Jungfernstieg 2

Childhood

rmx. 2025, Original 1995
https://distrokid.com/hyperfollow/coronardefekt/ascend

ASCEND

Endless tide

The ODD

Memoria damnum

The 1998 working version was called "Riding." It was intended solely as an experiment. An ode to youth. Reissued in 2020 as "Block 371." Version 2025. Thx to Samuel. Lyrics: Y. Frömme

Block 371

The song was composed on ModPlugTracker in 1995. It accompanies me through various eras. Original title: Frontman, including the well-known "Godspeed, John Glenn" sample. Slightly modified today, but still fascinating to work on.

Godspeed

The song was composed in 1994 on a Yamaha PSR501 and has been adapted several times over the years, with the main melody also being slightly tweaked and changed. The title has always remained the same.

Sweet Pain

The song was composed in 2023 on Ableton Live 11. "Along the River" refers to the Saale River, which winds through my hometown.
The song is dedicated to it.

Along the River

Survival of the fittest

First song ever in 1993. In a new guise in 2025. Working title: R.I.P.

Ghost mode

Duduk play and programming Eryk - Thx, Thx

Church of chant (Instrumental)

Roter Raum mit blauer Tür (Extended)

Walking down the Boulevard (extd.)

For my father-in-law, who was unfortunately taken from us far too early at the beginning of the year. Rest in peace. And for my wife. 2025.

In_Memory_of...

Aether

Aether (CRNRdfkt edit)

1975

B-side >Mechanical faces< Lyrics: Y. Frömme; THX to "Lüttke".

Your Tyranny

Reverie

Wunschkonzert

2024;  Lyrics: Y. Frömme; THX to "Lüttke".

Eleven month

The lyrics portray a cold, obsessive attraction where physical contact is treated like a mechanical process. The voice acts as a dominant, unyielding force that pulls the other person into a rhythmic, ritual-like state. The language is harsh, direct, and functional, turning desire into something technical, controlled, and intensely focused. Overall, the text depicts a dark, hypnotic power dynamic between body, will, and relentless movement. 2025, Lyrics: Y. Frömme; THX to "Lüttke".

I want you

2025, Album "Retrospective Journey" 2026; THX Selin, Lyrics: Y. Frömme

Between sun and sea

The song portrays a descent through a bleak inner landscape, where memories and emotions flicker like broken signals. The “wires” symbolize tangled connections and the fragile pathways the mind struggles to navigate. Each verse reveals how noise, distortion, and fading pulses reflect the song’s themes of disorientation and searching. Ultimately, the piece suggests that clarity isn’t found in light, but in learning to move through the darkness with awareness.---Original 2016; Rmx. 2024; THX Ruben K. for your Support. From >How We Became Who We Are<. Lyrics: Y. Frömme

Ash In The Wires

The lyrics portray the gentle transition from night to morning as a metaphor for awakening, clarity, and inner peace. Darkness slowly dissolves into light, reflecting a shift from uncertainty to calm awareness. Written in 2013 during a journey through the Altai Mountains in Siberia, the verses capture the quiet, expansive atmosphere of that landscape and the introspective mood it evokes. In the end, “floating high” symbolizes a state of emotional clarity, freedom, and serene elevation.

Rmx. 2020, THX to Jana!!! Lyrics: Y. Frömme

Utro

The text portrays a dark, fragmented urban world where humanity persists despite pressure, conflict, and exhaustion. It shows people trying to maintain orientation and identity within chaos, noise, and fear. Repeated motifs like breathing, holding, standing, and moving present humanity as a quiet yet powerful form of resistance. Hope appears not as something loud or heroic, but as a fragile presence that survives even in harsh surroundings. Overall, the piece conveys an introspective, somber atmosphere in which humanity remains the final connecting and sustaining force. Original 2015; rmx. 2023., THX to "Lüttke". Lyrics: Y. Frömme

Humanity (Not The End)

2016 - The song portrays people moving through life like shadows, present in body but dimmed in spirit. Their thoughts, steps, and identities feel fragmented, as if they are fading before they fully form. They long to be seen before they disappear completely, struggling against a world that barely notices them. Their voices crumble in the air, hinting at a deep isolation and quiet despair. In the end, they remain as faint, almost invisible beings, slowly dissolving into the dim.

