❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

I paid for the digital version of this album months ago and it still says it let me know when the album is released. what's going on there

Label stuff

A1 Caim - Voya Focus

We're delighted to present @Eversines new album on ninih. "Dwang" brings together his most personal work thus far, this record being Remco's outlet to process and make sense of difficult experiences. Unsurprisingly, this results in an exploration into a darker, trancier side of his musical spectrum. 

The two of us having developed a deep bond over the years is clearly reflected in how this album came together. It's the third collaboration between the two of us, of which many more to come! ❤️

The 'Dwang' album will have 500 copies pressed and is out 20th of April at your fav record web/store.

A1. Bridge
A2. Elev
B1. Resist
B2. Must Know
C1. Fog
C2. Onheil
D1. Problem Solving Mode
D2. Tussen Tijd

Eversines - Dwang LP [ninih004 snippets]

UHF - Tune IN 2LP

Tracklist

A1. Tune IN
A2. Can U Hear The Hum
B1. Breaking Open The Head
B2. Multidimensional Transformation
B3. Sam-Sa-Ra
B4. The Book Of Forbidden Knowledge
C1. Call Of The Wild
C2. The Fifth Science
D1. The End Of Ur World
D2. Gravity’s Rainbow
D3. Searching 4 Spirituality Without Religion
D4. The Emerald Tablet

Pre order @ bit.ly/yeyeh005preorder
Releases December 1 
________________

Since 2019, Amsterdam-based curator Pieter Jansen has used his yeyeh label as a vehicle for carefully considered (and sometimes unlikely) ‘first time’ collaborations between different experimental and avant-garde artists including Eversines, Carolina Eyck, Greetje Bijma and Oceanic. 

He’s done it again on the imprint’s next release, which is the result of a week-long collaboration between Berlin-based Polish saxophonist/composer/producer Jerzy Maczyński (whose previous collaborative release with Waclaw Zimpel as Jerry&ThePelicanSystem appeared on yeyeh in 2021), celebrated Chicagoan DJ/producer Hieroglyphic Being, and Amsterdam-based electronic artist Rein De Sauvage Nolting (RDS, who originally functioned as recording and mix engineer) – as well as countless hours of intricate post-production. 

Those who attended Dekmantel Festival 2023, where Hieroglyphic Being and Maczyński performed live together as Universal Harmonies & Frequencies for the first time will know what to expect – namely far-sighted and futurist explorations that blur the boundaries between electronic-acoustic improvisation, avant-garde electronica, rhythmic ambient, free jazz and Hieroglyphic Being’s distinctively distorted, next-level Chicagoan rhythms. This act was accompanied by live visuals by Katarzyna Debska/VLF, who later created the artwork and visual language for the record release. 
That performance, which took place at Muziekgebouw/BIMhuis, occurred a little over 12 months after the week-long residency in a rented studio below Volkshotel that laid the foundations for the project. Over five days, Hieroglyphic Being (synthesisers, vocals) and Maczyński (saxophones, vocals) laid down 26 extended improvisations, with Rein de Sauvage Nolting not only acting as recording and mixing engineer, but also contributing artistic input. 

Following the session, Jansen and Rein Sauvage Nolting selected 13 tracks to provide the basis of an expansive double-vinyl album. While some of those spontaneous improvisations remain in-tact on Tune IN, many more were reconfigured, reworked and re-produced by Maczyński and Sauvage Nolting over over many months.Maczyński added more layers of instrumentation, creating a “whole band of reed instruments” using electronic tools – a method he previously utilized on 2021’s Jerry&ThePelicanSystem album, Sariani. 

As a result, Tune IN is an adventurous and experimental album rooted in real-time improvisation that not only reflects its’ creators’ unique musical personalities, but also delivers a genuinely unique and far-sighted collaborative sound. It begins with the stretched-out, slowly building brilliance of the title track – think waves of synth sounds, complimentary reed instrument motifs and spaced-out, effects laden beats – and ends with the hallucinatory exoticism of ‘Emerald Tablet’. 
In between, you’ll find forays into densely layered free-jazz (‘Can U Hear The Hum’), percussion-powered rhythmic cubism (‘Breaking Open The Head’), shuffling dancefloor tone poems (‘Multidimensional Transformation’, where Hieroglyphic Being delivers a typically spiritual spoken word monologue), becalmed ambient jazz (‘The Book of Forbidden Knowledge’), expansive synth-scapes (the Tangerine Dream-do-Sun Ra style ‘The Fifth Style’), dystopian drum machine-powered workouts (‘Searching 4 Spirituality Without Religion’) and countless, impossible-to-pigeonhole cuts that sit somewhere in between. It’s a magical and mystical meeting of musical minds that counts as one of the most expressive and inventive artistic collaborations of recent times.

