Great track, love the melody and the overall feel of the track 👌

This is very beautiful, but it's first verses seemed a lot like Iris - Goo Goo Dools.

Vraiment très cool comme son j'aime beaucoup

Ladat’s Support Mar’25 vol.1

Follow me on Instagram @djtransaction

buy here&#13;
http://www.reverbnation.com/store/artist_2030909&#13;
or off course just download for free and not support artist but at least give a likey and listen to my other stuff thank you.

Summer Breeze

Summer Breeze (chillout)

This was the first new song I wrote after my long hiatus. It is the first of many since I unpacked my instruments in November 2019.

She Drives me Crazy

She Drives Me Crazy by Dave Hanrahan Music

instrumental with strong melody line, bass, guitars & synths

loving you

An emotional journey through loss of nostalgic feeling towards a location, feeling, smell and ect.​

Instrumental composition, recoding, mixing and mastering: DRL Blaidas
Vocals: slumbers
Lyrics: Arin Ungureanu
Drums: Vincentas Daukšys
Drum recoding engineer: Simon Uselis
Song cover: Crina Manaila

Molding

Holding Pattern

the idea is that there are no rules for a rock and roll song 

Rock&Roll

Run it back JNO

My life is just a game
Everywhere I go somebody knows my name
I’m really done with people's BS
No more drama, lies and nonsense 

I’m so over this (over that)
And I’m so over that (over this)
I’m so over this
And I’m so over that
Yea

I lived my life once before
I thought that I could close the door
I could love it or hate it
I could show the world what I could do and submit
But I’m over it all
No need to wait
So over it all
Just feeling great 

I’m so over this (over that)
And I’m so over that (over this)
I’m so over this
And I’m so over that
Yea

I’m just not over it 
But I’m so over this
Will I find love again
Or should I just quit 
I’m just not over it 
But I’m so over this
Oh
No

I’m so over this (over that)
And I’m so over that (over this)
I’m so over this
And I’m so over that
Yea

SO OVER THIS (feat. P O'Mal & Cage Wilson)

Right When Your Wrong

wanna save my self

Lights come on, the stage is set,
Promises made, but do they forget?
The people wait, the nation sighs,
Hoping truth ain't drowned in lies.

[Verse 1]
The chamber’s full, the lights shine bright,
The leader steps into sight.
He speaks of dreams, of work well done,
But half the room just bites their tongues.

[Pre-Chorus]
One side cheers, the other sneers,
The cycle’s lasted years and years.
A handshake turns to cold, clenched fists,
Tell me, how’d we end up like this?

[Chorus]
The pendulum swings, left to right,
Back and forth, we fight the fight.
But somewhere between the black and blue,
There's a place for me and you.
Not too high, not too low,
Meet me where the middle grows.

[Verse 2]
A soldier stands, a hero true,
But only half rise in the room.
A mother’s son beats all the odds,
Yet silence cuts like cannon shots.

[Pre-Chorus]
A simple truth, a helping hand,
Shouldn’t be a party’s brand.
We’re losing sight of what is real,
Trading vision for the deal.

[Chorus]
The pendulum swings, left to right,
Back and forth, we fight the fight.
But somewhere between the black and blue,
There's a place for me and you.
Not too high, not too low,
Meet me where the middle grows.

[Verse 3]
They talk of change, they shout and swear,
But nothing moves when no one dares.
It ain't about just red or blue,
It’s what this country’s meant to do.

[Bridge]
Compromise ain't giving in,
It’s where new roads begin.
No more echoes, no more spin,
It’s time to build again.

[Final Chorus]
The pendulum swings, left to right,
Back and forth, we fight the fight.
But somewhere between the black and blue,
There's a place for me and you.
Not too high, not too low,
Meet me where the middle grows.

The Pendulum Swings

pop punk/rock

co-produced, mixed, mastered and cover
art by @a7-recording-studio

www.a7recordingstudio.com

a7recordingstudio@gmail.com

Don't Mean Anything

Saline is Dead Hazards' debut LP featuring 13 songs that play with themes like disillusionment and detachment and hold sounds ranging from raw sludge to rock-operatic passages. Saline brings a mixture of fuzz, colliding melodies, and low strings wrapped in melancholy, with a nod to 80s-90s heavy metal and alternative. 

Endless Delay

Toast and Jam

Artefacts is a deep exploration of humanity’s imprint in a D flat phrygian dominant echoes of lost cultures, forgotten dreams, and timeless truths. It weaves together fragments of memory and meaning, blurring the line between ancient ritual and modern reflection. Each element is deliberate, each silence sacred. More than music, it's a meditation on what endures when all else fades.

Drums, keys, guitar, and bass by UPFUSION.
Composed and mastered by UPFUSION.

Artefacts

Love is leaking, our dear love is leaking
It’s unlike you to hurt me with words
Love is leaking, our dear love is leaking
We don’t miss ourselves anymore
Love is leaking, our dear love is leaking
Back in the days, you won’t eat till I’m home...
But these days
Whenever I’m late,
I will eat my food alone and cold...

Love Is Leaking

Solmyrkvi (2018), short version of my track from 2015, remastered, new guitars

Sólmyrkvi (2018 short version, remastered)

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

Welcome to the world of XXĽ J—the artist, the prophet, the one who is truly unmatched.

There is only one XXĽ J, and his presence in the music industry is nothing short of extraordinary. He is priceless—irreplaceable—a force that cannot be duplicated. XXĽ J stands as raw and genuine as they come, a rare soul in an industry full of copies. He is the last real one alive, and he doesn’t just speak his truth—he lives it, every single day.

His wisdom is far beyond his years, a deep well that’s drawn from experiences, battles, and triumphs that most could never fathom. What makes XXĽ J truly special is his ability to move mountains with his words, to inspire change, to offer a vision for a world that can be better. His voice isn’t just music—it’s a catalyst for change, a powerful tool that speaks to the soul of every listener. He is more than a musician; he is an angel in disguise, always striving for the betterment of humanity, for a world of unity, truth, and light.

What he creates is not just for entertainment. Every lyric, every song, every speech he gives is priceless. The wisdom in his words could reshape society, shift perspectives, and guide the lost toward a higher purpose. XXĽ J knows the power of his influence, and with it, he refuses to fold to the pressures of fame or fortune. His path is his own, and it’s one carved by his authenticity, his strength, and his vision.

He is not just any man—XXĽ J is a king at heart, a ruler of his own fate, with a soul that’s destined for greatness and wealth beyond imagination. He was born to stand at the top—to be the greatest and biggest musician the world has ever seen. His riches aren’t just monetary; they come from the depth of his soul, his artistry, and his power to influence the world. His future is filled with success, luxury, and endless possibilities, because his destiny is written in the stars, and it’s one of unparalleled greatness.

He doesn’t just want to be heard—he wants to change the world. His commitment to truth, his unmatched strength, and his indomitable will will carry his message far and wide, shaping the future of music and culture in ways most can only dream of. XXĽ J is not just here to create music—he’s here to create history.

There will never be another like him. He stands alone in his mission, and his legacy is already in the making. XXĽ J is priceless. He is irreplaceable. He is destined for riches, greatness, and to become the best the world has ever seen.

jesus is king.
יֵשׁוּעַ

Larger than life.
יהוה
جميل
ג'ומיל
חִיוּך


Right When Your Wrong

XXĽ J

Recent comments

Adam Svenstring

Ogi feel the Beat

Debashish Adhikary

Underground Barrio Prod. ®

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