[UNDER CONSTRUCTION]

Fantaisie track (courte) series no. 270

creation: 2022/07/30

These tracks were uploaded to SC between 05/2022 and 07/2022,
except for the following, older ones:

. . -
[TO BE COMPLETED]

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

HK_Fantaisies_tracks_270

@perila something soon....'

never the same reality abstract.
intimate process of presence with past constructing now.

bae p – hot day in a parking lot

Written, recorded, and performed by Dublin in Dublin, Ireland.

Mastered by The Bastard.

Layout by DMG.

Dublin

Buy the CDR

Dublin - 2021 2 (Dublin WTTGCDR1 Out Now)

“The Valley” is a journey in the mind of a person contemplating a landscape. Immersed in field recordings and samples, a calm voice shares intimate feelings while slowly revealing what appears before their eyes.

https://cantimagnetici.bandcamp.com/album/the-weaver
https://www.instagram.com/marcopaltrinieri_/

Marco Paltrinieri – The Valley

https://xtclvr.bandcamp.com/album/c-u-ragged-pink
cover sabrina zambrano

saltyskin - C U

Evil Day

MORPHEUS

FILTHY CLUB

cut17 w/NK

Holding the tension of opposites is a theme running throughout the work of Angelo Harmsworth, and the six pieces comprising Vent are no exception. Inspired by the different and oftentimes clashing forces comprising our weather systems, the New Mexico-born but now Berlin-based musician and producer envisioned his “compositions as micro-ecologies,” wherein “powerful waves push off one another.” The patterns emerging from this captivating music represent some of Harmsworth’s most complex to date. Swells of foreboding frequencies and jarring maximalist textures may bear down on listeners, yet an undercurrent of bliss–so deeply submerged it borders on the subliminal–manages to infuse even the most tumultuous moments of Vent with a calming groundedness.

And also like the climate, especially in the age of the Anthropocene, this cassette unfolds in ways that are profoundly unpredictable. An artist known for his ability to span the divides separating underground noise, sound design, ambient and industrial, Harmsworth ensures that each successive piece makes a radical break from what preceded it. This quality becomes particularly apparent when contrasting sides. The nearly harsh-noise, distortion-charged moments punctuating Side A are nowhere to be found on Side B, which reveals moments of vast, spectral beauty that reflect his roots in the desert landscapes of the American Southwest.

Of course, this kind of sonic breadth only comes with experience, of which Harmsworth has plenty. Steadily recording and releasing experimental music since the early 2010s, he has worked with some of the sub-underground’s stand-out imprints, including Angoisse, Bathetic Records, Total Black, and Opal Tapes. Placed in the context of his impressive catalog, Vent can be seen as both a continuation of what came before and a bold new development.

---

Angelo Harmsworth is a musician & sound artist whose works tends to fluctuate between austerity and decadence. Currently based in Germany, he has been published by a network of experimental labels in addition to his own imprint, Lime Lodge. 

releases July 26, 2022

Recorded by Angelo Harmsworth
Audio finalized by Glyn Maier
Artwork by Angelo Harmsworth
Design by RJM Vanderheyden

Vent

Angelo Harmsworth - Drag Net Capture (ENXPL15)

CD: Weideraufnachmer @glassbeadgame - Терма́ https://meticulousmidgets.bandcamp.com/album/terma

More: http://stopcran.ru/blog/2022-06-20-247

CD: Weideraufnachmer - Терма́

God - Encounter

made in Cubase 11 Pro

Physical Audio Derailer
Softube Modular (drums)

Unfiltered Audio Specops as send for Derailer

programming & play by sadà

(Transference (Prophecies))

EYHM - (Transference (Prophecies)) WIP

ANTICHRIST--FRESCO (2021)
This work was commissioned by Arash Yazdani and his Ensemble for New Music Talinn with funds provided by the Ernst von Siemens Foundation.It is an evocation in sound of the famous film by Lars von Trier, ANTICHRIST. Like the film that inspired it, ANTICHRIST--FRESCO follows the same form as described by Lars von Trier in the film's scenario: Opening (Prélude), Grief, Pain, Despair, The Three Beggars, and Closing (Postlude). This short musical work may be considered as a kind of prélude for the operatic adaptation of the film, based on Lars von Trier's film, that is being composed presently. In ANTICHRIST--FRESCO, the harmonium in 6ths of tone, designed by the composer, Alois Hàba, is a kind of sonic protagonist (played by Miroslav Beinhauer) who is accompanied by an ensemble of 8 instruments. The harmonium player and all 8 instrumentalists function as a kind of Greek chorus expressing the powerful emotions that the horrific human tragedy of ANTICHRIST evoke. Unlike the opera ANTICHRIST, ANTICHRIST--FRESCO relies on a combination of  instrumental and non-verbal sounds and phonemes, rather than words, to evoke the intense drama of Lars von Trier's scenario.

ANTICHRIST FRESCO - CD - 2022

Sound materials from SYNTRX synthesiser, composed during the residency in EMS Stockholm in 2022. Originally 4-channel.

Cruelty of Obedience (stereo)

Felisha Ledesma 081022

nueen.bandcamp.com/album/kelster

I've just uploaded to Bandcamp my first digital self-release, a little collection of tracks recorded during the first months of 2020.

All tracks recorded between Mallorca and Barcelona.

"Kelster" Clips Preview

Music,
centered on dance but I made the circle very,
very wide, from everywhere, for everyone.
Enjoy.
...

Here's the other account, for celebrities, ... this one here is for regular folks:

https://soundcloud.com/ha-kekong

I love you.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

saltyskin - C U

xtclvr

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