Tune IN

UHF - Tune IN 2LP [yeyeh005 snippets]

The first record consists of edits, entwined loops, percussive beats, and captivating grooves—a synthesis of intertwined memories. It's an experiments, search for meanings—a humble homage to the genres that have shaped me and the artists who continuously fuel my inspiration. 

The second is my personal story, as well as my memories, or rather fragments of them, its about my hometown, Yekaterinburg. the devils from the Ural Mountains who climb into my personality from everywhere, the time spent in Moscow that forged my resilience, and the chapter of relocating to Spain in pursuit of a brighter horizon. These are mere fragments of memories thanks to which I am here and now.

https://soundcloud.com/linjatune
https://soundcloud.com/solitary-listener-records

Premiere : Linja - Is Not Me [Solitary Listener]

P&P003 | Various Artists - Everything's happening so fast

https://peopleandplaces.bandcamp.com/album/everythings-happening-so-fast

P&P present the third record in their catalogue - a 4 track dancer showcasing the deep, acid-tinged sounds of affiliated artists from across the globe.

@Shjva
@Fr0nd
@Tywi
@Jazz_Dad 

July 2024

P&P003 | Various Artists - Everything's Happening So Fast (12" Vinyl)

It's an absolute honour and privilege to be given the chance to release this beautiful collection of tracks with so many collaborators involved in the process. A uniquely 3LP compiled by @silverlining-dubs & yours truly. A testament to an unbelievable group of friends that were following their heart in the studio.. This compilation just catches a glimpse of the vast amount of (un)released sonic wizardry with one person that ties all these tracks together; Asad Rizvi.

The triple vinyl LP includes some hard-to-find numbers by Two Right Wrongans, Impossible Beings, Appleheadz, and more, with one previously unreleased song rescued from DAT archives. The album was mastered beautifully by Dubplates & Mastering , the sleeve features stunning artwork by Drawn Surface, Wimswim and Nol Cobben, with extensive sleeve notes by Harold Heath and Asad himself.

The 'Collaborations 3LP' album will have 500 initial copies pressed and is out 6th of September at your fav recordstore. Silverlining will also be publishing the digital downloads on his Bandcamp later on.

Tracklist:
A1. Impossible Beings - Through Wires and Air
A2. Appleheadz - Moontan Lotion
B1. Appleheadz - If You Were A Cat You'd Follow Me
C1. Southern Comforters - Quick Call The King
C2. Appleheadz - In My Sky (Instrumental Edit)
D1. Bluegoose vs Silverlining - Taken Over
D2. Impossible Beings - Tuesday Morning Milkman
E1. Two Right Wrongans - They'll Never Get It Right Them Two
F1. Impossible Beings - Back To The Imbiss
F2. Impossible Beings - A Hundred To One

Bandcamp: https://silverlining-dubs.bandcamp.com

Compilation

Silverlining & Friends - Collaborations 1996 - 2001 3LP [ninih005 snippets]

With the perfect fusion of Animalia’s wide realm of styles and foundations, comes up & coming Australian producer al dente, with a  minimal, modern take on peak-time bangers. Clean cut and futuristic, with a hint of early 2000’s minimal influence,  the al dente sound represents a fresh new wave of club-rollers whilst encompassing Animalia’s signature deep sound. 

Animalia would like to acknowledge that all tracks were produced on the traditional land of the Wurundjeri peoples, and pay respect to their elders past, and present. Sovereignty was never ceded.

A1: No Subtitles 
A2: Synthetic 
B1: The Serious Cousin 
 B2: Visjnan

@al-den-te

Release date: 3rd September 2024

Artist: al dente (Harrison Sewards, Melbourne, Aus/ Paris, France) Title: The Serious Cousin  
Format: 12” 
Distributed by: Clone (Rotterdam, NL) 
Artwork & Design by Laurent Wians (Berlin, Germany) 
Mastered by Mark Smith aka Klon Dump (Berlin, Germany)

The Serious Cousin

al dente - The Serious Cousin (ANIMA14)

