〜 Taken from Debit's album 'The Long Count', out via Modern Love on Feb 18th 2022 〜

Delia Beatriz’s musical output straddles two distinct artistic poles; her debut solo album, 2017’s acclaimed “Animus”, oozed from sensual, beatless soundscapes to high-octane club music, while her 2019-released EP “SYSTEM” harnessed tribal guarachero elements while simultaneously scraping ideas from industrial techno. 

On “The Long Count”, the Mexican-American producer has inked her most rigorous statement to date, sublimating opaque ancestral knowledge into vaporous AI-stirred fog banks, activating an ancient rite that reaches into tomorrow. It’s audacious electro-acoustic archaeology that sounds disorientating, anachronistic and arcane.

“The Long Count” is rooted in research Beatriz made into Mayan wind instruments – whistles, ocarinas, flutes and trumpets – using the archive of the Mayan Studies Institute at the Universidad Nacional Autonoma de Mexico, the oldest and largest collection of its kind. Developing a set of digital instruments that could be played using different types of temperaments and scales, Delia processed these sounds using machine learning techniques to shuttle the distant past into our extant artistic universe, peering into Mexico’s pre-colonial history and weaving those ideas into complex tonalities gleaned from musique concrète and contemporary electro-acoustic music.

The ten tracks of ‘The Long Count’ form a ritual that’s a few footsteps out of time – neither a part of our present, nor the past. Beatriz describes the Mayan instrumentation as ancestral technology, part of a world that’s not so much been forgotten, but purposefully erased. And although it’s impossible to know exactly how Mayan music may have sounded, it’s feasible to converse with history using modern technology to conduct a ceremony of remembrance.

Beatriz’s soundscapes are haunted by indistinct, shared memories and centuries of pent-up emotion, and are as intentional, direct and meticulously crafted as the work of Deathprod or Thomas Köner. Her microtonal compositions are psychedelic to their core, shapeshifting through dimensions and painting complex mental images, while retaining a stylistic focus and lucidity that’s all too rare. Although “The Long Count” was nurtured by machines, human experience is coded into its DNA – an ancient-future heirloom that whispers through countless generations.

File under magick concrète.

All tracks written, produced & mixed by Delia Beatriz
Additional Machine Learning for Audio by Isomov
Mastering by Rashad Becker
Album Art Photography & Creative Direction by Debit
AI Album Art by Moisés Horta Valenzuela

The Long Count

Debit - 2nd Day

https://d-towards.bandcamp.com/album/straight-radium-archives-17-18

"Straight Radium (Archives 17-18)" EP of five lost tracks created in 2017 - 2018. 
This is a logical extension of LP "recordings" 

Limited single sided cassette edition of 20 copies

Mastering - Alexandr Pustynsky 

—

Ancient Camp
nr
CS straight
urth cut
rattle r

Straight Radium (Archives 17-18) (excerpts)

mastered by @bswalk
cover by ratx.cc

@n00rj

revieval

noorj - flameflowers

from APPX:15 Transient State by @clima-459673416

Available at: https://appendixfiles.bandcamp.com/album/appx-15-transient-state

Releases: Feb 06th 2025

Credits:
Written and produced by Samuel Stevenson 
Mastered by Ike Zwanikken
Artwork by Amos Turner

APPX:15 Transient State

mutant dub

Buy Digis & Lathe Cuts

Clima - mutant dub [APPX:15]

The debut single by Lint.

Recorded live at kwia, Berlin, using a process called smudging—sampling and layering infinite delay tails into drifting, textured loops. The Origin Mix captures the piece in its raw, hypnotic form.

From the upcoming Appendix.files release featuring six remixes.

No Time for Distance

No Time for Distance (Origin Mix)

Download

Lint. - No Time for Distance (Origin Mix)

natural ignorance

https://linktr.ee/mz279
https://www.youtube.com/@prod_shokwave

💰 Purchase (Untagged): https://bsta.rs/B83cDi
📧 Contact me: mzproductions169@gmail.com
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Tempo - 174BPM 
Key Signature - A#m
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"Kings" is an experimental uptempo, Violin DnB type beat. This beat is, uptempo and just different to other DnB genres. This is really just me fucking about and experimenting with shit really. Hope U enjoy. Vist my WEBSTORE which is in the link to find hundreds of release ready Pop, Hip Hop, RnB, Neo soul Jazz, Reggaeton, Afrobeat/Afro-Swing, Amapiano, Country, Indie folk, Punk Rock, Alternative Rock, Grunge, Kizomba, Brazilian Funk, House/EDM and Disco, beat/instrumentals just waiting to become the next #1 hit! 

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[FREE] "Kings" Experimental Uptempo Violin DnB Type Beat 2025 - Prod By @IzDatuMz X @Prod_Shokwave

Ghostride The Drift - B1

critical amnesia - NS0S₂ (skit) xpq?4

ZERO IS MORE THAN NOTHING - VARIOUS ARTISTS
@ecstaticrecordings @angeloharmsworth

https://ecstaticrecordings.bandcamp.com/album/zero-is-more-than-nothing

Felisha Ledesma & Angelo Harmsworth - PDA (ECSTATIC 057)

@perila track from self-release collection
"decision to longing"
https://perilazone.bandcamp.com/album/decision-to-longing
defrosting dark winter waters into spring brook
________

if you accept all sounding sounds atm
you are most likely to enjoy it

critical amnesia - NS0S₂ (skit) xpq?4

xpq?

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