| Buy on vinyl 12" ∶ https://bit.ly/2TpS15i
| Stream ∶ https://smarturl.it/la-terra-madre
| Our Spotify playlist ∶ https://spoti.fi/2BaBKEh

------------------------------

⇲ Website
https://www.meltingrecords.com

⇲ Webshop
https://melting-records.bandcamp.com

⇲ Facebook
https://www.facebook.com/meltingrecs

⇲ Instagram
https://www.instagram.com/melting_records

⇲ Twitter
https://www.twitter.com/meltingrecs

⇲ Soundcloud
https://soundcloud.com/melting-records

-------------------------------

Release date ∶ September 17, 2021

A Beats and Culture series
Artwork and Design ∶  Jola818 (https://www.instagram.com/jola818)
Mastered ∶  Blanka at Kasablanka Studio, France.
Executive Producers ∶ Basilis Foteinos & Andreas Pallidis. 

-------------------------------

Melting Records © 2021 
Contact us ∶ info[at]meltingrecords.com

La Terra Madre

Thanh

ORDER vinyl 12"

Stereo Utopia - Thanh (Beats & Culture series)

01. These Ghosts - Where Two Lines Meet

I can tell there’s something wrong by the look that’s in your eyes
I can tell
I won’t tell if you did wrong baby this is not a lie
I won’t tell

Somethings eating at mind, steady taking up your time
Hand it to me I don’t mind, I can carry it this time.
I won’t see you hurt this time, you can put me to work that’s fine.
You just got off your nine to five, and you go back in like five.

I can tell there’s something wrong by the look that’s in your eyes
I can tell
I won’t tell if you did wrong baby this is not a lie
I won’t tell

Please believe me

Max Cooper live at Radialsystem on 6 March, 2015.

Space for experiments and special encounters: We are happy and excited about a night to remember at the sold-out hall of Radialsystem and the German premiere of Max Cooper's stunning audio-visual performance "Emergence".

Many thanks to Max Cooper, to a fantastic audience and our great staff for beautiful lighting and amazing sound.

Special thanks to Carlo Grippa for mastering this tune.
Recorded at Radialsystem, Berlin.
Published with permission of the artists.
Photo: Markus Werner.

If you like what you hear, support the artist!
www.maxcooper.net

Visit UM:LAUT on Facebook: www.facebook.com/umlautberlin

Max Cooper @ UM:LAUT - Origins (Live)

https://www.facebook.com/highlucia/
https://twitter.com/highlucia

Chromatics - Yes (High Lucia Edit)
Crystallise 
Leave There 
Cord 
Dull 
Beacon

Dull_Garden

2017 was a very important year for me. It got me back on track in terms of who I want to be musically and how to make it work.

I'm back to constantly releasing music I feel confident about. I reinvented my live set and played a heartwarming little tour with Vessels. I finished an album with my jazz project Fazer (more on that soon). I co-produced Carlos Cipa's third album (watch out). With him I also scored the TV series "5vor12". I recorded mixes for Radar Radio, Netil Radio, Cashmere Radio, Public Possession and started doing a regular show on Radio 80000. I sharpened my DJ-skills and had some memorable nights here at cucurucu and Polka Bar.

All these achievements might be little steps, but they have me psyched for what's to come in 2018.

Above all, I've been able to work and be together with a few of the finest and most talented beings I know and that is a blessing. You know who you are.

And of course this would all make a lot less sense if there weren't people who buy and listen to my music.

To thank you all I'm giving away this vocal version of "Framed" featuring Tahnee Matthiesen for free.

I've always had this tune in mind as a track with vocals but never found the right singer until I met Tahnee. I think she captured the tender yet tense vibe of the instrumental perfectly and made the track complete. 

Produced, mixed & mastered by Occupanther 
Vocals: Tahnee Matthiesen 
Additional Producing: Hans Hu$tle, @hans-hustle
Artwork: Daily Dialogue, www.dailydialogue.cc

(c) 2017 Occupanther

Free DL

Framed (feat. Tahnee Matthiesen)

First Time Recording ..
Appreciate your criticisms and support

Even When I - Raf He

Track 2 of my new album "Vibes Per Day" that will be released on October 30!

listen on Spotify: https://goo.gl/vLYVaM
follow on Insta: https://www.instagram.com/tilkolare

produced, mixed & mastered by Til Kolare
vocals by Vokalensemble Sequenz Halle

Whithout Words

Til Kolare - A New Life

ALL PROFITS MADE FROM THIS ALBUM WILL BE DONATED TO GREENPEACE'S "SAVE THE ARCTIC" CAMPAIGN. 

Rumpistol writes about the release: 

"While working on finishing my upcoming album, I thought I'd share this collection of remixes from last years "Floating" album with you. 
Some of the remixes you might already have heard while others are unreleased. 

The 9 remixers featured come from different parts of the electronic sphere, and I hope that this collection will encourage you to check out their music. 

I also thought that I could use this release to generate a little awareness of the melting Arctic. 

The Arctic is melting because of our use of fossil fuel energy. 
Three-quarters has vanished within the last 30 years, while companies and governments continue to drill for oil in the melting waters. 

The ironic thing is that we're all part of the problem because of how we're living our day to day lives, and the way we all depend on oil and electricity. 

Big respect goes out to Greenpeace for starting this campaign, to Red Baron for supplying the vocals, to all the remixers who generously donated the tracks and last but not least to Project:Mooncircle & VME for believing in the original material." 