In The Dim

“The Silence We Become” portrays a slow inner withdrawal, where a person loses clarity, weight, and a sense of self. The world feels unfamiliar, and identity begins to dissolve almost without sound. The line “I feel nothing” marks an emotional breaking point where numbness becomes a form of protection. Silence is not emptiness but a space in which a fragile new self takes shape. In the end, everything expands into a quiet, epic fade, as if the person fully merges with the silence. Lyrics: Y. Frömme

The Silence We Become

This text presents a voice from beyond, observing human life with calm distance and deep understanding. It sees people searching, breaking, rising, and carrying unspoken truths within their struggles and small moments. The message repeats that meaning is not found in answers or explanations, but in the act of living itself. The tone offers comfort without sentimentality—quiet, existential, and steady. Ultimately, the song declares that simply being alive is enough, and every breath is already a form of purpose. Lyrics: Y. Frömme. Original: 2009. Rmx. 2023. Thx to "Lüttke".

From Beyond

Everyone knows that one bar in their city — the place where time slows down and nothing ever really has to end. “The Horse And The Cow” exists in that in-between space, where conversations fade, glasses stay half full, and stories are left unfinished. The bar becomes a mirror of a state of mind: familiar, slightly worn, but deeply meaningful to those who keep returning. Within this room, everyone is equal — stripped of roles and expectations, reduced simply to people, as reflected in the song’s quiet, observational tone. The horse and the cow don’t represent opposites, but coexistence — different lives sharing the same silent frame. The song lingers on the act of staying, of remaining seated while the world outside keeps moving. In the end, there is no resolution — only the sense of being exactly where no explanation is required. Original 2016, Rmx. 2022. Lyrics: Y. Frömme. Thx to "Lüttke".

The Horse And The Cow

The text describes how people cling to comforting lies and beliefs instead of accepting uncomfortable scientific truths. This creates a dangerous conflict between knowledge and wishful thinking, portrayed as a growing storm. Fanaticism and superstition gain strength while rational warnings are ignored. Humanity stands at a turning point where reason collides with irrational faith, leading toward potential destruction. Overall, the text shows how we lose ourselves in the tension between truth and illusion. Lyrics 2018: Y. Frömme; Original 1998, Rmx. 2018; THX to "Lüttich".

The Science And The Fiction (Vocal Version)

The Science And The Fiction (Original Version)

The Science And The Fiction (Remix by C80c)

The Lyrics written in 2013, describes an awakening in a world that feels cold, abandoned, and inwardly fractured—a day that is “black” from the very first moment. The narrator moves through a city that mirrors his own inner emptiness: deserted, marked by traces of past lives and unspoken sorrow. The surroundings become a metaphor for his emotional alienation; shadows, fog, and silent streets gather into images of disorientation and spiritual uprooting. And yet, the narrator carries a fragile inner spark—a quiet form of survival that is neither clearly hope nor warning. In the end, it becomes apparent that this “black day” is a process of transformation: the darkness does not break him, but shapes him into someone who has learned to bear it without being consumed. Lyrics: Y. Frömme. Song composed in 2014. Thx to Sven and his amazing wife Kerstin.

Black Day

Everything said has already been said! But…

Coronardefekt is an electronic music project from Halle (Saale), Germany, that has been developing the connection between sound, technology, and emotion since the early 1990s.

My journey began in 1992, when a fascination with electronic sound generation and synthesizers laid the foundation for everything that followed. Influenced by Depeche Mode, Front 242, Delerium, Front Line Assembly, Dead Can Dance, and many others, I began creating my own sonic worlds – dark, driving, and emotional.

My music moves freely between Electro, House, EBM, Hip-Hop, and experimental sound structures – everything that inspires, excites, and moves me. I produce with a variety of synthesizers and analog sound sources – including the Yamaha MOXF6, Microkorg-S, Deepmind 12, Arturia Microbrute, Yamaha DX7, and Behringer TD-3-BU – with Ableton Live as the creative hub.

Each track is created with a focus on atmosphere, texture, and emotion – an expression of my personal sound journey. So far, all releases have remained private, but the essence lies in the creative process itself: sound research, sound design, and the pure joy of electronic music.

I don’t see myself as a product, but as an ongoing experiment – a project that grows, transforms, and continually redefines itself.

“Music is not a destination, but an eternal journey – and the processing of emotions.”

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