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BLACK TAR

It’s like black tar
It keeps me down
And in the heat of the sun 
it burns
When you try to pull me out
It’s like tightropes
To fall from one to the next
From the Empire State
Right down to the 
Hudson bed
I wanna move
I wanna keep that shape
But it’s hard to get there
And it’s hard to concentrate
I read the signs
I put in the time
But still the panic’s rise
Is an icy incline
I speak my mind
I walk the line
But still I make mistakes
That take me to that 
starting line again

And you move just like a rhino on a cannonball
You wreck, wreck, wreck, wreck
Just like a fairground horse 
who’s derailed 
yeah
You just can’t help it
And if you take the tar out of the equation
It wouldn’t make any difference anyway
No fight
no flight
just stupidity
that’s right

Black Tar

PIT PONY - BLACK TAR

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' Cello Song

'Marks To Prove It' the brand new track from The Maccabees.

The #1 selling album ‘Marks To Prove It’ is out now via Fiction Records. 
12” Vinyl, CD and Deluxe CD: http://po.st/MTPIPREYTD
iTunes: http://po.st/MTPIPREDLYTD
Google Play: http://po.st/MTPIGPYTD
Amazon: http://po.st/MTPIPREAYTD

http://themaccabees.co.uk
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Marks To Prove It

Download

Match Bet

Get  "Fixer Upper / The Trapper's Pelts' on 7" in hand printed sleeve : https://smarturl.it/ydfixerupper

Formed in 2019, Yard Act began life when friends Ryan Needham (Bass) and James Smith (Vocals) started creating minimalist rock tracks using a primitive drum machine and borrowed bass guitar. Later drafting in George Townend on drums, and Sammy Robinson on guitars whom they met at their spiritual home The Brudenell Social Club, they played a handful of shows to a rapt reception before you-know-what intervened. No matter: ingenuity and artistry enabled them to great their debut release.

Overflowing with satirical one-liners, A side ‘Fixer Upper’ follows a cocksure fictional character, ‘Graeme’, planning some home renovations. Yard Act co-instigator Smith explains: “Graeme was inspired by an amalgamation of people who lived on my street growing up. I think everyone knows a Graeme, maybe a neighbour or an uncle… sorry if he’s your dad. Not a bad man at heart, he just sincerely believes he’s from a country and generation that achieved the apex of everything so therefore can’t ever be wrong about anything.” Drafting in Ross Orton (who’s credits include Arctic Monkeys, Working Men's Club’s, MIA, Amyl & the Sniffers) on mixing duties, it is equal parts fearsome and funny and never less than breath-taking.

On the flip side, ‘The Trapper’s Pelts’ is a satirical take on neoliberalism. James Smith explains, “It skewers elements of the American frontier into a Scarface-type narrative set against the backdrop of a mundane West Yorkshire suburb.” Produced by Bill Ryder Jones (The Coral) prior to lockdown the recording process of the track “felt like a Happy Mondays thing, keeping the drums tight and high up in the mix like a dance mix.”

Housed in a screen printed wraparound sleeve (individually printed by Ryan from the band), it’s a debut single to be treasured.

Fixer Upper

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