Just like the previous ones, great track, well produced. Personally for me, it's a great spatial track.

@divinwoken: Your music is also real art. I support

cool interaction beetween music, title and art

This original pop ballad relates two people who have been separated and unable to be together for too long. When they are finally reunited it seems too good to be true. There is a tension, trepidation in how to reengage and to open up the deep affection they have for one another. The ukulele drives this one from the start as it brings some old school crooning with the two voices that celebrate this uplifting love song.

Copyright 2022 Daniels & Durgy * Gentle Rain Records 
Written, Performed and Produced by: Nat Daniels & Craig Durgy
Partial Loops - Big Fish Audio - Fully Licensed, 
except for Piano, Bass & Glockenspiel - Nat Daniels & Craig Durgy 

Lyrics:
Please, tell me what to do
I just cannot believe 
I’m standing here with you
You're really here with me

And oh, we held off for so long
So fine, the line between right and wrong
And now you fill the air I breathe
Your eyes seem too much to conceive
And I’m just standing here in awe
Tell me should I close the door

And hold you in my arms
Just Like I used to dream
Tear those bridges down
So you might never leave

Now, the face I know so well
The cloud is lifted I can tell
Your smile can finally be revealed
Now we know our love is real
As I close the door behind
Your lips come close to mine

Oh just kiss me till I go
With love I need to know
This time is ours alone
Tomorrow is long gone

Please, tell me what to do
As I’m standing here with you
I just cannot believe 
You're really here with me

Tell me what to do
Please, tell me what to do
I’m so in love with you
Please, tell me what to do

Tell Me What To Do

Mix by FPMORINSTUDIO/Francois Pierre Morin musician composer ,Photo by Jean Nicolas Morin ' Morning on the red river valley Mont-Tremblant Canada.

FPM Mix 2022 06 09

Naked Sky

Oceanism

This track may have set a milestone for me, its raw and could need some more versions to it before presenting it, but I feel this marks a milestone for me.
Roland D70+Roland Gaia for melody.
BARP2600 Lead synth.

Patches on the two Rolands are my own patches. The Gaia is virtual analog so its easy to work with, the D70 is diving into menues, but once you have learned it, it's no big deal. The BARP2600 is 100% analog so of course the sound is created by my own settings.

Bølger

I liked my song for the first time.
 CuriouslyCuriously, I never thought I loved my songs. 
 This song was baptized with intense noise and glitch sound in the previous work, and the "sound selection range" expanded, and for the first time I was able to make a song that I thought I liked (cheers).
 The slogan of the operation of SoundCloud was "Being famous for an artist is not always happiness".
 that's right. Everyone, I spent a year learning the joy of making music that I liked in SoundCloud, and tonight I feel the first joy (toast).

I Am The One Who Cultivates My Field Under The Great Outdoors.

Part of a new album I've been uploading, featuring compositions written over the last several months of 2021. If anyone can pinpoint what all of these compositions have in common, musically-speaking, put it in the comments - there was a concept tying everything together but I'm not going to reveal what it was unless if someone figures it out on their own.

Cover art created using NeuralBlender.

This album is going to be called "Prohibited Topics," a tribute to the textbook authors and teachers whose work is being disrupted by right wing efforts to stifle education about racial disparity and structural racism in the US.

Prohibited Topics

21 12 23

feels wonderful from here
and it seems worth mentioning
thru the early morning chill
see the world awakening

and so it is
and so it goes

see the luminescent leaves
dancin' with the breeze
the critters start to seek
a way to go

the butterflies that float
together carelessly
bring beauty to the day
already beautiful

https://www.youtube.com/watch?v=AWRy1dAUq0Q

summer

Exodus

My 'Adagio for Expanded Chamber Orchestra' draws heavily on the music of the late romantic composers Bruckner Wagner and Mahler but does its (acknowledged)borrowing in a uniquely improvisational and individualistic style style for which I make no apology.
The music in this piece is sometimes dramatic, and as the piece unfolds, its structure in terms of the golden section durations it employs become evident and I hope pleasing to the listener
This track was mastered by John Cafarella.

Adagio For Orchestra An Exercise in Late-Romantic Harmony (Remix 24 February 2023)

"太鼓（beat a drum）"

Vocals: Vocaloid Yukari
Art work: Victoria_Watercolor via Pixabay

太鼓打つ子の後を追う浮雲のおもい足取りわれの後追う

I followed a boy as he walked, beating his drum.
Anxiousness followed behind me.

太鼓 (beat a drum)

E-Lima

I continue to create music with new structures, turning my back on so-called popular music. You're more likely to be turned away by your listeners than to be appreciated.
However, humans have a gene that favors curiosity, so-called adventure, and when this gene is activated, they leave their comfort zone and want to find out what lies ahead.
The meaning of the Japanese word "Amekaze-syokudo" is that the owner of a shop for children earns money by running a bar behind the shop where you can drink alcohol from the morning. It's a selfish business. I use this phrase as a warning, vowing to "take music seriously."

I Am The One Who Cultivates My Field Under The Great Outdoors.

Amekaze Hanako-syokudo

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