Greetje Bijma & Oceanic - Sykheljende Lûden LP

Tracklist

A1. Greetje Bijma & Oceanic - Away From Home  [04:26]
A2. Greetje Bijma & Oceanic - Sykhelje [01:07]
A3. Greetje Bijma & Oceanic - Golden Skinne [04:09]
A4. Greetje Bijma & Oceanic - Waegen Vallen [04:28]
A5. Greetje Bijma & Oceanic - Dripket [01:08]
A6. Greetje Bijma & Oceanic - Syzygy [05:30]
B1. Greetje Bijma & Oceanic - Protterduns (Part 1) [01:15]
B2. Greetje Bijma & Oceanic - Protterduns (Part 2) [06:04]
B3. Greetje Bijma & Oceanic - Veuhel [01:30]
B4. Greetje Bijma & Oceanic - Hynders [04:29]
B5. Greetje Bijma & Oceanic - V&A [03:20]
B6. Greetje Bijma & Oceanic - Peace In Mind [03:50]

Pre-order: bit.ly/yeyeh006preorder
Video Away From Home: https://youtu.be/MD5lBe313hQ

Releases October 25
________________

Since yeyeh brought them together in 2019 to record their first collaborative album, Swallow a Party, Oceanic and Greetje Bijma have become firm friends. The connection they first felt in the studio has led not only to the regular exchange of musical ideas and song sketches, but also lengthy conversations about life and art.

One of the strongest connections that helped shape their growing creative partnership is not musical, but personal. Both grew up in coastal communities at different ends of the Netherlands and the sensory impact of living close to the North Sea and Wadden Sea, respectively, made a long-lasting impression.

This connection gave them an idea: why not use the Wadden Sea, an intertidal zone of the North Sea situated between the Frisian Islands and the Dutch Coast, as a thematic inspiration for their next album. Oceanic and Bijma exchanged memories of wonderous wetlands, the salty smell of sea air, seemingly never-ending tidal mudflats, the distinctive calls of rare seabirds, and the look and feel of local flora and fauna. 

When they gathered in Studio Het Rode in Roderwolde for three days of improvised recordings based on existing ideas, Oceanic and Bijma set out to create music, through a mixture of voice and electronics, inspired by the mental sounds and images that appeared when they thought about the Wadden Sea’s celebrated landscapes. Extended improvisations were recorded, before Oceanic edited them down and they collaborated shaped the finished versions with added texture and structure.

The resultant album, Sykheljende Lûden (Frisian for “breathing sounds”), wears its central inspiration lightly, with many of Bijma’s startling and expressive vocalisations and Oceanic musical motifs subtly hinting at tidal flows, bird calls, and the comforting feeling of home that the environment stirs in both artists. It is not ‘landscape music’ in the strictest sense of the term, but rather music partially inspired by their personal psycho-geographies and nostalgic memories of their former coastal homes.

Sykheljende Lûden is frequently both majestic and mesmerising, with Bijma showcasing the full dynamism and expressiveness of her vocal range and Oceanic conjuring electronic sounds, rhythms and textures that combine his long-stated love of both club music and emotive experimentalism. From the bubbly bliss of opener ‘Away From Home’, to the ambient-operatic moodiness of closing cut ‘Peace In Mind’, via the soft-spun sweetness of ‘Golden Sun Skin’, spaced-out minimalism of ‘Dripket’ and the rhythmic creepiness of ‘Veugel’, Sykheljende Lûden is a unified artistic vision that owes as much to the duo’s coastal roots as it does to their evolving creative partnership.

Greetje Bijma & Oceanic - Sykheljende Lûden [yeyeh006 snippets]

After already working on yeyeh005 together /w https://soundcloud.com/0rds0, it was more than overdue to do a solo EP together. Our lives crossed over ten years ago, and the past six years saw us grow into a deep friendship. All four tracks were made around the time of preparation for a Breakfast Club ADE 2021 with De Lichting live. Three years later, we are releasing these solo club cuts.

The fresh artwork is made by Nol Cobben - as with all ninih records it’s a vinyl-only release. Pre-order now via https://soundcloud.com/oneyewitness and soon to be found in every relevant recordstore ;).

RDS - Tppsty ep [ninih006]
a1. bfc01
a2. vnecktechtheme
b1. tpssty
b2. bfc04

RDS - Tppsty EP [ninih006 snippets]

Buy on Bandcamp: spectralbounce.bandcamp.com/album/zevar
Buy on One Eye Witness: www.one-eye-witness.com/release/17374…4/aedis-zevar

Spectral Bounce proudly presents Zevar, the debut release by Aedis. An alias of David Iriarte, this new undertaking sees the Amsterdam-based artist plumbing the depths & tunnelling further into a sound that has surely been in the works for some time. One half of Iro Aka, Iriarte is no stranger to the exploration of ambiance & rhythmic play: the duo released a trilogy of records on John Talabot’s label Hivern Discs between 2020 & 2023.

