1221

0h00m to 1h00m-ish (Huerco S.)
 1h00m-ish to end (@dj-healthyy)

Huerco S. & DJ Healthy – 2 December 2021 @ Public Records, NYC - PART ONE

Rinse FM Podcasts

Download

Patrick Holland - 12 December 2021

Next up on @idlecellars mix series is a beautiful mix from @briannotbrian. His history is firmly rooted in his hometown of Belfast, Northern Ireland. Residencies and guest spots in the city's most respected hip-hop, funk, soul and disco nights throughout the mid to late 90's saw him broaden his tastes and cement his skills as a seasoned selector. It was the spirit of growing up in Northern Ireland and his experiences in Belfast that saw him bring his own style and flavor to London at the turn of the millenium. Starting from scratch, obsessively digging, buying records and building new relationships in the metropolis gave Brian the opportunity to put on lots of parties and DJ alongside his friends and eventually his heroes. It also helped that he was putting in shifts behind the counters of the city's premier record spots including: MVE, Phonica, Kristina and Rye Wax. Armed with a heavyweight record collection and a solid crew of close musical friends, Brian co-ran the now infamous, musically open and freestyle minded 'Special Needs' parties that lasted almost 8 years at various venues around the city. 

In more recent times Brian has traveled the world playing music with gigs in Australia, Brazil, the USA and Canada as well as regular trips all over the UK and Europe. These global excursions have no doubt been bolstered by the record label that Brian set up with his longtime friend Salik Z - Going Good. An open-minded and sonically adventurous imprint that has achieved worldwide acclaim. Brian continues to play music far and wide with sets at festivals like Dekmantel, Meadows In The Mountains, Farr Festival and a yearly residency at Kala Festival in Albania. With a deep collection of eclectic music, knowledge and skills to match, Brian has a thirst for sounds of all kinds and enjoys joining often disparate dots and connections between records. This special mix for Idle Cellars is intended to evoke that late night / early morning feel, a selection of new finds, old faves and even some unreleased gems..... probably best listened to outside, on a good system and with a drink in hand ✨🍷✨ 
📸 licensed by @victorrcostta

Brian Not Brian - Idle Fantasy

42 tracks! Buy now: https://taxfreerecords.bandcamp.com/album/no-more-shitty-years

No More Shitty Years

NMSY400 - “No More Shitty Years”

live at @sustain-release-nyc 2021, main stage saturday night 1-2:30am
thanx to everyone involved, big energy!! <3

dj fart in the club @ sustain-release year 7 (2021)

Astrobal ‎– 100 000 Ans 
Torky Tork & Fid Mella -  Nove   
Haircuts For Men ‎–  あなたの目は悪魔です
Fillo & Soupbox ‎– Impressions
Lord Akton ‎– Folk Tales
R23X ‎– Letting Go
Pascal Viscardi ‎– Guided By A White Light
Scott Bomar ‎– We Done    O.S.T.  Dolemite Is My Name
Chris Coco ‎– Down To The Sea
The Lasso ‎– Pier Of Dreams
Sweetback ‎– Gaze
KevinTheCreep – Afta All Dis Time
knxwledge ‎– Learn
Smoke DZA x Pete Rock – Cheeba (Bonus)
Devin Morrison – Guaranteed (Instrumental)
B.A.R.
Tibor Szemzo - The Lullaby of Á
U.C. Redd – The Way I Like It 
Fabio - Heroes show up late
Connan Mockasin - K is for Klassical
Dean Blunt - WOOSAH
Years 
Sam Gendel - They B All Like
YL Hooi - Lucky
World Famous ‎– Robby's Song
Meyna Co. - Theme Of Lui

artwork by Hiroto Ise
instagram.com/iseneehihinee

cosxmes 2021

cosxmes 2021mix

Last mix of the year 2021 comes from long time friend of the label Alex Ho (@j0-j0armani) out of Los Angeles who has just released his debut album 'Move Through It' with us. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Alex, you're known for being deeply involved in LA's party scene through your Moony Habits events for quite some years now. How did you roll into the music scene?

AH: Some friends of mine in college were doing parties at this smaller, 200 capacity club in Glendale. I was hanging around these nights, sort of helping out, and eventually decided to do some events of my own at this spot. Eventually I was doing parties at this other place 333Live in DTLA - Prince used to own the spot but then it ended up in the hands of ex-Chinese mafia guys. My last event there, we got shut down because the owners of the venue didn’t have a valid alcohol license and were missing a number of other permits. From there, I just started doing warehouse parties like a lot of other promoter friends were doing, and it became a regular thing. 

MFM: So you've been a promotor and DJ at first, yeah? When came the first steps into producing music?

AH: In college, I learned how to DJ first, yeah. At the time, I had the software for production but didn’t really know what I was doing - still don’t. But I started making some tunes that I actually liked in maybe 2017/2018, and that’s around the time I passed some stuff over to Jamie.  

MFM: Did the Covid situation affect your productivity?

AH: I had my ups and downs with Covid for sure. Isolation didn’t necessarily increase my productivity, it gave me a lot of time to think about my life and I think I just came to the conclusion that I need to be doing more. When Jamie brought up the idea of doing a 7 inch or an album, I didn’t want to just settle for the two songs so I went for the album.      

MFM: On a few songs you've collaborated with other artists too. Those guitar and percussion parts for example. How did that process go?

AH: On those ones I was actually feeling a bit stuck - I knew I had some good ideas but didn’t know where to take them. I passed the sketches to some friends and thankfully they were supportive enough to send back some nice elements that I wouldn’t have been able to produce on my own.  

MFM: What's the story behind the album cover? 

AH: For the cover, Jamie had the idea of using a photo of the city at dusk. I reached out to my friend Kaleb who’s an incredible photographer and he was able to make it happen. We originally had the idea to use a nice, vintage car along with a number of other props in the shot. We got a bunch of different shots on 2 shoots, but ended up narrowing it down to the simpler ones. 

MFM: Is there a masterplan now that you've got your debut LP out? 

AH: No real plan. I just know that I want to make more music. I’ve had a lot of help on this record - from additional instrumentation to extra mixdowns from friends. I want to be able to do it all on my own but still have similar results - I guess that’s a goal, to be a better producer. This doesn’t mean that I don’t want to collaborate with homies - I’ll likely be doing that more as it’s more real and rewarding, and it’s not just one big fantasy in my brain.

MFM: Let's talk about the mix. It actually took a while for you to, as you put it, “get in the DJ mood” and record it. How come? 

AH: It’s not that I need to get in the mood necessarily, I just haven’t been digging or thinking about DJing as much lately. I think a lot of people spent the pandemic/quarantine getting dope records and working on their DJ skills in preparation for this big reopening. And for me, despite being a party promoter, I think I got really comfortable being together with only close people in the last couple of years - being in the party feels a little foreign and crazy to me now. Hoping to catch the party bug again, but I’m trying not to force it!

1221

Yard-Man