In an act of sonic solidarity with our Palestinian brothers and sisters Christina Hazboun invited artists from different walks of life to contribute a song from their own works or a piece of their choice to dedicate to the Palestinian struggle for justice and independence. 

The aural gifts are accompanied by heart-warming messages of solidarity from Walid Ben Salim of N3rdistan (Morocco), Alsarah and the Nubatones (Sudan), Dope Saint Jude (South Africa), Radwan Ghazi Moumneh from Jerusalem in My Heart (Lebanon), Justin Adam (UK) and Lexy Morvaridi (UK/Iran) of Lonely Table this mix sends a message of love and strength to Palestine. 

Carefully wrapped within are two previously unreleased pieces by N3rdistan and Mustafa Said. 


Tracklist: 

Emel Mathlouthi - Naci En Palestina
N3rdistan - Sajjel Ana Arabi
Mustafa Said – Inqilab 
Alsarah and the Nubatones - Ya Watan
Dope Saint Jude - Dind't Come Play
Jaffar Hassan – Palestinian
Natik Awayez - Al Soor
Justin Adams - Dessert Road
Jasper Darius - The Middle Distance
Moody Kablawi – Walls
Bashar Murad – Samed
Maysa Daw - Bikaffi Aad
Imed Alibi - Nafass


#freepalestine
#savesheikhjarrah

Sonic Solidarity with Palestine - Root Radio

Sonic Solidarity with Palestine - Christina Hazboun | Root Radio 15/05/2021

'To Eeyore' released 2020 on Entr'acte & Stellage
LP: https://www.entracte.co.uk/nika-son-e249
digital: https://nikason.bandcamp.com/album/to-eeyore

To Eeyore

pnin á chartres

بتعاون ناري وطارئ بين مهرجان إكزست الفلسطيني، وتسجيلات دراوند باي لوكالز وآفون تيرور كوربس، صدر ألبوم تجميعي ضخم لجمع تبرّعات لمنظّمات فلسطينية، ولإلقاء تحية صوتية للنضال المستمر في أنحاء فلسطين. بمنسابة صدور الألبوم، استضاف نضال طه ضمن برنامجه الجديد سماع فلسطين مؤسس مهرجان إكزست عدي المصري لوصلة مستوحاة من الإصدار، بكل ما يحمل من دستورشن عنيف وإيقاعات غاضبة، منهيًا المكس بتسجيل من إحدى مظاهرات حيفا الشهر الماضي.

نضال طه | سماع فلسطين مع عدي المصري

(مشروع أهورا (وتعني السيد الإله / الإله الحكيم الأوحد في الديانة الزرداتشتية
ناي محمد إقبال
إيقاع ودف | كريستا إقبال
AHURA
Mohammad Eghbal: Ney
Christa Eghbal:  Hakenharfe, Perkussion
ِد09.04.2010Osho UTA Institute 
Köln / Germany

ناي فارسي محمد اقبال -حيدرنت

E527 | How did the Ottomans secure widespread buy-in for modernization projects across the empire's many geographies and communities? This episode explores that question through the experiences of Armenians in the Ottoman East. Our guest, Richard Antaramian, shares some of his research, which argues that Ottoman shared governance worked through networks of power that linked center to periphery and sustained relationships among notables of different confessions, classes, and locations. The Ottoman tax-farming system of the 18th century forged ties among central authorities, provincial notables, and Armenian financiers. As the Ottoman government embarked upon the modernizing reform projects of the late 1700s and 1800s, those forms of shared governence frayed. In the Ottoman East, the Armenian Patriarchate's attempts to enact new notions of reform saw major successes, with the establishment limited representative governance, a constitution, and new educational institutions. Yet, those successes came at the cost of weakening the ties between provincial Armenians and important power brokers like provincial notables and Kurdish tribal leaders. Ultimately, the Armenian Patriarchate's successes at reform translated into trouble for its newly-isolated flock in the empire's eastern borderlands. 

More at https://www.ottomanhistorypodcast.com/2022/05/antaramian.html

Richard Antaramian is Assistant Professor of History at the University of Southern California. His research interests include, among others, the history of non-Muslims in the Ottoman Empire.

Matthew Ghazarian is a Manoogian Research Fellow in the Center for Armenian Studies and the Department of History at the University of Michigan. His research examines the intersection of social, economic, and environmental history in the late Ottoman Empire.

