Name: Counterattack of a Heart that Has Succumbed to the World (313) by Amekaze Hanako-syokudo in Weekly Wave
Duration: 4 min 19 s
Description: This song is a major adaptation of the concept of the previous song. In electronic music, the way this song uses sound is mainstream. However, my aim is to express an individual soul. Since the sound is a collection of images, it is instead concentrated into one image. I feel an irony. Also, I couldn't create a bass phrase.

Impressive avant guard mystical cinematic collage! A singular musical expression, as I could say for much of your work - very interesting piece!

yes! radical original music, no compromise. play on sir. (<:

A very nice sonic journey.  Nice elements.  Great production.

Great title and muscal expression of it....

Cool kaleidoscopic sound journey great sounds

Weekly Wave

Please view the video demonstration at https://m.youtube.com/watch?v=uAHseD7NcZI 

Démonstration of of Make Noise Bruxa, DPO, znd Morphagene.  Other Eurorack modules such as a sequencer were used.

BRUXA - THE UNIVERSE KNOWS

Time shift

This song is a major adaptation of the concept of the previous song. In electronic music, the way this song uses sound is mainstream. However, my aim is to express an individual soul. Since the sound is a collection of images, it is instead concentrated into one image. I feel an irony. Also, I couldn't create a bass phrase.

Counterattack of a Heart that Has Succumbed to the World (313)

This music has be been edited and mastered from an upload several years ago that needed new light shined upon it.  I hope you enjoy.

Someone Time Forgot (remastered)

My second collaboration with the fantastic Eclectic Collective. Thank you for this awesome experience, Josh, Ken, Stephen, JJ, and Tez!

Cast of characters:
Tea R. Sea @tea_are_sea -- Terry – Synthesizers, beats, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Top T Classic
 electric wah guitar, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano, tambourine, and triangle
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Custom five-string fretless bass

This song started as a basic, yet melodically very strong composition by Terry involving him playing a synthesizer over a beat he created. He first shared it with Stephen, as they are regular collaborators in their project, Texas Tea, which are worth checking out on both of their pages, as well. Stephen then turned it over the the Eclectic Collective to work our magic on it.
  Josh was first up to the plate with this one, adding his deep, five string fretless bass to Terry's rudimentary beat. Ken was next up, however, adding the driving drum beat you hear, for which he used Terry's beat as a template and augmented a full kit sound to it. Stephen followed Ken, adding his striking wah guitar part to the whole thing. Tez was up soon after with his searing guitar soloing towards the end. Last, but certainly not least, JJ added the soulful electric piano you hear giving it a funk throughout, as well as the tambourine and the cool triange dings. 
  Now that it was in the bag, we decided to ask Stephen to produce and mix it for us, which he did in his typical expert fashion, as well as the doing the mastering, too.
  This is our holiday offering to all our fans, friends, colleagues, and peers. While it's not particularly a holiday song, it's a good display of where we are musically, and shows some of the flavor we want to add in the new year. We hope you enjoy listening to this as much as we enjoyed creating it. Happy holidays to you, and many happy returns!

Tree Tops - w/ Eclectic Collective

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

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[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Liar

Mats Demotape

Alla dagar. ( 1994 ) Eddy Mango - Margareta Theorin ( Eddy )

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

NO FUSS // Short Musical Story Why Excitement Is Not Worth It …
@docfritz // Soundscapes, Music, Rhythm Design, Cover, Mix & Production
Composed, Arranged & Performed by DOCFRITZ @ OESJ 
© 2025 // All Rights Reserved

NO FUSS

This is the only live-recorded ballad I can put up here from the first album of Stytz Syndicate.
Line Up:
Stytz                             : guitar/leadvocals
Michael Roth                : harmonicas/vocals
Günther Reger             : saxophone/vocals
Claus Wengenmayr     : keyboards/vocals
Benno Richter              : bass
Jörg Schäfer                : drums
Lyrics                            : Pee Gee
Album Cover-Painting : Joachim Scheffler

Many people in the audience that night became teary-eyed hearing this song. 
The band gave it their absolute best and Stytz sang with heartbreaking intensity.

Thinkin´of the years we spent
Together...you and me
Goin´thru a constant change of ups and downs
I remember when we fell in love
A world full of colors surrounding us
We were happy all the time

It´s so hard to bear when words get in the way
So hard to bear when nothing`s left to say
So hard to say ...I´m sorry, it´s too late
I just fail to understand why
Our love´s come to an end

So afraid of losin you
I made a big mistake
But I know I have to realize
The feelings are gone
I can never change your mind
You made your own decision
Tryin´to find a way 
Leadin` back to yourself

It´s so hard to bear when words get in the way
So hard to bear when nothing´s left to say
So hard to say...I´m sorry it´s too late
I just fail to understand why
Our love´s come to an end

Our Love´s Come To An End ,  Stytz Syndicate

Younkersor Primmereve

Don’t Know Much

Original composition and drum programing by Neno J.
Electric guitar Yamaha SG, recorded directly using multi effect Hotone Ampero 100, Bass guitar Ibanez
May, 2025.

Colorful feelings

SOM 21- lost the line

"Long Way Through Uninhabited Places" drifts like a forgotten signal from deep space—layered synth textures unravel against intricate, shifting drums, while faint traces of cosmic VHS noise shimmer in the background. The track feels both vast and intimate, striking an atmospheric balance between exploration and nostalgia, as if wandering endless empty landscapes with only memory as a guide.

Long Way Through Uninhabited Places

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Counterattack of a Heart that Has Succumbed to the World (313)

Amekaze Hanako-syokudo

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