keep morphing throughout the track, and soft dub stabs that add a distinctive touch.
The track premieres today on Delayed, with the official release scheduled for September 6th.

https://soundcloud.com/thomasfehlmann
https://soundcloud.com/deep-step
https://soundcloud.com/echocord

https://www.instagram.com/echocord_records/
https://www.instagram.com/thomas_fehlmann/
https://www.instagram.com/altone_deepstep/


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PREMIERE: Altone - Naturally Unnatural (Naturally Flowing Thomas Fehlmann Remix) [Echocord]

Francesco Tamburrano - Metapontum (Victor Lopez Rmx) [Superordinate Dub Waves]

Last of the Laboratory test series brings a mood of deep concern through the planke field.

Lab 4

Batu - Spooked

Simo Cell - Cellar Door

Alex Coulton - Bounce

'Pea Soup' / 'Iodine' released 28th April 2017

PEA SOUP (LIVITY023)

Aground / Aerial

Aground

From Portrait With Firewood, the forthcoming album on R&S

Buy now: http://smarturl.it/portraitwithfirewood

Portrait With Firewood

Accelerating music & culture for twenty-five years.

Please note: We do not accept music for review sent via our SoundCloud account.

Alex Coulton - Bounce

XLR8R

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