The sound of the synths are really sick here, their tones work well together, and the bass is working so well in the low frequency bands. The panning is nice, adds to the stereo spread nicely

Spaced out flangey sounds build this electro pop punk rock styled track! Kick has a fair thud and the guitar is kewl! Sounds like a good fun energy and stomp your feet drive! I felt the frequencies build up a bit making it a little over mashed sounding more noticeable in the busier parts! Eq separation will fix this! I luv the vibe and drive its kool!

very nice intro! dote the backing arps and the bass is very well defined!

This track is legit genuinely like the samples that you utilized. 
the bass on this is nuts! dote the automation man. excellent vocals and the musical composition inditing is marvelous.  I still relish your chaotic art. Do that thang!

Punk Rock Electro stands out! There's plenty of variety of rhythms & lots going on in the music production terms! The Rock singer is very passionate & dramatic! Very nice

top track mate ...sick vocals power sound..me encanta buen trabajo 

This had a great intro and it's a nice beat.

<a title="Request license for this Track." href="http://www.tracksandfields.com/track/request_license?id=58600&from_sc=1">
					Request license for this Track.
				</a><br/>Written &amp; produced by Franz "Moroboshi" Ardito.

If you like this tune please share it with your friends and try to spread the word. Also feel free to download the hi quality wav file and use it in your DJ sets, we're an indipendent band and we need your help to promote ourselves! In case you REALLY like us please consider buying this track.

Here our contacts:
http://www.facebook.com/XOCBCN
www.viscaxoc.com

Blastah (feat. MC Spex)

XØC was started in 2008 by bolognese guitarist/producer Franz "Moroboshi" Ardito after moving to Barcelona and remixing "Beamon Jauzia" by basque Fermin Muguruza, and "Cosmopolitan Time" by south-american Che Sudaka.

Right from the start the idea was to mix rock'n'roll demonic/ironic side with raw electronic beats and synths, a hybrid and punchy sound filtered by the lens of irony, rebellion, and provocation. Or, better said, an open and unpredictable trip through nowadays unstoppable reality made of machines, progress, networking, and taxes.
XØC's way to freely enjoy music, reshuffling old patterns and bashing rigid classifications, resulted in a brand new, shiny atomic mezcla of rock-electro-mestizaje Barcelona style, which by the way they happen to call "Dancefloor Punk".

The trio performed their full-blown electric show in many dancehalls of the country, setting them as a high-energy, fun-packed act; the combination of the blasting rocky guitars, dancey acid electronics, and weirdo visuals naturally reprezent Barcelona's nightlife.

Indeed, to mix things up a bit more XØC performs an acoustic/unplugged version of the set, mainly to raid the streets, bars, and smaller clubs, where the show turns into a raw spaghetti-western rave with spanish guitar, accordeon, and cajon: the loudest unplugged trio in BCN galaxy..

Since its inception different musicians from all around the world have crossed path with XØC - south americans, gringos, europeans, all friends who orbited around the capital city of mestizaje or/and shared the view of musical and cultural mix-up, like german world-music icons Dissidenten (which XØC proudly remixed in 2010), MC Spex (former Asian Dub Foundation, hi-octane feat. in "Blastah"), or Kachafaz (Che Sudaka's verse machine, feat. in "It'z Weerd").

Remixes, productions, and an active gig schedule allowed XØC to gather around them a lot of curiosity and in 2010 they signed for Barcelona indie label extraordinaire KASBA MUSIC to release their first, self-titled, full lenght album: 13 tracks of original songs packed of energy and with lyrics in english, catalan, spanish, and italian, describing the band's oblique view on reality and its social and human contradictions - and hipocrisy was not on the list.

To further highlight the interest around the album, the single "Cannonball" was chosen by SONY to be the score of the commercial of their line of headphones.

"I like the direction very much...beats, synth bass, mad distorted guitars.... Great!"

These were the words of legendary producer Peter Walsh when he first heard the demos and whom, courtesy of the Internet, blessed the production of the record with loads of hints and suggestions and for this gaining a guru-like, almost metaphysic, status by the band.
And right to the Internet, humanity's biggest invention ever, the album is dearly dedicated; a small homage to the freedom of knowledge, main weapon in a world that behind its comfortable and self-assuring mask of normality hides abnormal monstruosities.

Only thing abnormal XØC have, however, is the volume of their instruments.



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