Single from the new album by Zelienople frontman, Matt Christensen called "Constant Green" (June 18th, Miasmah / 300xColoured vinyl). 

As Matt himself describes: " I Had A Vision That I Could Move Anywhere" is  about how much fear does, or doesn't play in our limitations or unwillingness to do things. What is chemistry, genes and fate, and what is choice (if there is any)? In other words, this is a fantasy about free will."

Constant Green

Matt Christensen - I Had A Vision That I Could Move Anywhere

From Endurance's Long-Term Memory, out now on tape and digital:
https://muzaneditions.bandcamp.com/album/long-term-memory

Endurance - Expanding Repetition

Sans En Altérer La Nature

~ LAAPS 020 ~ [SEQ.03 - LP20]

artist : Taylor Deupree
 album : Harbor
duration : 41.38 mn
 date : May 30th, 2022

edition :
-  vinyl : limited to 300 copies / black LP / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

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pre-order : May 06th, 2022 / official release : May 30th, 2022
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sounds and arrangements by Taylor Deupree
mixed and mastered at 12k
published by 12k Music (ASCAP)

Artwork by Herbert Pfostl
Design by Sprflxgrfzm

"thank you to Corey Fuller, Stephen Vitiello, Ryuichi Sakamoto, and Mathias Van Eecloo."

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Links :
https://laaps-records.com/
https://taylordeupree.bandcamp.com/

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℗ & © 2 0 2 2 - L A A P S - L A A P S 0 20

Harbor

Taylor Deupree - Harbor

The four tracks that comprise GIVING WATER TO THE DEAD were composed using sound materials originally recorded for the sound installation Histories of the Present, a public artwork commissioned by the City of Berkeley in 2019. But where the installation was about a melding of practices and sounds into a single gesture, Crouch and Novak wanted to take the opportunity of a split release to exploring divergent paths starting from common ground. For GIVING WATER TO THE DEAD, each artist started with the same source material and plotted their own direction without direct influence from the other.  As artists in a relationship and sharing a studio this was no easy feat. Despite the planned divergence the resulting tracks compliment each other, as the artists do.

Giving Water to the Dead

Our Bodies Stirred These Waters Briefly Pt. 1

Pre-order now available: https://handstitched.bandcamp.com/album/upward-eyes-kindred

Handstitched* is thrilled to announce the next installment of the split-artist series, Ian Hawgood and Fields We Found feature alongside each other for an outing of outstanding musical composure and tranquility. 

Ian's music needs little introduction, with many releases and collaborations under his belt on numerous well-known labels - to say he's prolific is pretty close to the mark. Ian also curates the wonderful Home Normal label, here in the UK. "upward eyes" is seriene, slow-moving and hauntingly subtle, prolonged space fills the moments we frequently overlook and leaves time for reflection during a quiet time spent in an open space. We are honoured to have his debut EP "upward eyes" featuring on Handstitched*. 

Fields We Found has just released his outstanding album "Distance" on the lovely Seil Records, which has been on constant rotation here at Handstitched* over the past month - and the new EP "kindred" is equally as moving, graceful and bewitching. The equilibrium and expression within "kindred" is harmonious - and at the same time, quietly sonorous.

Fields We Found and Ian Hawgood are both welcomed to Handstitched* with many thanks and admiration for their respective musical works as part of the split-artist series, it's great to have them visiting Handstitched* for this special release.

Limited to 50 copies. Released on mini CD-r and sage green cassette with hand-made packaging, tape O-cards and unique designs for each CD package. [HS45/45T]. 

Released August 12.

Ian Hawgood / Fields We Found - upward eyes/kindred [HS45/T S4mpl3r]

Pre-order now available: https://handstitched.bandcamp.com/album/occupying-space

Limited edition CD: Each edition features unique hand-made collage designs, packed with tracklisting inside glassine bags and individual, hand-numbered lino prints by LP www.instagram.com/lowresnotes/
58 copies [HS46]

Limited edition tape: Pro-dubbed tapes with recycled J-card, on-body print on C-90 apricot tapes. 58 copies [HS46T]

Maps and Diagrams - Occupying Space [album sampler]

~ LAAPS 025 ~ [SEQ.04 - LP25]

artist : Arovane
 album : Sinter
duration : 39.29 mn
 date : January 23rd, 2023

edition :
-  vinyl : limited to 300 copies / black LP / pantone / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

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pre-order : January 05th, 2023 / official release : January 23rd, 2023
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Written and produced by Uwe Zahn.
Recorded and edited at Saale Studio.
Track 03. Konstant is dedicated to Taylor Deupree.

