Upside Dawn

عملت على هذه المقطوعة خلال حرب غزة في أيار من العام ٢٠٢١

لم يتسنى لي ان انشرها حينها. ولا اعتبر هذه فرصة ايضاً . ولا اريد ان اميزها كذلك... تضارب. تماماً كحال بشريتنا.  لعلها حتمية.

هذه تعبير عن حزن روحي تجاه الحرب. فتأتي الاصوات باردة ومشتتة. ضائعة في فضاء لا تجد نفسها فيه. 

في حين ان الحرب تأتي لتسيطر. الأصوات هنا تأتي عكس ذلك، ربما لتكتشف لماذا يحصل كل هذا؟

سلاماً للأرواح التي فَقدت نفسها في الحروب لعلها تجد نفسها في إثير آخر.

ح ر ب

5 Years XtelRec

Deludium Skies & Phil Stiles - Cronos II (Cows Stare at Gremlins Remix)

and all the while everyone is oh so busy,
consuming and preparing for thee holy feast,
spirits are dancing in wake of thee longest night,
and toward lightness... (unnoticed)
oh so humane hoax, what doest thee cosmos care!
better to laugh out loud than to cry. 
thee spirits are autonomous in their fare!
 just listen. hahahah!!!

album

Agitated Neuron↯ - Fe​↯​tival↯

It's a pleasure to revive my old Samoa project here again since it disappeared on this cloud years ago. This is a new compilation mix with some of the most exciting and lovely contributions to this little song which traveled around the world back then. 
My heartfelt thanks still goes to my musical friends and brilliant contributors 🌼

00.00 - 00.28 with Jens Felger (Germany), add. guitar
00.28 - 00.54 with Galina (Britain), keys / perc.
00.54 - 01.40 with Carlos Younes (Brazil), add. guitar / strings / perc.
01.40 - 02.17 with Leticia Gabian (Portugal), vocals / lyrics
02.17 - 02.53 with Helena Paglia Rios & Quique Cano (Uruguay), vocals / bass / add. guitar / keys / perc. 
02.53 - 03.30 with Anuradha Padmanabhan (India), vocals / lyrics
03.30 - 04.25 with Vicente Bueso (Spain), cello / strings

[Composition, guitar and whistling: Ax.W.]

Here is the original tune: https://soundcloud.com/axelweis/samoa
Find all exciting renditions (on ReverbNation):
https://www.reverbnation.com/828725/albums/154176

More music:
http://www.weiss-haenitsch.de/AxW.html
http://www.axelweis.bplaced.net/wordpress
http://www.facebook.com/AxelWeissMusicianProfile
http://www.youtube.com/user/azzelweit

Samoa Compilation

Boffins Are Baffled

Collaboration Janjòrsteen + Trampelfâd
2022-2023

visit 
https://soundcloud.com/user-526356403

Serial 34  [Collaboration Janjòrsteen + Trampelfâd]

It's been a while since I posted my latest track, which in fact dated back to 20 years ago. I've been struggling with several issues, and sadly I haven't had many chances to record any new stuff, these latest months or years. This time I won't say things are going to get better in future, because I'm not so sure they will; still I really hope so.
This piece is about spiritual dawning.

Teth Sin : acoustic guitars, flutes, synthesizers, samplers (piano, Tibetan bells), sound design

Original composition, arrangement, mix, mastering, photo & cover artwork design by Teth Sin

Hi guys, i find a new toy and it sounds like this !
A new secret weapon.
Basically these recordings aren't edited except for the volume.

no fucking Ai were used in this track.

Recording 2023 - 03 - 04 20 - 09 Pt.II

UNEXPECTED BUT TRUSTED

FADE IN [or ECHOES OF SILENCE?]:

INT. THEATRE - NIGHT [or DARK ENSEMBLE?]

The curtains slowly rise on the blank stage, revealing an enigmatic presence fixed in a trance-like state. Emerging gradually from the shadows, the unidentified figure initiates their art with an opening chord. Instantly, the atmosphere is transformed with a velvet-black ambiance [or twilight abyss?] and a mysterious glow that seems to swirl and dance in the background [1].

