Nice. Reminds me of somekind of Candy-Etheric Autechre

Wraps 160

Composed during a whirlwind period of touring and sound engineering in 2019, 𝑂𝑛𝑙𝑦 functions as both a tranquil refuge and as a heartfelt appreciation for the source instruments' timbres. Berlin-based Bridget Ferrill crystallizes her professional recording experience and artist residencies into a singular focus on Buchla modular, harp, zither, and viola da gamba. Rather than an exercise in technical mastery, Ferrill's careful arrangements invite us to linger with each instrument; in her words, fulfilling the longing to "listen a little longer, a little slower". Every contour of the instruments is lovingly traced, a warm invite for us to join her in the exuberance of exploring their inner life.

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Bridget Ferrill (USA/DE) is a producer and composer of electronic music whose work plays between pattern and noise, exploring augmented instruments, handmade electronics, and experimental computer music. She has participated in residencies at EMS in Stockholm, LungA in Iceland, and the Dirt Palace in Providence, Rhode Island. Recent projects include composing for Staatstheater Cottbus, engineering and performing electronics for Bendik Giske’s live show, designing the Anglerfish drone synthesizer for Common Ground, and creating multimedia installations with composer Áslaug Magnúsdóttir.

Ferrill is also a live and studio engineer with experience working in studios and venues such as Greenhouse Studios in Reykjavik, Machines with Magnets in Providence RI, and at Real Surreal, her own mixing and mastering studio in Berlin.

Only

Bridget Ferrill - Viola da Gamba (ENXPL10)

https://xtclvr.bandcamp.com/album/sippinsaline
covered by deep softy
mastered by shy

xblooming

distortions, inversions of all this chamber made music to replace nightlong shakings between white or red horrors, fermented words; an imperfection being committed, beneath helpless intoxication, searching for a safe side of distance, libera, dreadful mourning. a spark of hope to all, bearing in mind a massive silence to be stopped by cheering from all around. 

when russia invaded ukraine it altered everything. writing music in these troubled days, during these historical events has become more sublimated than it has ever been; habitual leisure has been replaced by volunteering, the territorial defense of hometown, or the front line in the army. despite everything, music remains a significant part of our lives and continues to be the voice of history, communication, time, and memory. 

all revenues go to the ukrainian charities and defense forces.

cover designed by ratx.cc 
mastered by all options

tofudj - geo

This is a preview of the label's 18th release.
Muddle in the depths of the sediments.

Full version, cassette tape and more info:
https://kartaskvazhin.bandcamp.com/album/--12

@s0noj
@by8bynujm7tj

preview [karsk_18]: sonoj • suuri-pieksä - 2022 - люминесцентный маринад

tofu comp test++ overload

JUST LOST

fast Pipe

From 5 years anniversary Gost Zvuk compilation.
Mastering – Rashad Becker
Compilation – Flaty & Ildar Zaynetdinov
Executive Producer – Ildar Zaynetdinov

3 x 12" LP, hand stamped
© «ГОСТ ЗВУК», Moscow, Russia, 2019

https://soundcloud.com/gost-zvuk-records/gost-zvuk-5-let

https://gostzvuk.bandcamp.com/album/gost-zvuk-5-years

Damaged +dn

Immersion I & II

Not on Label
Digi & CD
Release on 9/4

Drums : Hikari Sakashita
Sax : Pueru Kim
Electronics : Kouhei Fukuzumi
Mixing & Mastering : Yui Kimijima
Recorded at Tsubame Studio, Tokyo, July 2020

Hikari Sakashita, Pueru Kim, Kouhei Fukuzumi - Immersion [Preview]

Track from forthcoming mixtape. Available on bandcamp from 26 Dec 2020 [CD/Digital] 
Full mixtape: https://olegbuyanov.bandcamp.com/album/number-one-record
https://www.youtube.com/watch?v=Tt16X6kR1us

xblooming

xtclvr

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