trutter strutter time mash up groove time :)

thats a huge bold sound, industrial edge.. great work

Mega. coole Percussion und das Piano ist irre. Fettes Teil, sehr geil gemacht.  Immer wieder krasse Wechsel im Sound. Super Amekaze.  Geiler Stil. Einzigartig

[UNDER CONSTRUCTION]

Meet ____________ (insect and spider specie, when my computer is fixed)

Calm and Steady tracks series no. 551

created: 2025/05/18

Picture CREDIT (none yet, there's no picture so far ; )

hk_calm-steady_tracks_551

250204-Tr1_tkb

Tonight

'Pentatonic Ruins' [CD|LP|DIGITAL]
Denovali Records · den385
available on all formats at http://denovali.com/mansur

"Pentatonic Ruins" is MANSUR’s 5th release on Denovali - it follows the 2022 "Oscuras Flores" album. "Pentatonic Ruins" is more of a song adaptation album than a new material album. It highlights the vocals of Martina Horvath and presents a collection of Mansur songs in a more hypnotic and trance like manner. This album can be seen as songs for transcendental rituals.

Mansur - Szaturnusz

Gabriela War - Whisper Slowly LP 

Release Exclusive 03/21/2025 on Bandcamp 
Main Release 04/11/2025 Sotify, Beatport, Apple and more

Meet Recordings presents Whisper Slowly a deep, hypnotic exploration of sound and emotion.  Born in Algarrobo, Valparaíso, Gabriela War has built a reputation as a multidisciplinary artist pushing the boundaries of electronic music and audiovisual expression. With roots in video mapping, sound experimentation, and a deep connection to technology and sensory storytelling, she fuses art and innovation into sonic experiences that transcend the ordinary. Inspired by her signature vocal style and DeepketaDub sound, Whisper Slowly embodies a serene yet gripping energy soft whispers entwined with pulsing basslines, ethereal pads, and delicate textures. The LP reflects her philosophy: music as an immersive narrative, a place where cyberpunk aesthetics meet feminine and experimental sensibility. Each track is a slow burning journey into the depths of deep techno, where time dissolves, and emotion takes center stage. Haunting yet beautiful, this is an album that doesn’t just play it lingers, drawing you into its spell.

Turn Arround
I wanna die
Paranoia
Mapping Night
No one understands
Enloqueciendo
Tokio 

I wanna die

Heartspace EP by Lillusion

Buy link: https://lillusion.bandcamp.com/album/heartspace 

Spotify: https://open.spotify.com/intl-de/artist/6EVmXAKFQGCqcSYn8JqINB

Instagram: https://www.instagram.com/lill.usion/ 
 
Soundcloud (artist page): https://soundcloud.com/lill_usion 

Release date: 28/03/2025

ASHR PREMIERE: Lillusion - Surrender

VeryVolcana Chaos...GoaTrance mash up with a house beat

volcanic goa disco

noxpox - bling bling hopping

I've read your comments, but I'm late in replying to you. I'm sorry. I was stuck with a lot of worries while making this song. I tried to make this song into club music, but after struggling, my ego made it no longer rhythmic music. However, it's a joy for us to have our ego in the song. We've finished our new song, so we'd like to reply to your comments. The sound of the song clearly shows that we've been exposed to your music.

No. 233 Club Music Experimental Version - With thanks for your comment to me

Scotch 4 Lunch

„Towards the Dawn" from the album Tides of Melancholy is an emotional journey between darkness and light. The track captures the essence of sorrow and hope, unfolding in delicate yet powerful melodies. With a tender piano performance accompanied by a soft violin, the song takes the listener into a world of reflection and inner transformation.

In an atmosphere that is both contemplative and uplifting, the track symbolizes the transition from difficult moments to new possibilities. Melancholy blends with a hint of hope, as if the darkness is being pierced by the first rays of morning.

Perfect for fans of cinematic, ambient, and instrumental music, looking for a sound that is both profound and uplifting.

„Towards the Dawn“ aus dem Album Tides of Melancholy ist eine emotionale Reise zwischen Dunkelheit und Licht. Der Song fängt die Essenz von Trauer und Hoffnung ein und entfaltet sich in sanften, aber kraftvollen Melodien. Mit einem zarten Klavierspiel, das von einer weichen Violine begleitet wird, entführt der Track den Hörer in eine Welt der Reflexion und des inneren Wandels.

In einer Atmosphäre, die gleichermaßen nachdenklich und erhebend ist, symbolisiert der Song den Übergang von schwierigen Momenten hin zu neuen Möglichkeiten. Die Melancholie vermischt sich mit einem Hauch von Hoffnung, als würde die Dunkelheit von den ersten Strahlen des Morgens durchbrochen.

🎶 Album: Tides of Melancholy
🔗 Folge mir für mehr Musik.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

Hinweis: Dieser Track wurde vollständig von mir komponiert, aufgeführt, arrangiert und produziert – ohne den Einsatz künstlicher Intelligenz.
Echte Musik mit authentischen Emotionen und Persönlichkeit zu erschaffen, ist mir wichtig. Vielen Dank, dass du zugehört hast und für deine Unterstützung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Tide Of Melancholy

Towards the Dawn

2025 GAD

There is only one path to the top of the mountain. You just follow the path walked by an artist you admire and climb up.
This song was inspired by "New SEEDS" released by Boards of Canada. To me, "New SEEDS" is halfway up the mountain, and I have always thought that it would be wrong to avoid this song when trying to reach the summit.
You can't fly towards the top of the mountain! It's music only when you climb.
It's not similar, so if you search for "New SEEDS" you will find some really wild techno music.