Mastered by Taylor Deeper (12K)
Artwork by Marco Cadioli
Design by Sprflxgrfzm

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Links :
https://laaps-records.com/
https://arovane.bandcamp.com/

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℗ & © 2 0 2 3 - L A A P S - L A A P S 0 2 5

Sinter

Arovane - Konstant

muzak 2

TA: Buchla Series 200, Serge Modular, contact microphone.
No plugins or other DSP. 

Recorded at EMS, Stockholm.

Thanks to Mats Lindström, Gabrielle Karlsén, Daniel Araya, Jan Rohlf, Marcus Gammel, Fernando Sixto and Marion Innocenzi.

Serge & Buchla (excerpt, recorded at EMS Stockholm)

no one wants to admit that i am afraid (for W.B.) [emotionally overextended version] 
Pinkcourtesyphone

there comes a time on any dance floor when the lights go low, the music turns pretty, and everyone gets that cheek-to-cheek look in their eyes. 

this deflated valentine from Pinkcourtesyphone is not for that time. 
is your heart awake... yet? 


originally created during the "sessions" for the album September 2020 Pinkcourtesyphone 'Leaving Everything To Be Desired' (room40, Australia) [https://richardchartier.bandcamp.com/album/leaving-everything-to-be-desired] 

... further manipulations, pokings, and frostings continued through January 2021.
released February 5, 2021 as a bandcamp exclusive download

photography: James Elaine 
thank you: L.English, W.Basinski, J.Elaine, M.Harding 

published by Touch Music/Fairwood Music UK Ltd 
3particles28

Desensualized

no one wants to admit that i am afraid [emotionally overextended version] by Pinkcourtesyphone

Yann Novak (b. 1979) is a multidisciplinary artist and composer based in Los Angeles. His work is guided by his unique perspective as a queer autodidact. Informed by his partial color blindness and dyslexia, Novak uses sound and light to explore how these intangible materials can act as catalysts to focus our awareness on our own direct experience. Novak’s diverse body of work—audiovisual installations, performances, architectural interventions, sound diffusions, recording, and prints—invites participants to imagine how divergent our individual perceptions of reality can be.

His work has been experienced through performances at Brisbane Powerhouse, Brisbane (2023), Bemis Center for Contemporary Arts, Omaha (2021); PICA, Portland (2019); Institute of Modern Art, Brisbane (2019); Desert Daze, California (2018); Fylkingen, Stockholm (2018); Iklectik, London (2018); de Young Museum, San Francisco (2016); Hammer Museum, Los Angeles (2016); Vincent Price Art Museum, Monterey Park (2014); The Stone, New York (2011); LACMA, Los Angeles (2010); and Mutek Festival, Montreal (2007); among others. Novak’s work has been exhibited at Dimensions Variable, Miami (2020); Human Resources, Los Angeles (2017); The Getty Villa, Pacific Palisades, California (2016); The Broad, Los Angeles (2015); Commonwealth & Council, Los Angeles (2014); Armory Center for the Arts, Pasadena, California (2011); Soundfjord, London (2010); The Henry Art Gallery, Seattle (2009); and SFMoMA, San Francisco (2009); among others. His compositions have been released by Room40, Touch, LINE, 901 Editions, and Dragon’s Eye Recordings, among others.

Novak’s recent honors include the designation of Cultural Trailblazer by the City of Los Angeles Department of Cultural Affairs (2021-2022), and the California Community Foundation Fellowship for Visual Artists (2019). He has participated in numerous artists residencies including Melbourne Electronic Sound Studio, Melbourne (2019); EMS Elektronmusikstudion, Stockholm (2018); Mountain School of Arts, Los Angeles (2015); Taliesin Artist Residency, Spring Green, Wisconsin (2014); Touch Mentorship Programme, London (2014); Jental Artist Residency, Sharidan, Wyoming (2010), among others. Novak’s work has been the subject of articles and reviews in publications including C Magazine, Drain Magazine, Inside Art, LA Weekly, Los Angeles Times, Neural Magazine, Signal to Noise, The Stranger, and The Wire, among others.

Our Bodies Stirred These Waters Briefly Pt. 1

Yann Novak

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