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ناي حزين ( عندما يبكي الناي ) للفنان محمد فتيان

Nay : Fathe
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Sad Nay الناى الحزين - عندما يبكى الناى

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موسيقى حزينه تُبكي القلوب 2011 -



♫ !! صدقنى انت بتتغير و انا متحير ليه من الاول ♪
♪ تغلط و انا جوا حياتك طب وحياتك زعلى مطول ♫
♫ شايفك مش حاسس انى خلاص خرجتك برا حياتى ♪
♪ و انها هتكون مشكلة و تعدى و انا بتكلم ع الفاضى ♫
♫ لأ انسى ان انا اجيب سيرتك تانى خرجتك من حساباتى ♪


♥ احمد سعد | ليه جيت عليا 2014 ♥

موسيقى_الليل_واخره_حزينة

البوم الاحساس نعمة كامل نسخة اصلية
اخرتها كده
ازعل علي ايه
بُص
الي محدش همه
الاحساس نعمة
الجواز بقي غالي
حد عاوز ينجرح
ذنب ناس
علي قيد الحياه
علي مسرح الدنيا
ليالي الجرح
هموم الغلابة
مقطوع من شجرة
وانا وياك
وحدانى
الصفحة الرسمية للفنان سمسم شهاب
https://www.facebook.com/semsem.shehab8

ذنب ناس

dhoom ^*^    dhoom machale* sunidhi chauhan

ارفع ايدك فوق لو مضيق هتروق فرتكه فرتكه - ارفع ايدك فوق لو مضيق هتروق فرتكه فرتكه.mp3

ناي حزين جدا يبكي الصخر

MISE-EN is a collection of works that share a common sound ideal and conceptual instrumentation. Work on this collection began in 2018 while collaborating with the Ensemble MISE-EN in South Korea under the auspices of the Oil Tank Culture Park Global Network in Seoul.

The resulting work, MISE-EN Series I, is an electroacoustic work scored for Flute, Clarinet, Violin, Cello, Piano, Percussion, Ableton Live, and Acousmatic Sound. This work was meant to reflect the aesthetic agenda of Ensemble MISE-EN, whose name roughly translates from Korean to English as meaning “decorative beauty.”

To achieve this goal, I decided to write a work for chamber ensemble which would reflect a larger sonic landscape than what might be considered traditional chamber writing. I thus included live and prerecorded electronics in the scoring and composed with two divergent but complementary musical components: “sound tapestry” (“beautiful”), and ornamentation (“decorative”).

Series I is the first of a series of works based on this concept of “decorative beauty”. To simplify logistics, the Ableton Live part, which would otherwise be performed by a seventh ensemble player, can be mixed with the Acousmatic Sound recording. The World Premiere of MISE-EN, Series I in November 2018, was performed by the Ensemble MISE-EN with this alternative version.

It only occurred to me after completing this first work that I could expand and extend MISE-EN as a series of works. To implement this while retaining the underlying sound ideal of “decorative beauty” for all works of the series, I decided to pair electroacoustic devices with a different legacy or standard acoustic ensemble for each follow-on work. Thus, Series I is scored for a slightly modified “Pierrot” ensemble. Series II, this work, is scored for Amplified String Quartet and Acousmatic Sound. In 2021, the first Episode of Series II was selected by the Sirius Quartet for recording by PARMA to be released on the Navona Records label, CD and streaming audio. The opening Episode presents a tightly woven contrapuntal texture that is eventually painted against a contrasting broad and richly scored melodic line. The juxtaposition of this contrasting content awaits further exploration, as this first Episode ends with a question marked by the remnants of an ascending and fading contrapuntal cascade. The ornamentation of the contrapuntal texture frames the beauty expressed in the soaring cantabile, thus delineating a formal framework that harkens back to a bygone era, an era that nevertheless remains alive and essential in my creative work.

Playing on the Edge 3

Mise-En Series II, Episode 1

موسيقى حزينه جدا ابكت العالم

موسيقى حزينه جدا ابكت العالم - لن تسمعها قبل

ناي حزين

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Sad Nay الناى الحزين - عندما يبكى الناى

Yasser Farouk - Music

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