شبه النغمة اللي كانوا بيرقصوا عليها في العصر الڤيكتوري في فيلم Pride and Prejudice

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A recording of J.S. Bach's 'Preludie in C' played by Neil Balfour.

When J.S. Bach began working on his epic Well-Tempered Clavier in 1722, chances are he wasn't thinking that it would become one of the defining musical texts in keyboard history. But, somehow, it has - and the Prelude No. 1 in C Major is where it all starts.

The Well-Tempered Clavier (there are two volumes of it, each containing a prelude and a fugue in each musical key) kicks off in C Major, the most 'natural' musical key, so he obviously made sure that the first entry is a good one. Few pieces of keyboard music sound so delicate and fragile, but there's a very Bach-ian stability to it as well. 

It's a strikingly simple piece to begin with, gently phasing through different chords and registers, but it's one of those pieces that demands to be tinkered with. Consequently, you'll hear plenty of different interpretations of this much-loved work.

Prelude No. 1 In C Major | Bach

VITTORIO MONTI ~ Csardas
(Performed by  the Budapest  Symphony Orchestra)

Csárdás (or Czardas) is the only famous composition of Vittorio Monti. A rhapsodical concert piece written in 1904, it is a well-known folk piece based on a Hungarian csárdás. It was originally composed for violin, mandolin or piano. Nowadays, it is usually played on the violin, but can also be played as a piano solo, saxophone solo, on the accordion, or as an orchestral arrangement. The duration of the piece is about four 

VITTORIO MONTI ~ Csardas

David Garrett (Niccolo Paganini) Caprice 24 [The Devil's Violinist] BPriot

Nabucco, Verdi, Va Pensiero (Chorus Of Hebrew Slaves)

[High Quality] Vivaldi - La Stravaganza Op 4 Concerto 2 For Violin And Orchestra In E Minor - RV 279

Vivaldi: Concerto Op.3 No. 5 In A Major, RV 519 (2 Violins, strings and continuo) - 3.Allegro

Antonio Vivaldi -  Concerto Grosso In D Minor, Op 3 No 11, RV 565  II – Largo     III – Allegro

"Le Roman d'Elvire" (The Tale of Elvira), an opéra-comique in three acts with music by Ambroise Thomas (1811–1896), premiered in Paris on 4 February 1860. Set to an original libretto by Alexandre Dumas (père), the work was met with anticipation but failed to captivate Parisian audiences. Indeed, the failure inspired Thomas to reassess his compositional style, and his biggest successes - "Mignon" and "Hamlet" - followed some years later. For Dumas's part, he never wrote a libretto for the stage again. Nevertheless, this overture is another unknown masterpiece by a known master; written entirely in 6/8 (though in different tempi), the interconnected themes are distinctly and colorfully set apart, while sonata form is eschewed almost entirely. 

World premiere recording. The orchestral realization was created using Finale 27 and NotePerformer 4.

Ambroise Thomas: Le Roman d'Elvire (1860) - Ouverture

Richard Strauss - Also Sprach Zarathustra, Op. 30

Classical Collections The Masters, Vol. 6

William Tell Overture

1812 Overture Op. 49 - Tchaikovsky Large Symphony Orchestra, Vladimir Fed[MP3-Codes.com]

A. VIVALDI: Viola d'amore Concerto in A minor RV 397, Accademia Bizantina

HANDEL Water Music Suite No.2: Alla hornpipe

Antonio Vivaldi - Violin Concerto in A Minor RV356

The New England Conservatory Chamber Orchestra performs Tchaikovsky's Serenade for Strings in C major, Op. 48. Recorded live in Jordan Hall October 2011.

Tchaikovsky: Serenade for Strings in C major, Op. 48 - Pezzo in forma di Sonatina

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[High Quality] Vivaldi - La Stravaganza Op 4 Concerto 2 For Violin And Orchestra In E Minor - RV 279

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