great story❤️‍🔥❤️‍🔥great track

excellent music !!  i am most certainly a self confessed control freak : ) but being open to chance is a beautiful thing too!

The approach is interesting and the result is very good 👍✌️

Beautiful piece, and the release of tension here is excellent

unusual, nice sublime rhythms, great synths 👍

Beautiful construction and creative soundscape

Very creative ideas, a new take on electronica 👍

Somewhat doom-laden reflection of the prospect....but cheering up, it may never come down to a rogue algorithm sparking it all off!! Hooray!......
Blues track:
Synth; Tenor saxes; Soprano saxes; flutes; alto flutes(bridge); oboes; clarinets (bass parts).
Beats and explosions c/o Garageband.

Pic. 'Silicon Cities' by Heiko Hellwig c/o Pinterest

Algorithmic - Armageddon Blues

Carl from the Beautiful dark wrote a song today titled "Baldy Patty" and  it inspired me to write my own personal a song about baldness.  I started to lose my hair in my early twenties, and for awhile it bothered me and then one day, I decided to shave my head and I have never looked back. And now so many years have passed that I have been bald longer than I had hair. 
***
Guitar (two strumming tracks) Taylor 114CE 
Organ (playing my midi keyboard using the Logic Pro Organ plug in)
Strings (playing my midi keyboard using Native Instruments strings)
Piano: EZ Keys 2 (Indie Pop (tweed))
Drums (EZ Drummer 3)
Bass (PG Music Midi track with sounds from Native instruments Rickenbacker)
***
My hair’s falling out and I don’t know what to do.
My hair’s falling out, and I’m singing this song to you.

I’ve got hair on my fingers; I’ve got hair on my neck.  
I’ve got on my toes, I’ve got hair on my chest.  
But the one place I want it, it keeps falling out.  
My hair’s falling out and I don’t know what to do.

I shaved my head until the top of my skull was shiny
And I know it’s counterintuitive but I’m no longer bald and whiny.
When you’re young, you assume that you’ll always have hair
And then when you start to lose it, you think it’s not fair
Sampson in the bible when he lost his hair, he became so weak
But that guy on the bottle of mister clean is definitely no geek

I’ve got hair on my fingers; I’ve got hair on my neck.  
I’ve got hair on my toes; I’ve got hair on my chest.  
But where it’s missing on the top of my head, I no longer care one bit.
Because now when it comes to baldness, I don’t give a shit

My Hair's Falling Out

This song may seem like a step backwards, no DAW, just acoustic, quite simple, vocals and a guitalele as accompaniment. Are you familiar with this instrument? I didn't know it existed until I met someone on the train who had one with him, the GL1 from Yamaha. It's kind of a full-fledged mini guitar. It's rather inexpensive considering the quality, costing less than 100 euros including the case. It's a beautiful instrument, and you can easily take it with you anywhere. You can play it like a normal guitar, you just have to get used to the small frets on the fretboard. But I don't wish to advertise here...anyway, I am really happy with it.
I found that song on my phone, one of my very first songs, like „Giants“. I wasn't very good at playing at the time, so the accompaniment consisted mainly of 1 or 2 notes on the electric guitar, hardly any chords. When I rediscovered it, I thought it sounded so embarrassing (the guitar playing) that I wanted to delete it. But then I listened to the complete song and finally liked it a lot. I've taken over some of the minimal guitar playing here in the guitalele version, but play also full chords. So please don't expect a complex song here. Maybe if this is the first song you will hear from me, you perhaps better skip it and listen to another one first.

Get out of my Head

Made in August 2025

Video; https://youtu.be/4nQXqMd0q4o

Colours Of Nature

Cast of Characters: 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, Paul Reed Smith semi hollow body electric Guitar 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – organ and triangle
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song, in case you're not familiar, was written by Medeski, Martin, and Wood with guitarist John Scofield, and performed by them on an album eponymously named A Go Go. Josh has always been a huge fan of both MMW and J.S., and has always wanted to play more of their music, as he used to cover a couple of their songs in one of his main old bands. 
  Josh laid down the bass and after going back an forth a couple of times with Ken and his thrilling drums, they established the rhythm section. Soon after, Josh added his jazzy guitar, as well. We needed someone to play John Medeski's part, too, of course. So, we asked JJ if he'd do the honors, which he did in grand fashion. He also added some triangle hits you can listen for, that add a little bit more pizzaz to the whole thing. 
  Once it was all laid down, we needed a good mix, and no one is gooder than Stephen, so we asked him to mix it for us, which he did in his always pro manner. 
  This was a lot of fun to record, and we hope that comes through. This is a stripped down Eclectic Collective collab, where most of what we're all doing is improv. We hope you enjoy listening to it as much as we enjoyed making it.

A Go Go by Medeski, Martin, Wood and Scofield (Eclectic Collective cover)

Original by Free  1970

Bass, drums & 2 voice in chorus : Little Man
All other instruments & vocal  : PdB Orchestra

All Right Now

A "True2Nature" Production...    My first track with out any AI in a long time..  (beside the graphic)  my computer can finally run a decent "session/project"   so hopefully this is one out many more to come..  

CONTROL FREQ (MUSIC)

Pierre and Jean-Claude Bordetti productions (c) 09/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.

Visage (Lyrics/Paroles)

J'ai aperçu son visage, mais ce n'était qu'un mirage, 
Comme un reflet dans l'orage, une illusion de passage,
Son regard m’a fait naufrage, dans un monde sans rivage,
Où l’amour n’est qu’un langage, perdu dans le vent sauvage.

Elle danse dans mes pensées, comme une ombre sans visage, 
Chaque nuit je veux l’aimer, mais je n’ai que son mirage,
Un soupir, un doux présage, puis le vide en héritage, 
Je poursuis son doux sillage, prisonnier de son image.

Visage

Lunar Ecstasy

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster
J.J. Terrell– @j-j-terrell – electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with.
However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strummed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to.
Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always.
This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.

Juice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
'Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom (Eclectic Collective)

I used a phrase from a comment I received from Stars Mighty Fine as the title.
First, I see a chaotic array of tones, and then I try to create some kind of structure from that chaos. I think the process of composing is simply trying to control the song and sound with all my might.

We Control with All My Might (357)

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

We Control with All My Might (357)

Amekaze Hanako-syokudo

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