Name: Ordinary's Steps(289) by Amekaze Hanako-syokudo
Duration: 3 min 31 s
Description: My progress in music has been minimal. I get obsessed with collecting collages, and I try my best to dominate 3 minutes with cool basses. The sound I want to create is a combination of hip-hop rhythms and sounds born from personal ideas. However, with my current skills, both are separate. The reward is always finding a new way to feel about a slight "connection."

my man AH - unmatched originality w deep feelz to boot!

a collaboration with a wonderful artist #AdaDaveed 
Soar my friends SOAR !!
Sitar Roger Walker 
Vocals Ada Daveed
Keyboard Ada Daveed
Percussion Ada Daveed
Bass Guitar  Roger Walker

Powdered Mountains 

YOUNG BUZZARD by #AdaDaveed and Roger Walker .

February brings a slower, pensive, ballad from the WAG fellas. Perhaps we're feeling a little sentimental, or reflective in the bleak midwinter?  Maybe it is the approach of Valentine's Day slowing things down, or is it simply age, and the desire to capture anew, the childlike wonder of looking up in a gentle snowfall?

Change is the key to being fresh in our creative approaches to music. One For The Eye is a poem I wrote in celebration of the winter season. It was adapted by Keith to better fit an easy listening composition I had sent to him earlier. Keith ran with the challenge to make a song out of these parts and delivers a song that, we trust,  gives one pause to conjure up those moments from childhood in the snow, and smile. 

Two observations offer a frame for this song:
This week, Nova Scotia, where I have family, received a record setting dump of snow (Sydney N.S. received 1.5 m), and that is where the muse opens.
The other observation is that in the west, in Alberta and Saskatchewan, where I also have family, there is too little snow accumulation leading to worries about water tables, crops, and forest fires this summer. Too much or too little is not good.

Lyrics:
One for the Eye 

Too much can be an undesirable burden
Too little leave all hopes abandoned.
One at a time,
One on the tongue,
and one in the eye.

Or could it be a warm iconic postcard?
Or would it be much better left just as Mother intended
One at a time
One on the tongue
and one in the eye

A light descent from heaven
It may be euphoric
Though always seen,  
never heard in the falling

One at a time
One at a time
One for the tongue
One for the tongue
…and one in the eye


Wigmore: Original poem, music, production
Allen: adapting lyrics, vocals, bass.

One For The Eye

Creative Spirit Online: "Colorful and engaging from beginning to end, this is the latest of Robert John Brooks’ virtuosic offerings. The three movements (Rondo, Variations and Finale) are scored for large orchestra—a twenty-minute journey through sometimes tender, often energetically playful, occasionally threatening, and ever-changing musical textures. Brooks’ musical gift lies in his ability to create highly structured, clearly defined musical gestures within the context of a challenging and thoughtful harmonic and rhythmic language."

“Contrapunctus III” was completed in February 2024 in Fairview, TX. The work is in three movements: Rondo, Variations, and Finale'. Performance time is about 20 minutes. Printed and electronic copies of the score are available now and instrumental parts will soon be available soon from www.CreativeSpiritOnline.com.

About this recording:
The present virtual recording was produced using Finale 27.4.1 and the Garritan Personal Orchestra 5 virtual instrument library. For the best listening experience, high quality headphones are recommended. This recording was mastered by EMastered. 

Instrumentation:
2 Flutes. 2 Oboes, English Horn, Eb Clarinets, 2 Bb Clarinet, Bass Clarinet, 2 Bassoons, Contrabassoon, 2 Horns in F, 2 Trumpets in C, 2 Tenor Trombones, Bass Trombone, Tuba, Timpani, Percussion, Strings

Performance notes:
• Tempo, expression, and dynamic markings should be strictly observed.
• There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
• Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
• Passages marked fff or ppp indicate playing as loudly and as quietly as possible, respectively.
• Double-bass “C-extension” is required.

Contact information:
Robert John Brooks, Fairview, Texas USA
Email: robtjbrooks@yahoo.com
Web: www.CreativeSpiritOnline.com
Web: eMastered.com/profile/robtjbrooks

Engraving by the composer
Artwork by the composer
Copyright 2024

Contrapunctus III for Orchestra

View/Buy Score

My progress in music has been minimal. I get obsessed with collecting collages, and I try my best to dominate 3 minutes with cool basses. The sound I want to create is a combination of hip-hop rhythms and sounds born from personal ideas. However, with my current skills, both are separate. The reward is always finding a new way to feel about a slight "connection."

Ordinary's Steps(289)

Here a new Kinsâme song with Kyt de Kinsâme :
https://soundcloud.com/kiyotoyoshihara

-----------------------------------
台風の花
青い妖怪鏡
苦い水

-----------------------------------

I am storm flower 
And as soon as I bloom 
I perfume and I illuminate 
Of a thousand strategies 
My darling enemies 
I am the goldsmith 
Of my beloved monsters 
I make with:  A fever, a religion, a politics 
O dear mad dog 
I now have the right to poison you 
I am purity 
And you 
You are the terrorist 
That I create 
You are my monster that I show to the world 
My genocide of youth

-------------------------------

Je suis fleur de tempête
Et dès mon éclosion
Je parfume et j'éclaire 
De mille stratégies
Mes ennemis chéris
Je suis l'orfèvre
De mes monstres bien-aimés
J'en fait
Une fièvre, une religion, une politique
Ô cher chien enragé
J'ai à présent le droit de t'empoisonner
Je suis pureté
Et toi
Tu es le terroriste
Que je crée 
Tu es mon monstre que je montre au monde
Mon génocide de jouvence

Monsters - Kinsâme

White Flower

Hello, all!  😁

Pointing to the heavens, i give you a new Iteration of 'Dreamstream', which i have named  'The Stars Above This Dream'.  

May you enJOY, and may they always twinkle in your inner eye! 

© Gary Courtland-Miles 2024
℗ Gary Courtland-Miles 2024

Photo by The Hubble Space Telescope of NGC 376 which is a Jewel in The Small Magellanic Cloud. It is approximately 38 light-years across and full of (relatively) young stars!

The Stars Above This Dream * * *

My Robot came back from the war with a guitar... I think he's still learning how to play...

Now My Robot Plays Guitar

Space Gate

Not about alcohol, ha! .. a song written in April 2020, while the world was wasting time.. I found a way “‘forward “.. I’ve posted this a couple times, but I’m migrating it back to my main account, cause.. why not?, ha!😇

Drinking The Spring

Luther
Instagram: https://www.instagram.com/danielluther04/
SoundCloud: https://soundcloud.com/dclarkwisc

PNEUMA
Instagram: https://www.instagram.com/pneuma.ofc/
Website: www.pneumamusic.de
TikTok: https://www.tiktok.com/@pneuma_ofc
SoundCloud: https://soundcloud.com/pneuma_ofc 
Beatport: https://www.beatport.com/label/pneuma/118268

Crossing the Threshold

Premiere: Luther - Crossing the Threshold [PNEUMA]

I continue to create music with new structures, turning my back on so-called popular music. You're more likely to be turned away by your listeners than to be appreciated.
However, humans have a gene that favors curiosity, so-called adventure, and when this gene is activated, they leave their comfort zone and want to find out what lies ahead.
The meaning of the Japanese word "Amekaze-syokudo" is that the owner of a shop for children earns money by running a bar behind the shop where you can drink alcohol from the morning. It's a selfish business. I use this phrase as a warning, vowing to "take music seriously."

Ordinary's Steps(289)

Amekaze Hanako-syokudo

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