A jam on the Lyra 8, processed through Ableton Live 11.
- Mono input has FabFilter3 with preset "subtle stereo enhancer" and "deep slow chorus" from Volcano 3.
Mono input then split into three channels:
- Left/Right each have an instance of Volcano 3 to emphasize different frequencies, along with veb/delay on the left, and 2 delays on the right
- Center carves out only low frequencies (absent from l/r), with a bit of chorus
Master track only has a limiter.

Eurydice

Four short samples, performed live in the Elektron Octatrack mkii, with a lot of micro modulations, neighbor tracks, all through the master track.

Hours Away

An exercise in offsetting three copies of one track by some time amount, in Ableton Live 10. One is treated with delay, one with reverb, one with a phaser. They are panned hard left/right/center. Source track created with Massive and DRC.

I made this sometime in 2017 in Ableton Live 9, but remember nothing else about the track. I'm uploading it because it's kind of cool.

16th Offset Drone

Created sometime in 2017 in Ableton Live.

Approaching The Truth

A simple exercise based on a 12 tone series, but with overlaps of notes, and two synth layers for subtle and changing texture.

12 Tone Drone

A track created entirely in Massive X, other than the drums which are some custom samples and the 909 kick/hat. Key of D Super Locrian.

A Familiar Unknown

This is made by running an ms20 through a Koma Field Kit FX.

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A jam on my ms20 mini through Native Instruments Replica XT.

Day One

Four tracks taken straight off a modular rig at one time, recorded into Ableton Live on one pass. A tiny bit of Vallhalla Room (small ambience) added to the whole mix, and Eventide Black Hole on the Elements melody.

Reconfiguration

Something I wrote with the point of finishing it. Felt great to leave parts as just "good enough" and move on!

Xtopher Orth

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