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deryncullen.bandcamp.com/track/je-te-veux-erik-satie
Cello quartet arranged and performed by Deryn Cullen

Erik Satie - Je Te Veux

The Lighthouse

Monochrome (feat. Dominique A)

The Waltz of the Monsters - Cascade Street

The Waltz of the Monsters (Accordions)

The Waltz of the Monsters

Banquet

link to this live: https://www.youtube.com/live/lKJ-0hSWq1k?si=leSvellqcZLUtQjD

my first YouTube live - link in the description

Le Fabuleux destin d'Amélie Poulain (Bande originale du film)

Les jours tristes (Instrumental)

C'était ici

Le Banquet (Live)

Erik Satie - Once Upon A Time In Paris

Éric Alfred Leslie Satie (signed his name Erik Satie after 1884) (17 May 1866, Honfleur -- 1 July 1925, Paris) was a French composer and pianist.

These Three Gnossiennes were composed around 1890 and first published in 1893. A revision prior to publication in 1893 is not unlikely, the 2nd Gnossienne may even have been composed in that year (it has "April 1893" as date on the manuscript). The piano solo versions of the first three Gnossiennes are without time signatures or bar lines, which is known as free time.

These Gnossiennes were first published in Le Figaro musical No. 24 of September 1893 (Gnossiennes Nos. 1 and 3, the last one of these then still "No. 2") and in Le Cœur No. 6--7 of September--October 1893 (Gnossienne No. 2 printed as facsimile, then numbered "No. 6").
The first grouped publication, numbered as known henceforth, followed in 1913. By this time Satie had indicated 1890 as composition date for all three. The first Gnossienne was dedicated to Alexis Roland-Manuel in the 1913 reprint. The 1893 facsimile print of the 2nd Gnossienne contained a dedication to Antoine de La Rochefoucauld, not repeated in the 1913 print. This de La Rochefoucauld had been a co-founder of Joséphin Péladan's Ordre de la Rose-Croix Catholique et Esthetique du Temple et du Graal in 1891. By the second publication of the first set of three Gnossiennes, Satie had broken already for a long time with all Rosicrucian type of endeavours.
Also with respect to the tempo these Gnossiennes follow the Gymnopédies line: slow tempos, respectively "Lent" (French for Lento), "avec étonnement" ("with astonishment"), and again "Lent".
A sketch containing only two incomplete bars, dated around 1890, shows Satie beginning to orchestrate the 3rd Gnossienne.

ERIK-SATIE-GNOSSIENNE-Nº-1-2-3-

Yumeji's Theme

Gymnopédie No. 1 - Erik Satie - 2 HOURS Classical Music For Studying

Le Banquet (Live)

Yann_Tiersen

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