CREDITS

Episode No. 527
Release Date: 4 May 2022
Sound production by Matthew Ghazarian
"Um Pepino" by Blue Dot Sessions
Images and bibliography courtesy of Richard Antaramian available at https://www.ottomanhistorypodcast.com/2022/05/antaramian.html

Season 11

The Catastrophic Success of the Armenian Tanzimat | Richard Antaramian

@ts-ts-tst_oppa

صورة من فلم "خرج ولم يعد" للمخرج محمد خان. ١٩٨٤

تصميم الموسيقى الخلفية: ساندي شمعون

Rabit - Sun Showers
Teho Teardo - Let that Door Open
Akito - rollover (tight knit records),
Aircode - Eyebags
Alessandro Cortini - Scappa,
Roly Porter - 4101
Loft - Funembloyed

روابط ذات صلة
@ 3:11: http://www.toddreisz.com/portfolio/a-season-of-migrations-west/
@ 4:00: shorturl.at/gptyD
@ 8:11: https://revsoc.me/economy/twshky-nmwdhj-lsys-mbrk-lqtsdy/

حيوات بديلة - الحلقة الأولى

Marjaa: The Battle of the Hotels [mastered MP3]

Mayssa Jallad - Markaz Azraq December 6

automatic Teller Machine | Root Radio 09/01/2023

Munir bashir ... hira

recorded in Tehran in 1928

I came across a worn copy this 1928 Iranian disc and asked my old pal Kevan Harris to translate the label for me.
He told me it was by the great singer Qamar-ol-Moluk Vaziri (b. 1905; d. 1959. No relation to the composer and tarist Col. Ali Naqi Vaziri; she named herself after him) who was, famously, the first woman to sing in front of men unveiled.
She made dozens of recordings in the late 20s, but this one is significant and exceedingly scarce. Kevan pointed out a very good English-language entry describing the song's "long and troubled history." https://www.iranicaonline.org/articles/morg-e-sahar
To summarize the article, the lyrics to Morg-E Sahar (Dawn Bird) were composed in the early 1920s when their author began to notice the rise of the dictatorship. When the country's new ruler Reza Shah heard Qamar-ol-Moluk sing it at a party in the mid-20s, he banned the second verse, which bemoans militarism, corruption, and tyranny. Over the course of the past century, the song has taken on significant nationalist meaning, through various administrations and hopes for a political new dawn in Iran.
The article, last updated a decade ago, points out there was at the time no evidence of a recording of it by Qamar-ol-Moluk existing. Since then, a copy of the first side has appeared on YouTube but the politically sensitive second side does not circulate online, so despite the poor condition of the disc, I felt obliged to make the entire performance available in reasonably listenable form.
It is presented here in solidarity for the struggle of women in Iran.
The lyrics in English, taken from the above article are: 
Dawn bird, lament!
Make my brand burn even more.
With the sparks from your sigh, break
And turn this cage upside down.
Wing-tied nightingale come out of the corner of your cage, and
Sing the song of freedom for human kind.
With your fiery breath ignite,
The breath of this peopled land.
The cruelty of the cruel and the tyranny of the hunter
Have blown away my nest.
O God, O Heavens, O Nature,
Turn our dark night to dawn.
It’s a new spring, roses are in bloom
Dew drops are falling from my cloudy eyes
This cage, like my heart, is narrow and dark.
O fiery sigh set alight this cage
O fate, do not pick the flower of my life.
O rose, look towards this lover ,
Look again, again, again.
O heart-lost bird, shorten, shorten, shorten,
The tale of separation.
Truth’s life has come to an end
Faith and fidelity have been replaced by the shield of war.
Lover’s lament and beloved’s coyness,
Are but lies and have no power.
Truth, love and affection are but myths
Oath and honour are but vanished.
For thieving, country and religion are pretexts, eyes are wet
Landlord’s cruelty, master’s tyranny,
The farmer’s restless from sorrow.
The cup of the rich is full of pure wine,
Our cup is filled with our heart’s blood.
O anxious heart, cry out aloud
And avoid those who have powerful hands,
Count not on justice.
O rosy-cheeked cup-bearer, give the fiery water,
Play a joyful tune, O charming friend.
O sad nightingale lament from your cage.
Because of your grief my heart is
Full of sparks, sparks, sparks.

Qamar-ol-Moluk Vaziri - Morghe Sahar parts 1 & 2

love is a lie and thats ok (abdelhalim underwater edit)

“ربما ننفق كل العمر كي نثقب ثغرة..ليمر النور للأجيال مرة” 
أمل دنقل

ناي فارسي محمد اقبال -حيدرنت

Yazan Melhem | يزن خازر

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