CUT TO:

AN INTRICATE TAPESTRY OF VERNACULAR [or LANGUAGE LABYRINTH?]

We hear a cacophony of colliding sounds and reverberations, accompanied by a palpable intensity that fills the chamber. The camera pans across the chaos of cross-talking and crests and troughs as the music ebbs and flows, before settling on a serenely secret scintilla of spliced synesthesia that emerges from the pandemonium [2]. A suggestive sprightly spillage of entwined euphony ignites the air with an escalating fervor as the music hums and hastens, with rogue and ruse rippling in a raft of rabble [3].

CUT TO:

A SYMPHONY OF CHUCKLES AND CHISELS [or LAUGHTER AND LITERARY LINES?]

A deliriously dissonant chaos of cloverleaf cloistering, a melodious medley of sparks and embers that arise and swirl with each crescendo [4]. We hear the enigmatic energy taking form, bewildering and befuddling with its bold babbling. It blurs and then burgeons into a symphony of chuckles and chisels, each sculpting and savoring its way into a sonic sensuality [5].

CUT TO:

A BIZARRELY BEGUILING VISTA [or ENCHANTING EERIE LANDSCAPE?]

The journey winds through a warbling world, whirling through wryness, whimsy, and wit before finally delivering us to a bizarrely beguiling vista [6]. The camera lingers on this strange and foreign place, capturing its surreal and disorienting beauty [7].

CUT TO:

INT. THEATRE - NIGHT (LATER) [or REVERBERATING RUINS?]

The enigmatic figure is now in full view of the camera, but their identity is obscured by the atmospheric distortion that now fills the room [8]. The music has reached a frenzied crescendo, and the camera shakes and shudders with the vibrations [9]. Suddenly, there is a loud crash, and the figure disappears from view.

CUT TO:

INT. THEATRE - NIGHT (MOMENTS LATER) [or POST-APOCALYPTIC AFTERMATH?]

The music has stopped, and the atmosphere is beginning to clear [10]. The camera pans across the stage, revealing a scene of chaos and destruction. The unidentified figure is lying on the ground, their instrument shattered into pieces.

DIRECTOR (off-screen)
Cut! Cut! What the hell was that?

CAMERAMAN (off-screen)
I don't know, man. It just went to hell.

DIRECTOR (off-screen)
We can't use any of this. We need to reshoot the whole thing.

CUT TO:

INT. THEATRE - DAY (NEXT DAY) [or MORNING MOURNFULNESS?]

The curtains rise once again, and the enigmatic figure initiates their art anew. This time, the music is slow and mournful, and the camera focuses on the shattered remains of the instrument on the ground [11]. As the music continues, we see the figure begin to piece a campfire from the broken fragments of their creation [12].

CUT TO:

A GENTLE FADE OUT [or THE FINAL NOTE?]

As the music fades to silence, the curtains slowly close, and the camera lingers on the crackle of the [1].

[1] Flames? Or more of an ethereal light?
[2] Maybe a more specific example of the synesthesia? Or focus on the harmony?
[3] Consider simplifying this sentence - too much alliteration?
[4] Sparks and embers seem repetitive - change one?
[5] "Salivating" could be "savoring"?
[6] Mention specific visuals?
[7] How can we show this beauty? What does it look like?

[9] What if the camera's shake is more subtle?
[10] Could the smoke clear to reveal a specific image/message?

[13] Does the guitar need to play a significant role throughout?

https://www.youtube.com/shorts/KbHTR5DusbM

‘˘ •Øö Oπ°∑ø˚'¨

Facings

Used samples:

Title: Gas.aiff
Author: alexmaxlle
Link: freesound.org/people/alexmaxlle/sounds/202629/

Title: Whoosh
Author: qubodup
Link: freesound.org/people/qubodup/sounds/60013/

Title: Gas1.wav
Author: Godowan
Link: freesound.org/people/Godowan/sounds/240462/

Task Force

Beatitude Beatific

The Good Witch

Stand Out of My Light

First album, "That's Sin", is out on Bandcamp @ https://tethsin.bandcamp.com/album/thats-sin

Deludium Skies & Phil Stiles - Cronos II (Cows Stare at Gremlins Remix)

Xtelyon Records

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