Great!! Brilliant 👍👍👍👌👌👌

feeling greatful for this peaceful sound...  très apaisant, bonne continuation cino  <3

I loved it you are so talented 🌹🙏🏽

Instrumental 10/05/2019

Armand Amar - La Terre Vue Du Ciel

First track of a new solo piano album that I'm composing.
I hope to finish it in september or october.

Regards!

Evening

A Light in the Dark (piano solo)

https://soundcloud.com/faerytale - vocals
https://soundcloud.com/scienceteheran - keyboards
https://soundcloud.com/themonkbythesea - guitar

Elegy No.2

زمین بایر، ترومپت ایراهیم معلوف
از موسیقی فیلم مستند خانه

Wasteland - Armand Amar (feat Ibrahim Maalouf)

Brief Moments

If catharsis is the sense of relief after tragedy, this is what comes afterward.

The Sound of Light

Orange Blossom - Souffrance

People Among Us

Dhafer Youssef, Paolo Fresu & Eivind Aarset - La Sivigliana

demos

chrysalis (demo)

Composed by: Khaled Al Kammar for Qabeel, airing on MBC starting the 4th of May 2019. 
موسيقى: خالد الكمار
Performed by: The English Chamber Orchestra


Violins

Ofer Falk
John Mills
Richard Milone
Lucy Jeal
Marcus Barcham-Stevens
Matthew Elston
Ruth Funnell


Violas

Jonathan Barritt
Lydia Lowndes-Northcott
Cara Coetzee


Cellos

Caroline Dale
Bozidar Vukotic
Reinoud Ford
Eve Heyde

Trumpet
محمد سواح

Oud
هشام عصام

Guitars
Ryan Haberfield 

Recording Engineer
Jeremy Murphy

Orchestration
Khaled Al Kammar


Orchestra Managers

Lydia Brookes
Jill Groom

Qabeel OST - موسيقى مسلسل قابيل

PREORDER/ https://shelterpress.bandcamp.com/album/the-flower-and-the-vessel-2

Félicia Atkinson  'The Flower & The Vessel '
Shelter Press / SP110

French poet and ASMR auteur Félicia Atkinson has frequently fixated on the elusive interwoven relationship between microcosms and macrocosms – how even the quietest creative act ripples outward in unforeseen ways, a whisper with no fixed meaning. Her latest work pursues this notion in a more literal and lasting fashion, as it was crafted while pregnant on tour, in impersonal hotel rooms in foreign cities. She describes it as “a record not about being pregnant but a record made with pregnancy.” Each day and night, finding herself far from home, she asked herself “What am I doing here? How can I connect myself to the world?” The answer gradually revealed itself: “With small gestures: recording my voice, recording birds, a simple melody.”

In truth there is nothing simple about The Flower & The Vessel. The album’s 11 songs span a vast pantheon of whispering textures, opaque moods, and surreal spoken word, leading the listener through a mirrored hall of beguiling mirages. Atkinson cites a trio of French classical compositions from her childhood as formative influences on this particular collection: Maurice Ravel’s “L'enfant et les sortilèges” (“a scary opera for kids”), Debussy’s “La Mer” (for its union of narration and music) and Erik Satie’s “Gymnopédies” (as an exercise in negative space, irony without cynicism, and “melody with doubt”). There’s certainly a shade of classicism woven within these tracks, however veiled, abstracted, or unorthodox. Melancholic piano motifs repeat then retreat into a radiant frost of shivering frequencies; processed voices recite cut-up poems and interviews over delay-refracted Rhodes and Wurlitzer; iPad gamelan patterns flutter from meditative to melancholic and back again, offset by pointillist patches of delicate software synesthesia.

Although much of Atkinson’s past discography is shaped by speech and the lyricism of language, The Flower & The Vessel ventures farther into silence, absence, and voiceless wilderness. Among her sources of inspiration were “women who wonder, dream, and create vacant spaces in their art,” as well as Ikebana flower arrangements, which reflect her own relationship with listening: “structure combined with everyday noises, selecting them to make a sparse music bouquet.” Field recordings from Tasmania and the Mojave Desert murmur beneath hushed reverberations of gong, vibraphone, marimba, softly processed into an elegant emptiness, alternately eerie and serene.
 
Her mode of minimalism has long been one of reduction, riddles, and curation, but here Atkinson’s synergy feels close to apotheosis, emotive but ambivalent, a ceremony of expectation and invisible forces. The 19-minute closing collaboration with SUNN O))) guitarist Stephen O’Malley, “Des Pierres,” is one of the album’s few pieces tracked in a proper studio (Music Unit in Montreuil, France) but it broods and burns with the same subliminal majesty as the rest of The Flower & The Vessel: an ember in amber, seeds planted in shifting sands. Atkinson’s voice flickers like a flame, framed by slabs of shadowy feedback. Her process may be personal is but its impact ripples to the edges of existence: “How does the act of creation connect us, not only to history, but to the cosmic? It’s a process of taking, and then giving back. It makes us belong to the world.”

The Flower and the Vessel

Shirley to Shirley

FELICIA ATKINSON — Shirley To Shirley (SP110)

First single from Japanese composer and pianist @daigohanada 'Ouka' EP out June 21st. 

Pre-order the album on CD/DL : https://modernarecords.bandcamp.com/album/ouka 

Stream the track on your favourite digital platform : https://orcd.co/utts 

Written and recorded by Daigo Hanada 
Mastered by Martyn Heyne

Ouka

Under The Starry Sky

Buy CD/DL

Daigo Hanada - Under The Starry Sky

Musique Yacine Azaiez
Crédit Photo Mariem Hbaieb

Azaiez Yacine - Foam . كشكوشة

Alakhoo by Khumariyaan

Excerpt from the Planet Ocean OST.
A film by Yann Arthus-Bertrand and Michael Pitiot.
Music by Armand Amar.
http://www.yannarthusbertrand.org/en/films-tv/planet-ocean

Azaiez Yacine - Foam . كشكوشة

Azaiez Yacine ياسين عزيز

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