0920

www.elara.fm
@elara

TRACKLIST:
Bernard Fort: Brain fever
Arv & Miljö: Växtlighet i Asfalt (Punkens Heliga Skrift)
Curtis Roads: Pictor Alpha
Reload: Loop0068
Hiele: Encounter CDM
Move D & Thomas Meinecke: East St. Louis
Vanligt Folke: ‘NTE
RS Produções - Futuro
Big Flite & Velkro: Littleslip
An Gleann Dubh: Valley Falls Deep (Remix)
Yata DSP: Trope
Aleksi Perälä - FI3AC2029070
Jay Daniel: Dew
OL: Block24
Hoavi: Cyclones (Tape)
VamilienFather: Ver 2
Seven Orbits: Ganglion
Zeki 808: Present
Gooooose: Resort
AceMo: Track 2 Recording 11
DJ Lycox: Red Lights
UNBE: Vector Milk
Grimescapes: Balance
Drome: Hinterland, Kassler Kessel
5 Gate Temple: Stem The Tide Ov Malice
Finn Loxbo/Karin Johnsson: Passage
Luft: Collapsing Time
Maggi Payne: Fizz
Mechatok: Flee
Unknown

ELARA.FM: "2Bridges" w/ J. Tripp

listen on dublab : https://www.dublab.com/archive/peak-oil-tipping-point-w-guest-cong-burn-07-24-20

tracklist

Howes – Untitled
Monolake – Gobi (The Long Edit)
Haddon – Weems Around Mount Kailash
REQ & Smudge – Smudge’s Coffee (The Fear Ratio Remix)
Sepher – Contamination
Loop LF – IZ 200
Lack – Untitled
Machine Woman – Have You Been To Salford Shopping Centre, Have You Seen Argos?
Piezo – Blue Light Mama Magic
Muslimgauze – Dugga Signal
Ryoji Ikeda – data.reflex
IC Lander – Groto
Duckett – Dem Panic
Lux – Data
Viola Klein – B
Dan Habarnam – A Major Blinks
OL – Skepsys
Tonto – Circle
Ivor Cutler & Linda Hirst – Women Of The World

Peak Oil — Tipping Point Guest Mix(07.24.20)

Mix that went live on twitch 9/3/20 

http://twitch.com/intensivecare

Tracklist

  1.Writhe in Solitude ( acoustic unplugged version)- Ben Bondy
2. Soak- Ulla
3. Tissue Boxes- Felt Body
4. La plage sous les Arbres
5. Melt in my heated hands- Upsammy
6. trust is a response- Mistareez
7. Dented aloe- Ben Bondy
8. Where is - Space Afrika
9. Sealeg Garden- Ju Ca
10. Shade- Warm Body
11. Nematic Phase- JJ + JS
12. Thermal Mix- IC Lander
13. Creature Feature Spinoza Verison- Kallista Kult
14. Citrine- Opheliaxz

Intensive Care Mix

Six hours of uplifting B4B madness with P Relief, C3D-E, Flørist and myself on a sunday night in September straight outta Lankwitz.
@fl-rist @c3deee @parkhar

EstimuloShow w/ P Relief, Flørist, C3D-E, Estimulo (06 September 2020)

Rinse FM Podcast

Download

DJ Python b2b EM and 2lanes guest mix - 09 September 2020

Live techno and house from Melbourne.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=745

@sleepd

Resident Advisor podcast

RA.745 Sleep D

Broadcast on WNYU 89.1FM in New York City on September 15th, 2020.
https://soundcloud.com/ziggy-devriendt
https://beatsinspace.net/playlists/1060/ 
Support BIS: https://www.patreon.com/beatsinspace 
https://beatsinspace.bandcamp.com
Leave a message on the BIS Hotline: 646-481-8189

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BIS Playlist

BIS Radio Show #1060 with Nosedrip

Powder at Sustain-Release 2017

2 hours playing together with my dear friend @tornadowallace :) 

We forgot to write down a tracklist, sorry!

Kinda w/ Tornado Wallace (September '20)

It's with great pleasure to welcome long time dear friend Jonny Nash (@jonnynash) who in 2019 released 'Make A Wilderness' with us (MFM037). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Jonny, welcome to the series. So, it's already been over a year ago since Make A Wilderness came out. How do you look back on that now? 

JN: In many ways Make A Wilderness marked the start of a new chapter for me, the first steps into new territory - a wilderness you could say! That record was really about exploring a simple question - what kind of sounds resonate with me, and why. I think the record was primarily an exercise in sound, and not necessarily in arrangements or songwriting. I felt it was necessary to open the doors to new sounds in this record, and I feel like I got pretty close to creating the album that I wanted to make. 

MFM: You went to different places to record specific instruments and in certain environments. Why? 

JN: It took me a long time to make the record, not in terms of actually writing the music, but determining what the instrumentation should be. I wanted a finely balanced mix of alien, unfamiliar sounds and organic human sounds, to somehow express a feeling of “ancient future”, the sense of floating in some timeless space that could be millions of years in the past or in the future. I found that the Cristal Baschet, was perfect for expressing this feeling of “deep time”. Capable of beautiful harmonics and also wonderful atonal textures, it was a central part of the album. I contrasted these sounds with familiar instruments such as piano, vibraphone and voice. It was very important to have some sparse elements of voice in the record to somehow keep it grounded on earth. 

MFM: Have you always been that interested in sound and sound sculpturing?

JN: Well, I’m a naturally curious person and I think my brain and also my ears are always developing and learning new things. I think that I am able to hear sound in a different way than I did a few years ago. A big switch from focussing on melody as the dominant element that catches my attention. Of course, melody is still a central element for me but I now spend alot of time thinking about timbre, the colour of the sound and how the distinctive character of a sound sits in context with other sounds in a given composition. New ways of hearing influenced the record and took me to a place where “sound sculpting” was of equal importance as deciding what chords and melodies to choose. 

MFM: You mentioned earlier that the past couple of months your label Melody As Truth got a lot support through digital sales. Does that have effect on your label vision and strategy?

JN: The switch towards digital and especially streaming does undoubtedly have an effect on how I think as a label owner. It is pretty clear that this is an important area of growth and although there are lots of issues with certain platforms and revenue models, I find it important to keep on top of what is going on and try to adapt. In the future I can see the label experimenting more with digital only releases, I think there are interesting areas to explore here. Quiet dynamic music cut on vinyl in 2020 often sounds worse than a WAV file to my ears. I also buy hardly any vinyl myself these days, it is expensive, taxing on the environment and often a form of object fetishism. The other side is that a physical object looks amazing, can sound great, gives full importance to the artwork and design, can be treasured and won’t be lost. So a physical object is almost like an insurance policy for not losing the music too. I guess I’m sitting somewhere in the middle.

MFM: Thanks for contributing your mix. Can you tell us a bit about it?
 
JN: The mix is pretty much a selection of music I have been enjoying or discovered this year. A few older favourites too. I had no idea except to make something that I would enjoy listening to whilst having a walk or reading in the morning.

MFM Mix 020: Jonny Nash

NY label Patience goes long and strong, taking the time stretch and zone out, meditating on the mantra “repetition invites participation”. 

www.thelotradio.com 
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@thelotradio

0920

Yard-Man