More info about Save The Arctic here: savethearctic.org 

Check out the original "Floating" album here: projectmooncircle.bandcamp.com/album/floating
credits
released 10 April 2013 
RUMPCD015 
Mastered by Antony Ryan.

Rumpistol / Red Baron - Dinosaurs (Pavel Dovgal Remix)

from 'Where We Were' [CD|2xLP|DIGITAL]
available from May 2013 on all formats at [http://denovali.com/greghaines]

ON TOUR

21.04.2013 London (uk) - Denovali Swingfest

08.05.13 Eindhoven (nl) - Muziekgebouw
10.05.13 Groningen (nl) - De Oosterpoort
11.05.13 Amsterdam (nl) - Paradiso
12.05.13 Trier (ger) - Synagoge Schweich
13.05.13 Paris (fr) - Café de la Danse

17.05.13 Münster (ger) - Black Box
18.05.13 Utrecht (nl) - Le Guess Who Festival May Day
19.05.13 Essen (ger) - Welterbe Zollverein
20.05.13 Brussel (bel) - Ancienne Belgique Club
21.05.13 Hamburg (ger) - Nachtasyl
22.05.13 Bielefeld (ger) - Nummer Zu Platz
23.05.13 Hannover (ger) - Feinkost Lampe
24.05.13 München (ger) - Einstein
25.05.13 Geneva (ch) - La Graviere
26.05.13 Varano Borghi (it) - La Sauna Recording Studio
28.05.13 Bratislava (slovakia) - Atelier Babylon
29.05.13 Budapest (hun) - Akvárium Klub
30.05.13 Prag (cz) - Palac Akropolis
01.06.13 Gdansk (pl) - Club Zak
02.06.13 Warsaw (pl) - Cafe Kulturalna



Denovali Records is happy to announce the release of Greg Haines' new album WHERE WE WERE on cd, double vinyl and digital, as well as the release of 2006-2012, a collection of Greg's first three albums Slumber Tides, Until The Point of Hushed Support and Digressions as triple cd and 5 x vinyl collector's box in May 2013.


WHERE WE WERE [CD|2xLP|DIGITAL]

“WHERE WE WERE”, the new album from GREG HAINES, may come as a surprise upon first listen. The cascading strings that played such an important role in his prior work have disappeared, and in there place are intricate layers of tape-worn synthesizers. Any recordings of piano have been transformed and affected until their sound is at times barely recognizable. Moments of quiet, slowmoving textures can still be found, but they are nestled between upbeat, rhythmically-driven tracks that at times could even be considered for deployment on open-minded dancefloors. Although taking a year to complete, the nature of this record is born in its spontaneity and impulsiveness. The acoustic instruments such as piano, vibraphone and other percussion that found there way on to the album were not the result of months of composing - rather they were entirely improvised and often left completely unedited and raw. At first the idea was these rough tracks, full of noises and hiss, would later be re-recorded, but as the process drew on, it became clear that these kind of loose, half-thought moments were what defined the album - often “out-oftime” or “out-of-tune”, but always adding another dimension to the hazy, analog world of sound. This hand-crafted approach led to almost everything being constructed in the old-fashioned way; not with mouse-clicks, but with two hands moving dials and everything running to an aged tape machine.

This album is the result of one person sitting alone in a room and creating something entirely personal, without the frustrations of organising large-scale sessions for other players or the laborious work of preparing scores. In fact, the few scored moments that were written were later disregarded, with a whole string session with PETER BRODERICK ending up on the cutting-room floor (sorry, Peter!), along with endless hours of other material. What is left is the condensed diary of a year of exploring old tape delays, analog synths and percussion - some of which played by percussionist/composer SYTZE PRUIKSMA (a member, along with Haines, of THE ALVARET ENSEMBLE, whose debut album was released in December 2012 by Denovali Records), and some of which played and recorded in a midnight daze at Haines' studio in Berlin. Working in this way led to a whole host of other long-term influences feeding into the music that had never found an outlet before. The experiments in dub conducted by the likes of KING TUBBY or LEE PERRY and continued by the likes of RHYTHM & SOUND had a profound effect, as did the iconic work of TONY ALLEN and other African composers. The spaced-out soundscapes found on early TANGERINE DREAM and KLAUS SCHULTZE had always had a subtle influence on Greg's work, but now armed with an arsenal of dusty studio toys, those sounds became warmer, richer and more prominent.

The influences evoked here may at first appear at odds with Greg's previous work, but an affinity between the dense poly-rhythms of Africa and beyond have long been an influence for contemporary composers such as STEVE REICH, and their reach and importance on western music is undeniable. But now the lines have been blurred, and its impossible to say where one “style” or influence stops and another begins – something that was perhaps the only concept for this record. The symphonic synth crescendo of “So it Goes” would not have the same impact if it were not following the head-nodding drive of “Something Happened”. The delicate arpeggios of “Wake Mania Without End II” only exaggerate the unrelenting, rhythmical explosion of “Habenero”, and without starting with the intimate piano of “The Intruder”, the album's cavernous ending wouldn't feel so otherworldly. Its all in there or at least whats left of it after the hiss, the dirt and the degradation of the tape machine destroyed it, reworked it, and spat it back out fullyformed.

Mixed and mastered together with NILS FRAHM at his Durton Studio, Berlin.

Framed (feat. Tahnee Matthiesen)

Occupanther

Recent comments

Wabz

Dany Lang Nguyen

ezria

Related tracks