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@livwutang has really arrived on the world stage in the last year. The Seattle-raised, NYC-based artist came up through DIY raves and pirate radio and is now a regular at cult clubs and festivals across North America, as well as being booked in for next year's Dekmantel Selectors. Her sound freely moves between dub, Central and West Africa rhythms and a history of Black American music. All this comes out in her widescreen sets, her curation of the Eto Ano label and her hosting of their show on The Lot Radio.  

The confidence of her selections and ability to shift through moods from the serene to the deep, the energetic to the melodic is evident in this week's mix. It slowly works through the gears from dubbed-out depths to buoyant club rhythms via tribal techno. There is an ever-present mysticism and spirituality that adds an extra layer of intrigue to the body-popping rhythms and it's that which will keep you coming back for more.

Dekmantel Podcast

Dekmantel Podcast 413 - livwutang

"Loosely inspired by 80’s neo-noir/Brian De Palma, big Armani suits, smoke-filled bedrooms/venetian blinds overlooking the beach.🎷" - @mela-melania

B.P.T. Radio 058: Mela Melania

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.

https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-13th-december-2022

Pender St Steppers w/ ZDBT 131222

The recording of what was heard the morning of October 22nd 2022 at Have A Nice Day, Berlin.
Much love and respect to @the-nation for making this possible.

H.A.N.D. Have A Nice Day - TRAXX (Nation) live recording Oct 2022 (part3)

Our friend in Berlin, Flørist, also known as his moniker Pavilion, sent us a special one. It’s an hour-ish mix of a few vinyls he collected over his summer travels. Chuggy, bouncy, some great basslines, spiritually it’s somewhere between the pacific west coast and Anjuna Beach. Enjoy your trip.
Thank you all for listening to our mixes this year. Stay warm, and see you again next year!
@fl-rist

DREAMING 018 : Flørist

Truth is, we’ve been dying to share this one. PSY X records' @buttechno aka Pavel Milyakov takes on the brand new Dekmantel Podcast. Buttechno's ability to manipulate sound and massage rhythm into new forms is laid bare in this week's mix. It starts off as deep and atmospheric - swampy dub, sub-aquatic bass, funky static electricity - and then slowly morphs into more fulsome body music. It's never less than a warm, elastic take on techno that is stripped back but packed with an inviting and playful charm.

Dekmantel Podcast 417 - Buttechno

Last mix of the year 2022 comes from Rotterdam based Suze Ijó (@suze_ijo) who has been making heat across dance floors world wide. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Suze, welcome to the series. You used to work at Clone. Do you believe working in a record store has helped you as a DJ and the other way around?

SI: I think that the type of person that gets attracted to working in a record shop are usually music geeks(like I am). So it was wonderful being surrounded by only music geeks for three years and sharing with each other our influences, hearing all the records coming in and finding out about some cool releases on labels you would never even think of listening to if it wasn’t for it being played in the store. I did get a discount but in the end my salary was basically being spent on new records. I think as a DJ working there it did inspire me to dig deeper because you need to advice all different kinds of people about what’s in store. As for benefits for the record store, I guess having qualified music lovers is a good thing to have around.

MFM: By sticking to the more soulful sounds, such as gospel, soul, disco, broken beat and house, and also being outspoken in championing the black community, it seems like you're expressing a message through music. Could you please share your thoughts on this?

SI: Being a black Dutch-Caribbean woman is definitely a big part of my musical identity. I like to weave Afrodiasporic sounds together mostly because they have so much in common, whether it’s House music, Salsa, Boogie, Broken Beat or Techno. I can hear the connections so clearly. Each time I might have a different message but a lot of them have to do with: losing and finding love, letting go, finding community and expressing joy. 

MFM: With playing so many shows at different places on this planet, how do prepare for your gigs?

SI: Sometimes it’s hard to prepare because you won’t know where you’ll end up playing or for what kind of crowd. I usually bring a variation of new finds and old classics with me. Also I try to make a playlist per event in Rekordbox. I kind of see it like puzzling, you want to make sure the pieces fit together. It usually starts with me overpacking and then slowly taking out the records that aren’t necessary or most likely won’t be played. I used to spend a lot of time preparing but because I play so much these days, I am almost always in a state of preparation and that takes away the stress that used to come with it. It allows for more spontaneity.

MFM: Please tell us about this mix, was there a certain vibe or idea you wanted to capture?

SI: I wanted this mix to be slow paced and imaginative, to almost make it feel like a movie soundtrack when closing your eyes. I don’t want to say too much about it because I want every listener to have their own interpretation but the transmission of intergenerational trauma and memory is something that I had thought about a lot lately. Then I found a poem by Brazilian Maestro Milton Nascimento which is the guideline of this mix. The Poem “Era Rei e Sou Escravo” (translation: I was a king and I am enslaved) tells the story of an enslaved person, being taken from the African mainland and no matter how badly he is treated or wherever he is taken, he says that the memory of his country and the memory of the music of his people stays and never goes away. It keeps him hopeful, he ends the poem with: Sou Escravo Serei Rei(I am a slave, I will be a king). From that moment on we travel.

1222

Yard-Man