Following in the footsteps of your favourite music（232）

The plan is to upload a new track in around a week...Many thanks for all streamings, likes, support...

HOW TO APPROACH A LARGE BONFIRE

Cast of characters:
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums, acoustic guitar, song and vocal melody composition
Joseph Shenton -- @joseph-shenton -- lyrics
Gaz Brownie — @user-755327533 — Gaz — vocals, vocal harmonies, and lyrics
one man verity show – @one-man-verity-show – Scotty – electric guitar intro
TexMex Shaman–@texmex-shaman –Stephen– Les Paul Custom electric guitar, mix, production, and mastering
Llanpsych–@llanpsych –Tez– Epiphone Les Paul electric guitar
Tea R. Sea @tea_are_sea -- Terry – low synthesizer
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Fender Precision bass and high synthesizer


This song began a few months ago as an idea Ken had to make the quintessential Gen X song. He structured the chords, beat to appeal to anyone of a certain age group, of which most of the folks in the band are a part. He even played wrote it on his acoustic guitar and came up with the vocal melody, which Gaz put a shine on for the final version. Once he had the form of the song down, he tapped the incredibly talented Joseph Shenton to write the lyrics. Gaz not only superbly sung four part harmonies for this, but the came up with the lyrics for the break parts, too. 
  When he first envisioned it, Ken thought it would be fun to invite as many musicians as we could onto it. However, for whatever reason, it stalled out and sat untouched for a couple months, with just Stephen's foundational guitar, Scotty's thrilling guitar intro, Terry's lush, low end synth, and Josh's bass to hold it down. Then, Ken had the great idea to invite Gaz to sing it for us. His awesome vocal track inspired us to heat up the kiln again, and put some real effort into bringing it to life. On that note, Josh redid his bass part to match Ken's rocking drums, as well as added the high, melodic synth you hear throughout. Tez came in last with the fiery guitar fills and solo, which you can hear throughout, as well. 
  Once it was all in the bag, we tapped Stephen to produce and mix it, which he did in his always pro manner. 
  This is the first collab Eclectic Collective has done with Gaz, but we all hope it won't be the last. He is one of the finest singers on the Cloud, and we're honored that he would sprinkle his magic on this song with us. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by Joseph Stenton:
Where were you on those days gone by
Were you out by the tracks where the lone train whistle cries
Or kicking up rocks on those dusty roads of dirt
Or skating on streets paved with gold
Or wrestling upon the grass beneath endless sky

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
Were you tugging at the stars too
In an attempt to release their light
Bonded by hours
To a brotherhood we believed would never die

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
From within this dull petrification of time
Comes a crystalline memory
Of those long lost moments, now born free 
Of come what might, come what might be

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
With a tape in the walkman
Playing the soundtrack of passing time
To these moments of our lives
That once burned bright but never died

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs

Generation X (Eclectic Collective with Gaz Brownie, One Man Verity Show, and Joseph Shenton)

Cast of Characters:
Cgmaness – open.spotify.com/album/42qOeOxPcclsxwxlPynFfL – Chris – Gretch bass, Guild Pelora electric guitar, SoundStone on a Harley Benton electric guitar, vocals, composition, mix, and production
Mistermark-- @user-432503709 -- Mark – organ
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland Phantom synth
TexMex Shaman– @texmex-shaman –Stephen– Gibson Les Paul custom electric guitar

This song began as a mostly fully fleshed out idea from Chris. He presented it to the rest of Eclectic Collective as a bass line with a rhythm guitar chugging the goove. Awesomely powerful groove, but pretty stripped down compared with the final version.

We did this in an odd order this time, for no particular reason. Probably because Chris' bass groove was so strong, Mark was able to first add his ripping organ throughout, inspired by Deep Purple. Tez, again surprisingly, was able to add the fiery solos at the end and the intro, even before the drums were up. Although, we didn't have to wait long for that, because Ken filled them in perfectly, as he always does. Once the structure and rhythm section was complete, Josh decided to add the synth solo in the middle, at the crescendo, which he really enjoyed doing. Stephen came last to the party, but replaced Chris' rudimentary rhythm guitar with a fierocious, but more riff oriented, and less chordy line throughout.

Once it was in the bag, Chris was the natural choice to mix it, since his productions are always top quality, and it was his song to begin with. During the production, he also decided to add the guitar, including the an e-bow like device called a SandStone that sounds a bit like a synth, and vocal tones to the middle and end. He also added the vocalizations you hear in those parts, as well.

This is an example of an Eclecitic Collective song started by Chris, whose music we adore and with whom are always excited to work. His music is all amazing; check out his page if you haven't already. He is also on Spotify, which is where you'll find his new album, which is amazing! We hope you enjoy listening to this song as much as we enjoyed creating it.

The Collective - (Eclectic Collective) song by CGManess


Before August 2021, I didn't know how to make music. The turning point came when I was hospitalized in August for surgery to fix my lumbar spine. I don't know what gave me the ability to make music. And in a few days, I will have to undergo the same surgery again. Surgery patients have to endure boring and painful rehabilitation. It was probably the boredom of the hospital room that gave me music four years ago. This time...

Bored in my hospital room, I get musical inspiration(324)

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Following in the footsteps of your favourite music（232）

Amekaze Hanako-syokudo

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