On Zevar, Iriarte first traverses the deeper territories of tech house before conjuring up mystic 2-step and delving into rolling techno. The sense of spaciousness throughout the EP is vivid: perpetually unfolding modulated delays; cavernous reverb; weighty, grounding sub frequencies. This expanse is punctuated by fragmentary voices, psychedelic refrains (“Xtz”), intricate break deployment (“Station”) and thudding bass tones (“RTHM”). Just enough is given, just enough held back. With these 4 tracks, Aedis brings you that little bit deeper.

Art by Susanne Janssen
Words by Cameron Leaf

PREMIERE: B2. Aedis - RTHM | Spectral Bounce

Step into the lush, verdant depths of Shjva's sonic jungle—an enchanted forest pulsing with ultra-absorbing dub techno, glitchy rhythms, and deep, hyper-textured grooves. We’ve been impressed by her incredible releases on People & Places and Warning, among others, and now, her latest EP on our label takes that boundary-pushing energy even further. The rising Ukrainian force is joined by Jeku, who flips the script with a mind-bending trip to Goa mix, catapulting the journey into a dreamlike, transportive realm.

@shjva

Shjva - The Message EP (ND026)

Buy on Bandcamp: spectralbounce.bandcamp.com/album/dangerous-when-wet
Buy on One Eye Witness: https://www.one-eye-witness.com/release/1744798990/dreams-dangerous-when-wet

@dreamstrax

Spectral Bounce’s fifth instalment comes courtesy of L.A.’s rave archivist and dancefloor operative Dreams, A.K.A. Jesse Pimenta. Throughout his decade-long career the California native has inspected, dissected and concocted all manner of dance musics, leaving his mark with drops on Apron Records, Pinkman, BANK NYC and his own imprint Dance Data. On SPEC05 — Dangerous When Wet — he hijacks the synapses with 4 accomplished productions, plotting a high BPM course through manifold styles using the raw aesthetic that characterises his output.

“Losing Control” is a frenetic dancefloor invitation, immediately locking into a pacing groove. Beneath wild hand drums, Dreams plays with an insistent 303 bassline alternating between rasping buzz and oily squelch, while stern vocals are layered on top of breaks that have been processed to a viscerally satisfying end.

Taking things from delirious dance circle to underwater biosphere, the EP’s eponymous track explores a submerged 1980s Miami. Weighty & enveloping, “Dangerous When Wet” is pure aquatic pop-n-lock — hydraulic electro for a drowned world. Ocean floor caustics are transmuted into auditory form: arpeggios bubble up; drones shimmer mystically; hi-hats hiss like air from an open valve. Amongst the sonar bleeps, a barrage of pummeling low-end is sure to give subwoofers a workout.

“XTC Messenger” delivers an infectious paranoid dispatch, astutely balancing the sensual with the deranged. A slow-mo dial tone unfolds languidly, running counter to nervously twitching high frequencies. Its punchy percussion is tuned for maximum dopamine release; the track’s abrupt vocal chops and mechanical kick-snare pulsation evoke the leather jackets and jagged edges of 1980s industrial discotheque.

“Pressure Points” closes the EP on a heady and mesmerising polymetric trip. The parting track is a lithe yet spacious number, propelled by a rattling break. Here Dreams follows from track 2, creating an immersive environment in which sounds tightly twist and twirl. Shifting oscillators call out like tiny creatures as the bass throbs and wriggles further into your brain, long after the needle hits the runout groove.

SPEC05 — Nightclub specialist in effekt! 

releases May 30, 2025

Art by Susanne Janssen
Words by Cameron Leaf
Mastered by Marco Pellegrino @ Analogcut

Dreams - Dangerous When Wet (SPEC05) | Snippets

Growth

CORE SILENCE

Fat bass track from microKORG with cutoff play for the crispy bass variation. Then it turn into progressive house with microKORG lead doubled with M1 piano. 
Voices sampled from Anthrax & Public Enemy - Bring The Noise
Enjoy

Bring The Bass

record label run by soundcloud.com/pejiej
instagram: https://www.instagram.com/pieterjansen_yeyehninih/
email: pieter@yeyeh.nl
distributed by One Eye Witness

catch me
~ spinning records where and whenever I can
~ managing the https://soundcloud.com/ye_yeh label
~ throwing quality afterparties with https://soundcloud.com/breakfast-club-music-1
~ for bookings get in touch with asia@esmero.art

Eversines - Dwang LP [ninih004 snippets]

yeyeh • ninih

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